Thanks. I'm sorry i distracted you all with the imdb comment.
Can you come up with a good logline for these listed movies?
And really, you guys need to chill.
Well, no. The responses you got were fair and accurate I thought.
And as witnessed by Sara's heroic efforts to logline
Spider-man 3, I'd say it's going to be extremely difficult to pull that off for any of the films you list. A logline has to accurately represent the film so, taking one of Sara's as an example, what happens when the script is read and the producer says, "You said this was about some guy called Venom. But when I read the script, there was some Sandman guy as well and
another green goblin!" (No offense, Sara)
The inherent problem there is that, IMO,
Spider-man 3 was a bit of a mess. No logline is worthy of
Closer and
Love, Actually... well, I'm not even sure Richard Curtis knows what the hell that was.
Anyway. Writing loglines is a nightmare at the best of time so don't feel bad that people weren't chomping at the bit to logline these. I'm thinking that maybe the point of your exercise is the idea of, well, what do you do when you write a script like this and then need to write a logline? And that's a fair question but I think if you're an unknown writing spec material like the above then you've got bigger problems than loglines. VMMV.
Why not suggest a more "normal" film to logline?
