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#26 | |
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Skimming galaxies
Join Date: Jun 2012
Location: Neptune
Posts: 347
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#27 |
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empty-nester!
Join Date: Mar 2010
Posts: 3,798
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Yeah, I tend to go with generic people pictures, or with actors from a few decades ago (mainly because most actors nowadays all look alike anyway).
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I'd rather be a could-be if I cannot be an are; because a could-be is a maybe who is reaching for a star. I'd rather be a has-been than a might-have-been by far; for a might-have-been has never been, but a has-been was once an are. - Milton Berle There's only one absolute in writing - Never listen to absolutes. |
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#28 |
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The glint of light on broken glass
Join Date: Jun 2012
Location: College
Posts: 119
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My characters come from a variety of different sources. For example, in my WIP, I have four main characters. The protagonist looks like a video game character because I based her appearance off said character (a character whose design I admired, but who I felt was criminally underused in the video game). Another one looks slightly like an actress, but not exactly--they look like they could be cousins. Their friend looks exactly like a particular actor, and their other friend looks like a random Deviant Art picture I once saw.
It all really depends on what the character looks like when they pop into my head. My favorites are probably the ones that are wholly original, but those faces take the longest to really "see," if you know what I mean. |
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#29 |
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practical experience, FTW
Join Date: Nov 2012
Location: Dreaming of somewhere else
Posts: 154
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I do that too, but only as a starting point. I also do it with the setting - I tend to take little bits from different places and put them all together.
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Hannah ~Pessimistic and proud of it. |
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#30 |
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practical experience, FTW
Join Date: Feb 2005
Location: Olympia, WA
Posts: 390
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I do that w/some of my characters. One of my first MCs in my current WIP was physically based on one particular actor, but that has changed in slight ways. Most of my current characters are my own constructs though.
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#31 |
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Life isn't all beer and skittles.
Join Date: Mar 2008
Location: The water.
Posts: 734
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I actually use Pinterest to keep track of those little bits of web imagery that really speak to me about what is in my head (aka, random pictures, art, music, "casting" choices). I just like it for myself-- I'm a visual person and sometimes a photograph can say a lot of things I want to find a way to say in word, kwim?
Pinterest is the easiest way for me to manage that bit of internet muckery-- especially since I'm usually on it slobbering over food anyways.
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There is no such thing as good writing, only good re-writing No man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it. -C.S. Lewis Website |
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#32 |
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Possibly not a real squirrel
Join Date: Nov 2008
Location: Coldest corner of the living room, United Kingdom
Posts: 4,699
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Thinking about it, I don't cast my characters so much, but I do hunt around for photographs of locations. So, frex, I have a photo of a house that belongs to two particular characters.
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Writing from a female point of view seems to be generally regarded as something more like writing from the perspective of a deer: you might get points for novelty, but it'd be impossible to get right, and who really wants to hear a deer narrate a story, anyway? Jennifer duBois Damn the prologue, full speed ahead! Laurie McLean, Foreword Literary |
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#33 |
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empty-nester!
Join Date: Mar 2010
Posts: 3,798
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Oh yes, I've done that. I kept a floor plan of a house that a large part of a story took place in - really helped me visualize the action parts.
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I'd rather be a could-be if I cannot be an are; because a could-be is a maybe who is reaching for a star. I'd rather be a has-been than a might-have-been by far; for a might-have-been has never been, but a has-been was once an are. - Milton Berle There's only one absolute in writing - Never listen to absolutes. |
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#34 |
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figuring it all out
Join Date: Oct 2011
Posts: 72
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I didn't realize it at the time, but I think casting my characters was one of my favorite parts of the process. They came to me and were developed long before the story had a plot. Their separate histories determined the conflicts and hence a story was born.
There was one problem. My hero didn't have a face. NO FACE! He had a persona. I knew his built, coloring, facial hair, style of dress, etc. But couldn't nail down the details in my mind's eye. Months later, he finally appeared.
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Justifying My Daydreams WIP: The Men of Piedmont series My Bright Tomorrows - in perpetual rewrites. The World We Knew - first draft stage. Lay Your Hands on Me - outlined. Book Four - title TBD - outlined. |
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#35 |
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Whatever I did, I didn't do it.
Join Date: Feb 2008
Location: Providence, RI
Posts: 8,332
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When conjuring characters, I seem to be much more concerned with their voices (how they speak, how they'd "sound" as a narrator) than I am with their appearances.
