Public Service

P. N. Elrod Offers Critique

Picture of P. N. Elrod's dog Fuzzy.
P. N. Elrod’s dog Fuzzy.

That’s right, P. N. Elrod the multi-talented author of The Vampire Files urban fantasy series (among many other books and genres) is offering critiques.

This isn’t something she does lightly, and this is a rare opportunity to have a sample of your writing critiqued by a pro.

Elrod is offering critiques to help pay the bills for her miracle dog Fuzzy; that’s Fuzzy in the picture. Fuzzy’s medical bills are in the triple digits. P. N. Elrod is offering critiques to help pay them down.

Here are P. N. Elrod’s terms for a critique.  They’re reasonable, and yes, affordable for even the frugal. She’s also put up some items—Doctor Who Goodies, and original cover art painting—for sale in P. N. Elrod’s Garage Sale (scroll all the way to the bottom to read Fuzzy’s story).

Even if it’s not for you, if you have writerly friends who might benefit from the knowledge of a working writing professional, please spread the word!

Thrillerfest 2013!

Dive Into The World of Thrillers at THRILLERFEST

Guest Post, by Alma Katsu 

If you write commercial fiction and are looking for a great writing conference, I recommend you check out the International Thriller Writers (ITW) annual event, ThrillerFest. It’s a four-day extravaganza held every year in early July in New York City, close to the publishing industry to ensure participation by editors and agents as well as lots of published authors. If you’re looking for a way to become part of the mystery and thriller genre, you might find that this is the conference you’ve been waiting for.

There are two things that most writers want when they’re at the pre-publication stage: advice on how to make their stories better, and opportunities to meet the editors and literary agents who will make their dreams come true. Craftfest and Agentfest, part of Thrillerfest, are designed to fill those needs.

At Craftfest, you’ll attend sessions on the craft of writing commercial fiction, taught by bestselling authors and some of the top editors in the field. There aren’t many conferences where you’ll learn about dramatic structure or characterization from Lee Child, John Sandford, Steve Berry, or acclaimed agent Donald Maass. While the line-up of presenters changes from year to year  at Craftfest, you’ll find that every instructor at is of the same high caliber.

There are typically over 50 agents at Agentfest to take your pitches. You can see some of the agents who’ve attended in the past here: if you’re looking to pitch to the top agents representing mystery, thriller and suspense, this is where you’ll find them all in one place. And if you’ve never pitched before, don’t worry, there’s a workshop beforehand to teach you the ropes.

At Thrillerfest, you’ll get two days of multiple tracks of panels and spotlight interviews with the biggest names in the field, all designed to teach you about the business of writing commercial fiction. You’ll find panels with some of the most respected editors from the Big Six Publishers: Neil Nyren, senior vice-president and publisher of Putnam, and Mark Tavani, senior editor at Ballantine Books, have been speakers in past years. There are also workshops on related subjects—everything from martial arts to the espionage business—taught by experts.

One of the best things about Thrillerfest is that you get the opportunity to network with authors of all levels of experience—from long-time bestsellers to novices. At my first Thrillerfest, imagine my surprise when I was joined at breakfast by Erica Spindler and Heather Graham! That’s one of the most amazing things about Thrillerfest: everyone is approachable and open.

And while the opportunity to meet big name authors in your genre is a pretty compelling reason to attend, an even better one is that at Thrillerfest you have the chance to meet writers just like you who will likely go on to be your ally in the industry throughout your career—and I can attest to that myself. I met legal thriller writer Allison Leotta when we sat next to each other on stage for the 2011 Debut Author class and today we’re best buds, calling each other for advice and appearing at events together.

As a matter of fact, that’s why I volunteered to write this guest post for ITW: I’ve gotten a lot from Thrillerfest over the years and I wanted to give something back by spreading the word. If you’ve been looking for a writer’s conference that will open doors for you, you might want to read about a few of Thrillerfest’s success stories:

  • Boyd Morrison, author of THE ROSWELL CONSPIRACY, THE CATALYST, ROGUE WAVE and THE VAULT (Pocket Books)

Are you ready to find out more? Click on the links above to go to the Thrillerfest website; you’ll find everything you need. And if you come to Thrillerfest in July, make sure to look for me and say hello!

Alma Katsu is the author of THE TAKER and THE RECKONING, paranormal thrillers published by Gallery Books/Simon & Schuster. THE TAKER was an ALA Top Ten Debut Novel of 2011 and has rights that have been sold in 15 languages. 

Looking for a 2013 Writing Workshop?

I just got this press release, so I thought I’d pass it along to all of you.

