jarbabyj
Hey all, I believe this is my first post here
I am an aspiring novelist, produced playwright and magazine dabbler. Amongst the bushels of rejection letters indicating how hard it was to reject my work
Are suggestions from helpful editors to improve my chances of getting published. Some I hate (change the whole plot!) and some I'm considering.
Firstly, the novel I'm currently shopping around has a nameless narrator. She is a burntout housewife, and the whole point of her namelessness is that everyone in her life has a nickname for her, based on how they regard her (kitten, princess, baby). But she's also severely unlikeable.
What do you feel are the keys to success in convincing someone to read a novel wherein the person guiding you through the tale is NOT someone you'd particularly admire? Of course she changes throughout the story and comes to see the error of some of her beliefs, but I wouldn't want the reader to mistake the character's thoughts for MINE.
Does that make sense?
Jess
I am an aspiring novelist, produced playwright and magazine dabbler. Amongst the bushels of rejection letters indicating how hard it was to reject my work
Are suggestions from helpful editors to improve my chances of getting published. Some I hate (change the whole plot!) and some I'm considering.Firstly, the novel I'm currently shopping around has a nameless narrator. She is a burntout housewife, and the whole point of her namelessness is that everyone in her life has a nickname for her, based on how they regard her (kitten, princess, baby). But she's also severely unlikeable.
What do you feel are the keys to success in convincing someone to read a novel wherein the person guiding you through the tale is NOT someone you'd particularly admire? Of course she changes throughout the story and comes to see the error of some of her beliefs, but I wouldn't want the reader to mistake the character's thoughts for MINE.
Does that make sense?
Jess