By Linda Alice Dewey
“Congratulations! Your poem has been selected for our next anthology.”
Every year, these words bring tears to the eyes of thousands of poets, first from joy— then from anger. Why the anger? Because in many cases, they’ve been swindled.
Submitting work to a legitimate writing contest can be a rewarding experience, but before you send in your entry, there are a few things you should know.
Scams get your money through flattery or something-for-nothing ploys. Many times the prizes go as high as a million bucks. And the big prize-winners? Not legitimate either, often not even real people.
Some contest sponsors aren’t interested in quality writing at all. In fact, you’re guaranteed to be a winner. There’s just one hitch: it’ll cost you. Want a copy of the anthology your poem will be in? Fifty bucks, please. Add your bio—$25. Typesetting? You guessed it. Be included in a future ‘Best of’ Anthology—for a fee. You can even get a plaque or cassette, but not for free.
We’re talking big business here. Consider a company in Maryland that published more than 50 anthologies last year. Say each has an average of 300 pages (most do), with 3-6 poems per page at approximately $50 per poem. You have a little company making lots of cash.
Poetry on scam contest websites is sometimes “borrowed” from famous poets to give the site authenticity. One well-known author, while researching scams, was surprised to find his work posted on a site. He promptly sent them a letter, and they removed his piece.
One of the more infamous but still functioning contest websites has a page for posting poetry about the September 11 tragedy, preying on the emotions of a grieving people to further their ends even more. Some specifically prey on children. And it isn’t just poetry they want: they’ll go after short story, essay, fiction and nonfiction writers, too. Authors looking for agents get taken by companies charging up front fees who may also refer you to fee-charging book doctors.
Crooked come-ons lurk in literary magazines, newspapers, online and in writer’s guidebooks right alongside their legitimate counterparts. How can you tell them apart? Well, take heart. Fraudulent contests share several characteristics, and once you educate yourself, you’ll easily spot one from a distance.
Here’s the scoop.
- Avoid “free” contests. Surprisingly, legitimate competitions normally charge a nominal fee (up to $35) to cover judging and prizes. The freebies will more often than not respond to your submission with a flattering letter about your wonderful poem. For just X dollars, it could be in the next anthology, it’s so good, etc., etc.
- Research background information. Two or more dubious answers to the following questions indicate a possible scam.
- Who is the sponsoring organization? Does the name sound or look like a well-known publishing house or organization? Is their address merely a post office box or a real person’s name with a physical address? Could this be a one-person organization?
- View last year’s winning entries. Who were last year’s winners? Try to find out if the names listed are real people. If they are, they’ll have credits, a website, an email address—something. Of course, a few new legitimate contests are born each year, so if they weren’t around last year, that alone doesn’t make them dishonest.
- Who are the judges? Search the web for more information about these people. If they’re authentic writers or real editors (and again, the worst scams “borrow” names), you may have a legitimate contest.
- Are contest guidelines clear and concise regarding format, what information to include, fees, prizes, judging, cost-free publication, and what rights you may be relinquishing?
- Beware of overly flattering response letters that ask for fees not mentioned up front. Legitimate organizations are businesslike and tell you what the fee is before you submit.
- How frequent are contests sponsored by this organization? If often, then they’re either after money or they’re trying to fill up anthologies and magazines.
- Are there perks? If so, you shouldn’t have to pay for them.
Want to get published? Want to get exposure? Submit projects to literary magazines that print work similar to your own. Get a few credits, then start freelancing for serial publications. Literary newsletters often relate success stories of how an editor or agent saw a story/poem published in this or that magazine and contacted the author. The rest is history.
In his recent jewel entitled On Writing, Stephen King suggests that one way to catch a publisher’s eye is to win contests. However, he also recommends submitting non-contest pieces on a regular basis to magazines. In the first instance, you pay them an entrance fee at the very least. In the second, you’ll never pay, and it is entirely possible that they will pay you. Now tell me, potential award-winning writer: which would you prefer?
If you’re good enough to win a prize, you’re good enough to get published in a legitimate publication on your own merit. So get out there, get writing, and get published.
Contest Evaluation Resources
SFWA’s (Science Fiction and Fantasy Writers of America) Writer Beware on Contests
Writer Beware’s Victoria Strauss on Writing Contests: Facts and Fakes…And How to Tell the Difference
The United States Postal Inspector’s fraud report form
Post and read warnings for writers about deadbeat publications and writing scams on Absolute Write’s “Bewares, Recommendations & Background Check” forum.
Sources for legitimate contests:
- Poets & Writers Writing Contests, Grants & Awards
- Deadlines List in Writers Digest Magazine
Linda Alice Dewey is the author of Aaron’s Crossing: A True Ghost Story, available in bookstores and Amazon.com. It will be re-released by Hampton Roads Publishing in the fall of 2006. Her current projects include adapting it to a Phantom-like musical and a screenplay about a WWII Mission involving her father, a former pilot of a B-24 bomber, one of a very few to make it back to England after a vicious air battle. You can visit her website at lindaalicedewey.com.
© 2002 Linda Alice Dewey
Editor’s note: links updated 2018