Story within a Story

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Stunted

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In my WIP, pages 6 to 9 are mostly devoted to one character reading a story in a book to another character. The story is important for back story, foreshadowing, and moving the plot forward, and (you're going to have to take my word for it) it is actually entertaining.

So what are your opinions? Is this a no no? Have you ever seen something like this work?
 

Samantha's_Song

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For myself, I see nothing wrong with this. I have a work which has someone writing their memoirs in it and someone else reading it. This may be seen as back story by some, but my beta readers have said that the memoirs part is one of the very best bits. So yes, your story within the story should work very well too.
 

Pilot

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So what are your opinions? Is this a no no? Have you ever seen something like this work?

Hope it's not a no-no, 'cause I'm writing a whole chapter using this concept. My MC discovers old journals and reads from them. I remember a movie that Peter Falk did where the whole film was Falk reading a book to a kid played by Fred Savage. That seemed to work okay.
 

Danthia

Doesn't The Princess Bride use that format?

Anything can be done if done well, and what's important is that what the reader is reading grabs them and makes them want to keep reading. If your three pages do that, you're fine. Just be sure that you are keeping your reader through these pages. Three pages of backstory and foreshadowing that early in a novel often spell trouble. The reader hasn't read enough of the book to connect with a protag yet, and pulling them into another story could lose them. (I can't say if you've done this or not, just beware of the pitfalls)
 

Dale Emery

is way off topic
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John Irving's early novels all include stories within stories (usually involving bears, motorcycles, Vienna, or bears on motorcycles in Vienna).

Don't forget "The Legend of Lard Ass Hogan" in Stephen King's "The Body" (later the movie Stand By Me).

Dale
 

TheIT

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Terry Pratchett's Thud! has Sam Vimes reading a story called "Where's My Cow?" to his infant son. It's hilarious, contains a wonderful analysis of a children's story as seen by a cop, and is very relevant to the story later on. They also released Where's My Cow? as an illustrated children's book which anyone who knows Discworld would appreciate.
 

Greenwolf103

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The Neverending Story pulled that off really well. I think it really boils down to what's in the story and how you write the scene of your character(s) reading it.
 

Feathers

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Eh. I guess I'm the lone dissenter here. If the story is really short, it bothers me. What especially ticks me off is a story/myth that some old weird person tells the kids, and they spend the rest of the story learning how it was real the whole time, and the story becomes their reference to defeating evil.

However - I thought the Princess Bride worked just fine. I guess my thing is, if your story is just a device, don't use it. A lot of those bedtime stories were obviously moral and preachy. You don't want that, or something like it, in your novel.

-Feathers
 

Matera the Mad

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It seems awfully early in the game to me. Three pages is a big break when the main character and theme have barely been touched. I use a story-within to foreshadow the major conflict, but it is in the eighth chapter of thirty-three. However, if it is entertaining enough and doesn't end up feeling like a device - wottever :D
 
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