WriteOnCon 2018

WriteOnCon is a three-day online children’s book conference for writers and illustrators of picture books, middle grade, young adult, and even new adult. It was founded in 2010, and has become an annual event. This year the WriteOnCon online conference takes place on Friday, February 9th through Sunday, February 11th, 2018. You can see the full 2018 WriteOnCon schedule and the list of speakers.

The WriteOnCon keynote addresses and the critique forums are free and open to anyone who registers on the WriteOnCon site. There’s a sliding scale registration fee ranging from $5.00 for General Admission, which gives you access to all the blog posts and material that speakers have put together (over 100 entries!), until a week after the conference ends. At the opposite end of the scale, the $15.00 Extended Admission includes access to posts and the live events, and you retain access to the website for a month after the conference ends. The various options for admission and registration for WriteOnCon are here.

The free forums are open now, with options for various kinds of crit and feedback. There’s also a free mail list. I’ve watched WriteOnCon grow and it gets better and better every year. The fact that WriteOnCon is entirely online, and the paid registration options for viewing the content later make it possible to participate even if you’re a working parent. There’s a WriteOnCon thread on Absolute Write if you’re curious about past conferences. Members are already excited about this year’s event.

International Correspondence Month — InCoWriMo

International Correspondence Month (InCoWriMo) takes place in February. Basically, the idea is to hand-write and mail or deliver in person one letter, card, note or postcard every day during the month of February. Hand-written doesn’t have to mean cursive, by the way; those of us who print are welcome to participate just as much as those who write a fine Spencerian hand.

The goal of InCoWriMo is to have written and sent one piece of correspondence for every day of the month during February (so you can skip a day and write two the next). You can write to friends and relations. You can write to strangers  and leave a note on their door telling them that you love their roses. You can write old friends. You can write to former teachers to thank them. You can send a love letter to your SO.

You can use pen-pal services. You can send postcards, or formal letters, or greeting cards with a note. It’s up to you. But you have to write your cards or letters by hand, and they have to be delivered, whether by you or a postal service. The official InCoWriMo site has some excellent FAQs. There’s even a video to help inspire you and get you started.

I’m going to attempt to write a card or letter for every day of February. Who’s with me?

Ursula K. Le Guin, Finding My Elegy

Cover of Ursula Le Guin's Finding My Elegy, showing landscape and sunsetI have to confess, I’ve stalled writing this review because I don’t want to think about reading any elegies for Ursula Le Guin. Ive been reading and treasuring her books and essays and poems since I was child growing up in the 70s in a single-wide trailer on the wind-scoured American Great Plains. Le Guin wrote doors for me to other places, fascinating places, places to dream of visiting and aspire to reach. An elegy traditionally laments someone’s death. In a more contemporary sense, an elegy may be an expression of existential or metaphysical loss, sadness, or yearning. To consider an elegy for Le Guin means having to admit she’s old and cannot live and write forever. I hate that. Not only because it requires facing the realization that I’ve gotten a great deal older as well, but because the notion itself makes me sad, anticipating the inevitable loss of a treasured friend and ally regardless of the fact that she’s not someone I know personally.

There’s no introduction, no forward, no dedication; Finding My Elegy: New and Selected Poems, byUrsula K. Le Guin opens quite simply and immediately after the colophon and table of contents with a short, early poem. Offering serves as both preface and invocation, entreating the reader and invisible gods to judge a poem made of the verge of sleep but then forgotten upon waking, and if finding it good, to accept it as an offering. Taken with the resonance of elegy in the collection’s title, and the clear symbolism of sleep as a metaphor for death, the initial poem is a clear invitation to the reader to explore these inner lands with the writer, then make up our own minds regarding the worth and weight of the journey.

Inner lands are familiar territory for Le Guin. Her essay collection, The Language of the Night, begins with a 1973 essay called “A Citizen of Mondath” in which she opens with a quotation from A Dreamer’s Tales, by Lord Dunsany:

Toldees, Mondath, Arizim, these are the Inner Lands, the lands whose sentinels upon their borders do not behold the sea. Beyond them to the east there lies a desert, for ever untroubled by man: all yellow it is, and spotted with shadows of stones, and Death is in it, like a leopard lying in the sun.

Le Guin concludes her essay with the observation that, “Outer Space, and the Inner Lands, are still, and always will be, my country.” It’s fitting, then, that nearly forty years later, Le Guin is still exploring those Inner Lands with additional maturity, insight, and gravitas.

