I've been a frequent critic of writing that involves short, choppy sentences. I've tended to believe that neophyte writers, in their quest for tension and drama, rely way too heavily on short, perfunctory statements that almost seem designed to startle the reader.
The writing that appeals to me tends toward the longer sentences that rely on prepositional phrases and clauses--dependent and otherwise. Then, short sentences are employed as a kind of seasoning--multi-word punctuation, if you will.
But I'm see more and more successful writing in which few sentences are more than a dozen words long, and are primarily statements.
A case in point is A.M. Day's Throne of Olympus, a very popular Indy novel. In seven graphs I surveyed in three chapters, only two sentences were over 12 words long.
So, from this point on, I'll merely say that short, choppy sentences are not my cup-'o-tea, but that there's nothing wrong with them--if that's what the market demands.
The writing that appeals to me tends toward the longer sentences that rely on prepositional phrases and clauses--dependent and otherwise. Then, short sentences are employed as a kind of seasoning--multi-word punctuation, if you will.
But I'm see more and more successful writing in which few sentences are more than a dozen words long, and are primarily statements.
A case in point is A.M. Day's Throne of Olympus, a very popular Indy novel. In seven graphs I surveyed in three chapters, only two sentences were over 12 words long.
So, from this point on, I'll merely say that short, choppy sentences are not my cup-'o-tea, but that there's nothing wrong with them--if that's what the market demands.