ODYSSEY WRITING WORKSHOP ANNOUNCES ITS 18th SUMMER SESSION

About Odyssey
Since its founding in 1996, Odyssey has become one of the most respected workshops in the fantasy, science fiction, and horror writing community. Odyssey is for developing writers whose work is approaching publication quality and for published writers who want to improve their work. The six-week workshop combines advanced lectures, exercises, extensive writing, and in-depth feedback on student manuscripts. Top authors, editors, and agents have served as guest lecturers, including George R. R. Martin, Harlan Ellison, Jane Yolen, Terry Brooks, Robert J. Sawyer, Ben Bova, Nancy Kress, Elizabeth Hand, Jeff VanderMeer, Donald Maass, Sheila Williams, Shawna McCarthy, Carrie Vaughn, and Dan Simmons. Fifty-eight percent of Odyssey graduates go on to professional publication.

The program is held every summer on Saint Anselm College‘s beautiful campus in Manchester, NH. Saint Anselm is one of the finest liberal arts colleges in the country, dedicated to excellence in education, and its campus provides a peaceful setting and state-of-the-art facilities for Odyssey students. College credit is available upon request.

Jeanne Cavelos, Odyssey’s director and primary instructor, is a best-selling author and a former senior editor at Bantam Doubleday Dell Publishing, where she won the World Fantasy Award for her work. As an editor, Cavelos gained a reputation for discovering and nurturing new writers. She provides students with detailed, concrete, constructive critiques of their work. Cavelos said, “I’ve worked with many different writers, and I know that each writer thinks and works differently. We limit attendance at Odyssey to sixteen, so I can become deeply familiar with the work of each student and provide assessments of strengths and weaknesses. I work individually with each student, helping each to find the best writing process for him, suggesting specific tools to target weaknesses, and charting progress over the six weeks.” Her critiques average over 1,200 words, and her handwritten line edits on manuscripts are extensive.

Odyssey class time is split between workshopping sessions and lectures. An advanced, comprehensive curriculum covers the elements of fiction writing in depth. While feedback reveals the weaknesses in students’ manuscripts, lectures teach the tools and techniques necessary to strengthen them.

The workshop runs from June 10 to July 19, 2013. Class meets for four hours in the morning, five days a week. Students spend about eight hours more per day writing and critiquing each other’s work. Prospective students, aged eighteen and up, apply from all over the world. The early action application deadline is JANUARY 31, and the regular admission deadline is APRIL 8. Tuition is $1,920, and housing is $790 for a double room in a campus apartment and $1,580 for a single room.

This year, Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend. The Parasite Publications Character Awards, three scholarships in the amounts of $1,920 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go.

Meet Our 2013 Writer-in-Residence
Odyssey’s 2013 writer-in-residence, Nancy Holder, is an award-winning, New York Times bestselling author of adult, young adult, middle grade, and early reader work, both fiction and nonfiction. She has sold approximately 80 novels and 200 short stories, comic books, and essays in various genres. She has taught creative writing classes at the University of California at San Diego, the Maui Writers Retreat and Conference, and other conferences and colleges, and has been on the faculty of the Stonecoast MFA in Creative Writing for seven years.

Other Guest Lecturers
Lecturers for the 2013 workshop include some of the best teachers in the field: award-winning authors Holly Black, Patricia Bray, Adam-Troy Castro, and Jack Ketchum; and the two-time Hugo Award-winning editor of Asimov’s Science Fiction magazine, Sheila Williams.

Odyssey Graduates
Graduates of the Odyssey Writing Workshop have been published in the top fiction magazines and by the top book publishers in the field. Their stories have appeared in The Magazine of Fantasy & Science Fiction, Analog, Asimov’s, Realms of Fantasy, Weird Tales, Lightspeed, Orson Scott Card’s Intergalactic Medicine Show, and Clarkesworld. Some of the recent novels published by Odyssey graduates are Kitty Steals the Show by Carrie Vaughn, published by Tor Books; Lies & Omens: A Shadows Inquiries Novel by Lyn Benedict, published by Ace Books; Spellcrossed by Barbara Ashford, published by DAW; Silver by Rhiannon Held, published by Tor Books; and Clean: A Mindspace Investigations Novel by Alex Hughes, published by Roc Books.

Comments from the Class of 2012
“I learned more in six weeks at Odyssey than I did in three years in an MFA program.” – Jessie Robie

“Jeanne is the most thorough and hard-working instructor I’ve ever met. Odyssey has changed me as a writer. I can’t imagine a finer education or experience.” – James Khan

“I was afraid Odyssey would change my writing and take away what made it mine and unique, but I was so wrong. At Odyssey, I developed a sense of control over those gut feelings I used to have—when I sensed something was off but just could not figure out what it was. . . . Odyssey is like a writer paradise. You might not want to change when you get here, but you will. Later, you won’t want to leave, but when you do, you leave with a purpose.” – Jessica May Lin

Other Odyssey Resources and Services
The Odyssey Web site, www.odysseyworkshop.org, offers many resources for writers, including online classes, a critique service, free podcasts, writing and publishing tips, and a monthly blog. Those interested in applying to the workshop should visit the Web site, phone (603) 673-6234, or e-mail jcavelos@sff.net.

