choosing next stand-alone project

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lorna_w

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Getting back into writing after a hiatus, I was spurred forward by one idea, which had some potential, but then I spent some time looking at concepts I'd been batting about when I quit writing, first chapters I'd written, and my "ideas" files and found much better ideas to tackle. I thought, "wow, that's a cool first chapter and I haven't even gotten to my favorite character yet," and "oh yeah, I've always wanted to write that!" and "before I die, I must write this one."

So now I'm confused about which to write.

When you aren't writing a sequel or novels in a series, how do you decide what novel to write next? Have you ever had the experience where at least three of your ideas pulled at you equally?

In my case, with no published novels but two marketable ones sitting around in two genres, I know I have the luxury of choosing genre, not having to nurture a career. Of the three that look best to me, one is mainstream, historical-family saga, one is mainstream, contemporary feel-good coming of age story in a small town with oddball characters, one is horror in the same sub-genre as The Stand with potential for a sequel. I'd say the historical would take longer to write, but the bulk of research on it is already done so all three look like similar length projects.

I'm not asking you to tell me which one to pick (though you can tell me which genre appeals to you more--I certainly won't be offended) but more about your own decision-making process when you're in this choosing stage.
 

AlwaysJuly

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Well, I'm not sure I have a good system for tackling this problem yet, but I deal with it too. On the up side, it's a much better problem than finishing a project and having no idea what to do next!

What I do is to start developing the projects in more depth. I start outlining and, as I build the structure and do the research, I start to figure out which is the project I want to write now (I plan to get to them all eventually). One story always seems to emerge as the story I want to tell right now and that's the one I finish prepping and begin writing.
 

Chronos

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You can have my muse I tackle 10-15 ideas every time he pops up. As for your question why not try to outline them all? Or If your like me work on 2 projects at a time.
 

Zombie Kat

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If you're not yet published, maybe choose the project that's the biggest challenge for you. If you're still trying to find an agent/publisher, it's probably because your previous books haven't been quite there. So pushing yourself is the best way to improve and you also have the luxury of no publisher deadline to contend with if you get stuck on something difficult! When I was trying to decide on my last book, I ended up picking the one that was the most unique, and therefore the most scary to write. We'll see how it works out in a few months when I start querying...

And, in case you're interested, the historical sounds fun in my opinion!
 

Her Dark Star

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Sympathies, I'm in a similar boat, got more outlines for stories than I could ever possibly write, keep bouncing around them without really progressing one.

If you're not fussed about a particular option but just need to keep writing then what Zombie Kat said.

If you're down to 2 or 3 options then spend a day focusing on each in turn, see how easily you can progress each one, see if there's anything that particularly catches your eye. ou'll probably find after a few days that certain ones are flowing easier.
Alternatively, if your shortlist cover different genres, go nuts reading stuff, watching movies, immerse yourself in those genres and see what sparks you. I often find that if I'm watching or reading a particular style/genre I tend to get into that style of writing.
Otherwise flip a coin :)
 

lorna_w

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Good advice, and thanks all. All three ideas have some outlining, but I could sure get back to those in a more active way and see if something ignites. I like the one-per-day concept, rotating until such point as I really don't want to rotate away from one. And I like the idea of immersing myself in a genre, which would be a fun way to look for a direction. (Just can't lose myself there as a form of procrastination. Must limit that to evenings, my low-creativity hours.)

I also did, between OP and now, something I normally would not do and that's think of marketability, doing a touch of research on how many books are published in each subgenre, which makes the historical/saga idea come out ahead. I wouldn't use that as my primary reason to write a novel, or to generate ideas, but if I'm still stuck by the end of our holiday weekend here in the US, I may use that as a tie-breaker.

I certainly have lots of room for improvement as a novelist. And every novel outside of formula genre is plenty of challenge for me just by being long and complex. If I have to write as many of them as I did short stories before I got competent enough at that form to sell regularly, though, I'll be dead before I'm good, so let's hope not.

And thanks for reminding me, AlwaysJuly, that these are definitely the kinds of "problems" we should wish to have.
 
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