Appearance accretes over time for me, and then I have to make sure to note each character's particulars in my book/series continuity log. Otherwise I may inadvertantly change a character's hair or eye color without resorting to dye or contact lenses. ![]() As for picking key players for a book-to-movie, I tend to think more in terms of directors than actors. Right now I'm thinking Guillermo del Toro....
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SUMM0NED (Coming from T0R, 2014) Real magic becomes real trouble when Sean summons the wrong familiar -- the big, toothy one with a taste for the neighbors. ![]() ![]() And so it goes... Last edited by Phaeal; 11-18-2012 at 04:20 PM. |
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#36 | ||
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(wannabe) writer of Orcotica
Join Date: Aug 2009
Location: in the depths of my tbr pile
Posts: 4,464
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I'm eyeballing Zack Snyder, myself.
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My sort-of-not-really blog. |
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#37 |
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figuring it all out
Join Date: Jan 2008
Location: Washington State
Posts: 99
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Other people certainly do, but I don't. I don't pay much attention to the physical descriptions of characters, which is probably not a good thing. :/
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#38 |
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figuring it all out
Join Date: Jan 2008
Location: Washington State
Posts: 99
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#39 |
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The glint of light on broken glass
Join Date: Jun 2012
Location: College
Posts: 119
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It isn't necessarily a bad thing, as long as the characters have distinct enough personalities that the reader can differentiate between them in his/her head.
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#40 |
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practical experience, FTW
Join Date: Mar 2012
Posts: 1,438
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I do this with actors and actresses sometimes, but the problem for me is that they're often so pretty! Like artificial pretty, in a way no one ever is in real life. So I tend to also "cast" people I know in my day-to-day life.
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"I'd rather be a cyborg than a goddess." -Donna Haraway |
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#41 |
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Queen for a Week
Join Date: Jun 2012
Location: Pittsburgh
Posts: 1,526
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Some of my characters are based physically on celebs. Oddly enough, the majority of my male characters are based off of actors while the females are not. Go figure.
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![]() Violet Dagger - Urban Fantasy (drafting) Inherent Sorcery (working title) - Urban Fantasy (plotting) Smoldering Ember - Contemporary Fantasy (outling) |
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#42 |
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Angel, demon, hero, villain
AW Moderator
Join Date: Oct 2005
Location: Heretogether
Posts: 48,131
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I'm not very good at casting my novels with actual actors or people I know. I think I do probably envision my characters (when I have a visual for them at all) based on some actor or animated character I saw at some time, but usually I couldn't tell you even what character it was, and I suck at actors.
However, some people are great at it, and the YA forum has a whole thread dedicated to sharing that pops up from time to time.
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![]() Love Sucks - now available at Musa Publishing, B&N, and Amazon "Fireflies" - Absolute Visions Taylor-Made - post-R&R querying A Paranormal Bromance - First draft done (NaNo) Quartet - Plotting Blog: http://sagelikethespice.wordpress.com |
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#43 |
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steaming up the e-readers
Join Date: Mar 2012
Location: New York
Posts: 130
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Sometimes yes, sometimes no. For my first book, I didn't have a single real person in mind when I created any of my characters. For the second one, from the very first moment, my heroine was loosely based on the fabulous Yvonne Strahovsky, and then other actors eventually came to mind as I wrote.
For the book I just finished, one of my artist friends was very interested in the concept from the getgo, and he wanted to do some character sketches for me. Those stuck in my head throughout, to the point where it came time to cast my book for the Next Big Thing blog hop, I had difficulty getting past those images that had been in my mind for so long. (Though one of his sketches DID look an awful like a young Dolph Lundgren.... )
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#44 |
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never mind the shorty
Join Date: Feb 2008
Location: Commonwealth of Virginia--it's for lovers
Posts: 1,283
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I don't really cast characters. mayqueen said exactly what I was thinking: that actors never seem like real people to me. They're just so . .. pretty. I don't get real strong visual images of my characters. It's more of an impression.
I do have a pretty concrete image of the male MC in my current WIP. Unlike any other character I've written, he's noted as being especially good-looking, with dark hair and bright blue eyes. So I've found a couple actors who fit the bill, but they still aren't quite there.
