I have a friend who wants to be a writer. She writes very purple prose and thinks it is immensely clever and well written. Conversely, when she reads anything of mine, she tells me it sounds ''young'' because I don't write like her. I've had people call my work YA because it is ''easy to read'', regardless of the subject matter. I've also been told I have a fairy-tale style, or I write like a story-teller, whatever that means. It is readable by everyone and the youngsters who read it love it, but much of the subtext goes over their heads. I can't get people to see that easy does not mean simple. Ah well, that's my lot I suppose.
I'd really like to see how that conversation went:
'Yes, Mr Hemingway, your novel is a triumph, a truly gripping tale displaying masterful control of narrative, worthy of the highest literary honours. Now, about the style... I get what you're trying to do, but could you add a bit more... flamboyance? Would some florid similes kill ya?'
It's not the number of words you use. It's the impact of the words you choose.
"Since when does the art of storytelling become an act of subterfuge?"
My writing is sparse. It hasn't been an issue.
It's not the number of words you use. It's the impact of the words you choose.