It’s sometimes difficult to explore big and abstract ideas in prose without sounding pompous and impenetrable, and likewise its hard to express simple daily observations without sounding trite and a little dull and droning on with too many words to convey what was an instant of experience. These are the sorts of insights sometimes better reserved for poetry.

Finding My Elegy offers poems written between 1960 and 2010, so some of them will likely be familiar to the longtime Le Guin reader. Seventy of the poems were selected from earlier volumes, and seventy-seven are presented for the first time. The poems range in length and form, romp with expression and wordplay, and wind about exploring the impossible and inexpressible, the sacred contrasted with the profane.

There are quiet poems about life and work and sleeping cats, here, reminiscent of Emily Dickinson’s gift for juxtaposing the mundane with the profound. There are longer, more structured, careful poems, exploring the faces of god and motherhood and love and sex and despair and sleep.

The poems span the entirety of Le Guin’s career so far, from 1960 to present; collected and presented together, they distill much of Le Guin’s writing life. Finding My Elegy is not so much lament as examination, a recollection of a literary body of work that is rich, evocative, and sometimes whimsical much like any life.

An elegy for such a remarkable body of work and thought must be sought, because theres so very much to recall, sort, and consider, that there are no simple summations. The entire retrospective taken as a whole reads like a single long poem made of many smaller parts.

Nothing about Le Guin’s selection and presentation of these poems is accidental or random, and as a reader its only fitting that we approach this collection with the same attention to detail and mindfulness, both of the parts and of the whole of the book. As Le Guins reader, we seek so that we, too, may find her elegy.

If you haven’t read much poetry,don’t worry: Finding My Elegy is an excellent door into the inner lands for any reader. If you’re a long time poetry lover,you’ll find the journey extraordinarily rewarding and well worth your consideration. Ultimately, the collection, itself, is a long and lovely elegy to be remembered, reconsidered, and revisited again and again.

Previously published on Floccinaucical.

January 23 National Handwriting Day

Photo by Thought Catalog on Unsplash

Tuesday January 23 is National Handwriting Day (and, not coincidentally, John Hancock’s birthday). This day of celebration and outreach and engagement with handwriting was founded in 1977 by the Writing Instrument Manufacturers Association. Their motive was, understandably, to promote the use of pens, pencils and paper for writing, and hence their bottom line, but there’s more to it than that. As they put it:

Handwriting allows us to be artists and individuals during a time when we often use computers, faxes and e-mail to communicate. Fonts are the same no matter what computer you use or how you use it and they lack a personal touch. Handwriting can add intimacy to a letter and reveal details about the writer’s personality. Throughout history, handwritten documents have sparked love affairs, started wars, established peace, freed slaves, created movements and declared independence.

Handwriting is part of the writing process for a lot of writers. One of the virtues of writing by hand is that you can write without needing anything other than paper and a pen or pencil. Handwriting also engages different parts of our brains than keyboarding does, helping us to “think differently.” There’s also a distinct pleasure in having our own unique style, whether we print or use cursive. There’s also both physical and aesthetic delight in writing with beautifully made, easy to use pens, pencils and paper.

In celebration of National Handwriting Day, take a minute and send a card or letter to someone you’ve been thinking about, or a thank you note to a friend or a writer you admire. Taking the time to write something personal by hand says that you’re going beyond the rudiments of courtesy.

Are you celebrating National Handwriting Day? Or are you one of those who write by hand regularly? Come tell us in the new Analog Tools subform on Absolute Write.

Post Server Migration: Do this For AW Forum Access

Everyone Should Do These Two Things

Thing One: Clearing Cookies and Cache

  • Make sure you know your Password and Username.
  • Log off
  • Clear Cookies and Cache
  • Completely Quit your Web browser, closing all windows.
  • Log back on to AW.
  • Click the little box that says “Remember me?” on the top right of the AW window if you want to stay logged in.

Thing Two: Editing Bookmarks, Shortcuts or Favorites

A hamster sitting on a keyboard and staring at a computer screen
via Twitter

With the change from http to https, you should edit your AW bookmarks, favorites and shortcuts (and any other links pointing to AW like your Homepage setting if if AW is your Homepage) to use https:

  • Just add the s after http, changing the URL from http: to https:
  • The old URL will work, but your Web browser may complain that the site is “insecure.” It’s because your Web browser really wants everything to start with https:

 

Update the Second

via Twitter

Server Migration Update

There are some glitches; we’re still fastening buttons on the tiny little
hamster jackets. We hope to be up soon  but we aren’t sure yet and
will keep everyone posted.