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"It had taken quite a while, but she had finally thawed his heart back into working condition." WIP 1: Britannia c.AD 60. 120 k. Lost in Query-land. WIP 2: Paris, 1780s. 88k. many queries, four fulls, four rejections (sad face) WIP 3: Antebellum Washington City/Georgia c.1850 102k; editing a blog about the incredible true story
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#45 |
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That hairy-handed gent
Join Date: Mar 2005
Location: Who ran amok in Kent
Posts: 26,373
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The current unpublishable 3/4 finished WIP? A trio of mid-19th century down-and-out conmen, all fugitives for one reason or another, traveling westward by wagon train toward the Californian gold fields, pursued by two separate vindictive enemies bent on revenge:
The con-men: John Turturro Jack Nicholson Denzel Washington The villains: Christopher Walken Sam Rockwell Although, having watched Skyfall just last night, I might need to find a way to get a character who could be played by Javier Bardem involved. caw
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Without a reader, the story doesn't exist -- James D. MacDonald Last edited by blacbird; 11-18-2012 at 08:58 AM. |
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#46 |
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Tell it like it Is
Join Date: Aug 2007
Location: With my cats
Posts: 7,558
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Be careful what you say and do around me, or you could be "cast" into my novel....
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#47 | |
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That hairy-handed gent
Join Date: Mar 2005
Location: Who ran amok in Kent
Posts: 26,373
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Quote:
caw
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Without a reader, the story doesn't exist -- James D. MacDonald |
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#48 |
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Tell it like it Is
Join Date: Aug 2007
Location: With my cats
Posts: 7,558
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#49 |
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huh? You want the what with the who now?
Join Date: Jan 2011
Location: Massachusetts, USA
Posts: 6,559
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I do this, too. I need a visual aid to remind me of voice, mannerisms and personality, or else my characters all end up the same. I don't use people I know personally because I would end up writing them, or my idea of them, instead of writing my characters (who are not them).
I don't like to use really pretty faces, unless there's a reason for it. For example, my uber-villain is supposed to be this perfect doll-like child-woman with a viciously sadistic personality. So I'm using Natalie Portman for her. I have these publicity shots of her looking just as sweet as can be. My imagination enjoys riffing off that image in horrible ways. Otherwise, I look for people who may be beautiful but who are not perfect. People who are ordinary or normal, physically. Or people who look like the age I want, the lifestyle I want. For my male MC, I wanted someone reasonably good-looking but kind of odd/off, kind of awkward yet interesting. Also, like my villain, I wanted an image that would contrast with behavior, rather than predict it. In MMC's case, I wanted a quiet, gentle presence that doesn't hint at but still is believable with the streak of cold-bloodedness and the physical violence. After much trial and error, I went with older Julian Sands. My female MC gave me the most trouble of all. I couldn't find a face for her because I couldn't settle on her character. I replaced her entirely three times! Now I'm satisfied. She works with the story, the scenes flow, she seems to have a decent interplay with MMC, etc. But I needed a face so I could have her set in my brain. I wanted a woman who is physically beautiful but not glamorous, who looks "regular." Someone kind of athletic, believable in physical confrontations, but also believable being insecure and acting like a girl, i.e. younger than her age. I ended up with Jennifer Garner because there are so many paparazzi photos as well as production shots of her not glammed-up, just dressed normally, with little or no make-up on. These are just visual aids for me, and I don't really care if the faces I choose come through in the writing, because I think the characters find their own faces in the minds of the readers. For instance, I modeled my MMC very deliberately on Julian Sands, but a friend who has read drafts insists he sees him as Liam Neeson. Totally WTF to me, but hey, as long as the character jumps off the page for him, I guess I'm on the right track.
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Hell is other people. -- Jean Paul Sartre Rule of thumb: Mura is not subtle. Come and see the violence inherent in the system! Help! Help! I'm being oppressed! The Grand Navigators, collaborative fantasy adventure party. Cafe Muravyets, hang out of lazy writers. Art: Portfolio and Studio Blog. |
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#50 |
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the Juggernaut of Imperfection
Join Date: Feb 2011
Location: London's grey and pleasant land
Posts: 4,541
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I sort of mix-n-match when it comes to casting, and not always intentionally. So say one character starts out physically based on Bloke X - as the story goes on, he starts borrowing characteristics from Man A, Gentleman Y and Chap G until he ends up a completely unholy mix of all of them.
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