Clarion Write-A-Thon

Clarion Go For It!

There’s still time!

What is a write-a-thon, anyway? It’s just like a walk-a-thon. But instead of walking, we’re writing, and instead of making pledges per mile, we’re making pledges per word, chapter, or story.

Writers get support, encouragement and motivation, and the option of joining a team with a writing mentor! Those who care about the writers in their life get a way to show their support. And money is raised for a literally fantastic cause — the Clarion Science Fiction & Fantasy Writers’ Workshop. All donations are made through The Clarion Foundation, a 501(c)(3) non-profit organization, EIN #20-3114945.

Everybody wins!

Writing begins officially on June 24, and ends on August 4, same dates as the 2012 Clarion Workshop. Just by signing up, you’ll get the bonus of providing moral support for this summer’s Clarion Workshop students.

This year, there’s something new: Once you have $20 in donations, you’ll have the option of joining a small group of eight Write-a-Thon writers. Each group is mentored by a Clarion Workshop instructor or graduate, ready and waiting with advice and encouragement.

All the details are at http://clarionwriteathon.org/

Write Your Book!

Glenys O'Connell's Naked WritingMany of you will remember Glenys O’Connell from her Naked Writing class—now you can buy a copy of her book, whether or not you’ve taken the writing course.

Available in paperback and Kindle editions, Naked Writing: The No Frills Way to Write Your Book is a terrific resource for any level of writer, and a book I’m personally pleased to recommend we all add to our writer’s toolboxes.

In Search of Great American Writers

Happy Tuesday, AWers! This press release just arrived in my inbox, and I thought some of you might be interested:

Saturday Evening Post logo

THE SATURDAY EVENING POST LAUNCHES

FICTION CONTEST IN SEARCH OF

NEXT GREAT AMERICAN WRITERS

Indianapolis (February 6, 2012) — On the eve of the 110th birthday of John Steinbeck, a contributor to The Saturday Evening Post and the acclaimed author of classic novels including The Grapes of Wrath—the Post announces its first ever “Great American Fiction Contest.” The competition offers aspiring novelists the opportunity to join the ranks of other renowned Post contributors including F. Scott Fitzgerald, William Faulkner, Kurt Vonnegut, Ray Bradbury, Louis L’Amour, Sinclair Lewis, Jack London and Edgar Allan Poe.

“Good writers help us understand who we are. And The Saturday Evening Post believes that supporting and encouraging writing is all the more vital in a universe where media is evolving so rapidly,” said Editorial Director Steven Slon.

Sponsored by the nonprofit the Saturday Evening Post Society, the contest is designed to promote fiction and creative writing, while seeking America’s next great, unpublished voices. The winning story will be published in the January/February 2013 issue of The Saturday Evening Post and on the magazine’s website. The winner will also be awarded $500, while five runners-up will receive $100 each and have their stories published on the Post’s website.

Entries must be character- or plot-driven stories in any genre of fiction that falls within the Post’s broad range of interests. Entrants must be previously unpublished authors (excluding personal websites and blogs) and stories must be 1,500-5,000 words in length. All submissions should be made electronically in Microsoft Word format with the author’s name, address, telephone number and email address on the first page. The Saturday Evening Post editorial staff in consultation with the magazine’s fiction advisory board will judge the stories. There is a $10 entry fee and all entries must be postmarked by July 1, 2012.

For more information, or to submit a story, please visit saturdayeveningpost.com/fiction-contest.

Remember: Write hard. Write true. And write on!

SOPA on hold, PROTECT IP still pending – An Open Letter

I’m a registered Democrat. I vote, I canvass, I caucus. As a Website owner and as an American, I’m dismayed by Congressional attempts to censor the internet. I’m appalled and chilled that we have a former Senator who publicly asserts that the U.S. should take a lesson from China to establish internet censorship and stifle the free exchange of information.

censorship graphicThe House just acknowledged “legitimate concerns” about SOPA — its version of the PROTECT IP Act (pdf link) — and backed away from a vote that looked certain to occur. The Senate needs to do the same: PROTECT IP will kill jobs and innovation, undermine cyber security, censor the Internet, and provide ready justification to foreign regimes that want to crack down on dissent and political reform.