We really appreciate your patience, and our volunteer Unix guy, Scott Hawkins.

Contact Points

*AW IRC Chat*

AW’s amazing chat mods and the regs frequently gather at the IRC Chat.
There’s general discussion about writing, and opportunities to cheer each
on while you write.

See Zanzjan’s instructions on how to join AW Chat

*Twitter*:

Lisa | AW Admin

MacAllister | El Jefe

AW Peeps on Twitter

*Facebook*

AW FB Page

AW Facebook Group
This new; I’m still figuring it out. I’m asking people to tell me their AW
Username when they sign up, so I can avoid spammers.

Y’all can post there once you join.

Zanzjan has been posting writing prompts, and people are posting about their current writing dilemmas. Join us!

*Email List*

I’ve set up a small one-way only announcement list as a Google Group.

Absolute Write Announcements
Click *Apply* for membership to subscribe.

  • It’s helpful if you include your AW Username.
  • If you want to receive the news via email, you need to set it to send all
    email.
  • Only admins and mods can send or post.

We’re Moving the Server Tonight

Monday Night the 8th of January AW Will Be Turned OFF at 10PM Seattle WA, US Time.

We plan to turn AW back ON on Sunday January 14th, before Noon Seattle Time.

Please Don’t Keep Checking to See If We’re Back

We love you guys too, but every time you refresh you’re slowing things down. So don’t. Thankyouverymuchfrommeandallthehamsters.

The amazing Scott Hawkins (shawkins) is doing the heavy lifting of the moving the database. You should all take the time to read his book The Library At Mount Char.

Be patient. Work on your WIP. Read Scott’s book (it’s really good!).

WE WILL ANNOUNCE THAT WE ARE BACK WHEN WE’RE BACK

The server IP address is changing. It will take a few hours, perhaps as much as a day, for the new IP address to percolate.

 

Go here for more information about the move.

Happy Fountain Pen Day

A notebook with ruled pages, cursive, and a fountain pen
Photo by Aaron Burden on Unsplash.com

Inspired by National Fountain Pen day, we’ve created a new forum at the Absolute Write Water Cooler. Analog Tools is about those non-digital, non-computer tools we writers love to use, including fountain pen, other pens, pencils, paper, and typewriters. 

Today is the sixth annual Fountain Pen Day, celebrated every year on the first Friday of November. It’s a great time to try writing with a fountain pen.

Five years ago I returned to writing by hand as a way to take breaks from the keyboard (and pain from carpal tunnel). I made a (to me) startling discovery. Fountain pens are hands-down easier to write with than a ballpoint pen, or even a gel pen (my previous pen of choice). This isn’t just me; this has to do with the basic design of the ballpoint or roller point pen. Ball point pen ink is deliberately thickened to make it less likely to leak. Moreover, the ball that gives the ball point pen its name must be physically propelled with some force across the paper in order to coat the ball with ink and transfer it to paper. The extra force required to propel the pen across paper, and coat it with ink, results in increased tension in a writer’s hand and arm.

Writing with a fountain pen did take some getting used to. But writing has been much less stressful on my hands and arms. I’m not fighting the ink. I’m also not gripping the pen tightly in an effort to physically push the pen across paper while bearing down in order to coat the “ball” with ink, and write. Fountain pen ink wants to spread. If you’re even a little bit curious, I encourage you to try a personal experiment in terms of drafting your writing with a fountain pen, or using a fountain pen for personal correspondence or journals and similar kinds of writing. NaNoWriMo offers a great opportunity to see if writing by hand helps your creativity. It does for some. Switching from my keyboard to writing by hand has helped me when staring at my laptop screen is frustrating rather than fruitful.

Your First Pen

You don’t have to spend much for a perfectly good pen. If you’re brand-new to fountain pens and aren’t sure they’re for you, consider trying a “throwaway” Pilot Varsity (it’s available in several colors) or the refillable Platinum Preppy; both pens are under $5.00. The Varsity is not meant to be re-filled; the Platinum Preppy is, and uses cartridges and can be refilled indefinitely (the Preppy is available in several colors). This is an affordable-no-real investment way to try writing with a fountain pen, and both pens are more than adequate for most writing. Consider using a fountain pen during NaNoWriMo, as a way to jumpstart your creativity.

