In my 3rd private detective novel, I've got my protag, Mitchell King, going from Houston to Austin to visit his old college roommate, now a professor of biology there.
I had envisioned the pal as straight arrow, beset with a "small problem" that he springs on my PI, that he's been getting threatening calls.
I had him (the prof) originally squeaky clean and has been wrongly thought of having an affair with a grad student that past summer. The boyfriend of the student is angry and unjustly accuses prof.
But I've now begun to rewrite the thread, and change several introductory chapters as a result.
My PI has always admired his old pal for being such a great guy, so nice and straight, married w. lovely intelligent wife and cool daughter, and has put him on a pedestal as someone whom he could look up to, an example.
Now, as I've changing the story line, ol' prof has indeed been "pickle dipping" at the campus. The affair was brief and torrid but very real. Wife doesn't know but suspects something went on for those summer months.
This will fit very nicely into my overall themes for my books: disillusionment, disappointment, growing despair inside my PI as he wrestles with his soul and diminished spirit.
He'd planned for a refreshing upbeat sojurn and now he's further off his feelings, thinking that he's been "betrayed" by an old friend.
This leads to an argument, the PI splits (he's been staying at the pal's big Austin house) and when he's sulking in a motel room (after drinking himself silly at a bar down the street -- "punishing" himself, you see), something awful occurs at the prof's house [I don't know what yet] and my PI now has the added guilt of his not having been there to help someone when he could have been.
Questions:
1-- does this sound interesting, more engaging if the prof had been clean?
2-- have you also found yourself changing a critical plot thread after you were fairly deep into the writing, requiring revisions galore?
I had envisioned the pal as straight arrow, beset with a "small problem" that he springs on my PI, that he's been getting threatening calls.
I had him (the prof) originally squeaky clean and has been wrongly thought of having an affair with a grad student that past summer. The boyfriend of the student is angry and unjustly accuses prof.
But I've now begun to rewrite the thread, and change several introductory chapters as a result.
My PI has always admired his old pal for being such a great guy, so nice and straight, married w. lovely intelligent wife and cool daughter, and has put him on a pedestal as someone whom he could look up to, an example.
Now, as I've changing the story line, ol' prof has indeed been "pickle dipping" at the campus. The affair was brief and torrid but very real. Wife doesn't know but suspects something went on for those summer months.
This will fit very nicely into my overall themes for my books: disillusionment, disappointment, growing despair inside my PI as he wrestles with his soul and diminished spirit.
He'd planned for a refreshing upbeat sojurn and now he's further off his feelings, thinking that he's been "betrayed" by an old friend.
This leads to an argument, the PI splits (he's been staying at the pal's big Austin house) and when he's sulking in a motel room (after drinking himself silly at a bar down the street -- "punishing" himself, you see), something awful occurs at the prof's house [I don't know what yet] and my PI now has the added guilt of his not having been there to help someone when he could have been.
Questions:
1-- does this sound interesting, more engaging if the prof had been clean?
2-- have you also found yourself changing a critical plot thread after you were fairly deep into the writing, requiring revisions galore?