PROTECT IP won’t catch or punish internet pirates. They’ll simply move shop, work on darknets, or code workarounds. Online piracy won’t even slow as a result of this legislation. Legitimate sites, however, DO have a great deal of reason to worry.

It should be instructive that Universal Music incorrectly and abusively used the DMCA take-down process to stifle and censor content they did not own, just recently.

As flawed as the DMCA is, there IS recourse built into the process for site-owners who are improperly censored and/or interrupted by competitors who abuse the legal process.

I direct your attention to a December 8th, 2011 article in Techdirt:

The US government has effectively admitted that it totally screwed up and falsely seized & censored a non-infringing domain of a popular blog, having falsely claimed that it was taking part in criminal copyright infringement. Then, after trying to hide behind a totally secretive court process with absolutely no due process whatsoever (in fact, not even serving papers on the lawyer for the site or providing timely notifications — or providing any documents at all), for over a year, the government has finally realized it couldn’t hide any more and has given up, and returned the domain name to its original owner. If you ever wanted to understand why ICE’s domain seizures violate the law — and why SOPA and PROTECT IP are almost certainly unconstitutional — look no further than what happened in this case.

PROTECT IP and SOPA would both make these sorts of abuses devastatingly likely, remove the fragile existing protections for independent Websites and small Internet businesses, while doing nothing to effectively prevent piracy.

Harry Reid and Patrick Leahy: Don’t bring this bill up for a floor vote.

To my Senators: Please vote NO if the bill reaches the floor.

(Some text remixed from original letter here.)

Please feel free to remix and reuse this post to contact your own Senators. No attribution necessary.

BookWish Foundation Essay Contest

Happy Holidays, AWers! I thought some of you might be interested in this:

Win a literary agent or acclaimed author’s feedback on your unpublished manuscript for young adult or middle grade readers. This rare opportunity is being offered to the six winners of an essay contest recently announced by the literacy charity Book Wish Foundation. See http://bookwish.org/contest for full details.

What You Wish For

You could win a manuscript critique from:

Laura Langlie, literary agent for Meg Cabot

Nancy Gallt, literary agent for Jeanne DuPrau

Brenda Bowen, literary agent and editor of Karen Hesse’s Newbery Medal winner Out of the Dust

Ann M. Martin, winner of the Newbery Honor for A Corner of the Universe

Francisco X. Stork, winner of the Amelia Elizabeth Walden Award for The Last Summer of the Death Warriors

Cynthia Voigt, winner of the Newbery Medal for Dicey’s Song and the Newbery Honor for A Solitary Blue

All that separates you from this prize is a 500-word essay about a short story in Book Wish Foundation’s new anthology, What You Wish For. Essays are due Feb. 1, 2012 and winners will be announced around Mar. 1, 2012. If you win, you will have six months to submit the first 50 pages of your manuscript for critique (which means you can enter the contest even if you haven’t finished, or started, your manuscript). You can even enter multiple times, with essays about more than one of the contest stories, for a chance to win up to six critiques.

If you dream of being a published author, this is an opportunity you should not miss. To enter, follow the instructions at http://bookwish.org/contest.

Good luck and best wishes,

Logan Kleinwaks
President, Book Wish Foundation

What You Wish For (ISBN 9780399254543, Putnam Juvenile, Sep. 15, 2011) is a collection of short stories and poems about wishes from 18 all-star writers: Meg Cabot, Jeanne DuPrau, Cornelia Funke, Nikki Giovanni, John Green, Karen Hesse, Ann M. Martin, Alexander McCall Smith, Marilyn Nelson, Naomi Shihab Nye, Joyce Carol Oates, Nate Powell, Sofia Quintero, Gary Soto, R.L. Stine, Francisco X. Stork, Cynthia Voigt, Jane Yolen. With a Foreword by Mia Farrow. Book Wish Foundation is donating 100% of its proceeds from the book to the UN Refugee Agency, UNHCR, to fund the development of libraries in Darfuri refugee camps in eastern Chad.

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Have You Gotten A Spoofed AW Domain Email?

I’ve posted a warning on the forums, and I wanted to give you guys, here, a heads-up as well.

If you get this email, pretending to be from absolutewrite.com, it’s NOT from us. It’s a phishing scam spoofing an AW email address. Do NOT download anything. Do NOT open the attached file.

I’ve gotten dozens of different versions of this, yesterday and today:

Re: absolutewrite.com account notification

Dear Customer,

This e-mail was send by absolutewrite.com to notify you that we have temporanly prevented access to your account.

We have reasons to beleive that your account may have been accessed by someone else. Please run attached file and Follow instructions.

(C) absolutewrite.com

For the record, we will NEVER ask you to download anything, and we will NEVER ask for a password or login information.

Also, my spelling is generally at least a little better than that.

I ♥ footnotes