If you are sure you want to write with a fountain pen, consider one of the highly respected quality “starter pens” under $30.00. These include the Pilot Metropolitan (around $15.00, with several colors of pen and Pilot ink available), the Lamy Vista (around $25.00), and the Lamy Safari (around $30.00), among others. I’ve used and really love all three of these. I’d suggest starting with either a Fine or Medium nib (the nib is the pointy part of the pen that contacts the paper).

Ink

When you first start, you’ll likely want to use pre-filled ink cartridges. Cartridges are sold in packs, they’re portable, and they’re easy to use. You will need to buy cartridges made for your pen; it’s not one-size-fits-all. Ink also comes in bottles, and it’s more economical to use bottled ink instead of buying cartridges (or refills). You need to have a fountain pen converter in order to use bottled ink, and like cartridges, converters are designed for a specific pen. Some pens will come with a converter, others require you to buy one for $5.00 bucks or so.

There are hundreds, maybe thousands, of ink colors. There are also several kinds of ink; inks that are water soluble (not for use on checks or anything that you want to keep), water resistant inks, archive quality inks, inks meant to feather less and thus perform better on poorer quality paper, and specialty inks that change color, glitter, or are invisible. Most people start with a medium or dark blue, a blue-black, or a black ink. But color can be fun, as well as useful, for for editing or for distinguishing one version from another (draft in blue, edit in red, new draft in purple, etc.).

Paper

You want paper that encourages the pen to glide smoothly, with little application of force, but which will display the ink without blots, or clogging the nib, or feathering.

There are numerous sites suggesting the Best Possible Paper for writing with a fountain pen. People often have very decided opinions about paper. The general rule of thumb is that the heaver weight the paper is, from about 70gsm up to say 100 gsm, the better it is for using a fountain pen. You’ll see people debating the virtues of Moleskine vs Leuchtturm 1917, or Rhodia vs Claire Fontaine, etc., but honestly, preferences are personal. Look for paper that is at least 70gsm; less will bleed or feather or otherwise fail.

If you’re writing rough drafts or person notes that aren’t to be kept indefinitely, HP 32lb Premium Paper (you can print your own lines if you want), I’ve found Mead Composition books made in Vietnam, or Mead Five Star notebooks with a Fine or Medium nib fountain pen are usable (if not viable for the long term) with most pens and inks, especially if I only use one side of a page. Amped Docket Gold pads or  Red ’n Black Notebooks usually work well.

The Nib

The nib is the metal part of the pen that contacts the paper when you write. People have pronounced preferences about nibs, but for your first pen, you’ll probably want a fountain pen with a Fine or Medium nib.1)Fountain pens made in Asia tend to have finer nibs because many Asian writing systems work better with a Fine nib; a Platinum Preppy or Pilot M is close to a European F.

TIPS:

  • Use decent paper
  • Don’t grip the pen too hard or use force to propel it across a page, or bear down on the nib. Let the ink do the work for you; gently guide the pen.
  • Practice writing or even scribbling first; try your signature, try a couple of test sentences.
  • Most problems with fountain pens can be resolved by cleaning them; if it’s a refillable pen, clean or rinse it every time you refill it, if possible.

References   [ + ]

1. Fountain pens made in Asia tend to have finer nibs because many Asian writing systems work better with a Fine nib; a Platinum Preppy or Pilot M is close to a European F.

Your NaNoWriMo Portable Writing Studio: No Computer Required

Image Credit Green chameleon

One reason a lot of writers tell me they’ve never tried NaNoWriMo, the annual November challenge to write 50,000 words in a month is that they can’t fit in long writing sessions; they work and have other commitments, or they don’t have a portable computer and can’t write at home because there are too many distractions.

One strategy for coping with the compulsion to write every day for NaNoWriMo is to have a portable writing studio that doesn’t rely on digital technology and a convenient electrical outlet for writing. The “portable” part means you can carry the basic necessities to make any place your writing studio. The “basics” are what you personally need to be able to write. They need to be portable (and we really do mean “the basics”) and you need to have a convenient way to carry them.

Everyone’s Portable Writing Studio (PWS) is a little bit different. For some writers, it means having everything they need for several hours of intense writing, including food and drink. For others, it means their notebook, and pen, and grabbing ten minutes here and fifteen there, to write. Your PWS will reflect the way you write. You might need a small backpack; others will be able to pack their studio in a slim messenger style bag, or even a back pocket, for the true minimalist.

It’s going to be a matter of personal choices, with the goal of being able to write effectively, without distractions, and without the need for electricity. For some, that means a battery powered tablet or minimalist laptop; for me, that means paper, pen and pencil.

It took me a couple of years to figure out what I really need to write effectively almost anywhere; there was a lot of trial and error, and it changed when it became harder to rely on the ubiquity of the Internet for backup and the ubiquity of electrical outlets for power.

My PWS consists of:

    1. 1 “large” A4 (c. 8.5” x 11”) or B5 (“composition notebook” sized) notebook with good paper (suitable for a fountain pen)
    2. 1 “medium” A5 (c. 5.7 x 8.3) notebook with good paper1)Good paper is a matter of personal choice and intended use; I want to be able to take notes with a fountain pen without a lot of bleed-through, or with a pencil and be able to erase the pencil easily without smearing
    3. 1 fountain pen with spare ink cartridges in blue or blue-black
    4. 1 fountain pen with spare ink cartridges in green
    5. 1 Kuro Toga mechanical pencil with spare lead
    6. 1 Tombow Knock eraser with refill
    7. 1 set over-ear headphones
    8. 1 iPhone with music/ambient nature recordings for writing

I fit this in a small messenger bag, with room to spare. I do a lot of writing in places where connecting to the Internet or electricity is problematic, or downright impossible. That means I’m often writing by hand, with handwriting that only I can read. I draft and take notes and plan by hand, and later, keyboard the actual draft. Often I don’t have time to type up the previous day or night’s work, so I begin the next session by making a clean copy of the writing from the previous session, and revise as I go. This process of making a clean copy and revising really helps me get back into the flow of what I’m writing.

I user the larger “composition” sized B5 notebook for drafting; I use the smaller one for notes and planning. I use Mead Composition books that are made in Vietnam from sugarcane; they work well for first drafts with fountain pen (I can write on both sides of the paper) and cost less then $1.00 on sale.2)Look at the back of the notebook of ra tiny label that says Made In Vietnam I use a Scribbles that Matter notebook for notes and planning. Test whatever notebook you plan to use with the pens and / or pencils you’ll use, to make sure they’ll work for you.

I frequently make my first pass in pencil, writing as fast as I can before the ideas melt away. I’ll revise in ink, or use a different color of ink, if I need to distinguish between versions or possible narrative options. I take notes about ideas and planning in the smaller notebook, and use the larger one for actual writing.

I like the Kuro Toga mechanical pencil because it’s designed to rotate a little each time you press and lift the pencil up from the paper; that means it’s never dull. I like Tombow Knock erasers because they let me erase precisely.

I prefer to write with fountain pens because it’s easier on my hands; fountain pens glide over the paper. When I’m writing away from home I use pens I can afford to lose, like the Platinum Preppy.

I listen to a playlist of downloaded local music or ambient nature sounds on my iPhone to help mask background sound (and set the mood).

A Possible “Minimalist” PWS:

      1. 1 Pocket sized notebook (c. 3½” × 5½” 48 pages)
      2. 1 multipen

The idea behind the minimalist PWS is that you can fit your notebook and pen in your pocket, literally. You can write anywhere you happen to be. The poster child for “pocket” notebooks are the small paper bound Field Notes; there are similar notebooks on Etsy, and from a number of other companies. Some writers who use one small notebook per chapter, and carry a second notebook for background note, plot ideas, etc. Some people like to use a single small bound A6 notebook like Moleskine or Leuchturm; they still fit in a pocket.

A multipen means that you have more than one color of ink available, and even a pencil or stylus, depending on the base pen. You can write wherever you are, whenever you have ten minutes, with the intention of either keyboarding your current work later or making a “clean” copy by hand after you edit.

It’s not too late to create your own PWS for NaNoWriMo. What’s in your PWS for writing anywhere, anytime?

References   [ + ]

1. Good paper is a matter of personal choice and intended use; I want to be able to take notes with a fountain pen without a lot of bleed-through, or with a pencil and be able to erase the pencil easily without smearing
2. Look at the back of the notebook of ra tiny label that says Made In Vietnam