I had to read that twice. I get it now hilited = high lighted. Not obvious to a Brit.
my marker is a Hi-Liter.
I had to read that twice. I get it now hilited = high lighted. Not obvious to a Brit.
To me, that's as ridiculous as Margaret Atwood having a bloody conniption every time someone calls Oryx and Crake "science fiction."I was at WorldCon this summer -- never have a I been in a place where the very notion of literary fiction was SO reviled. The WORST insult you could lob at a writer or their work there was to refer to them as "literary".
To me, that's as ridiculous as Margaret Atwood having a bloody conniption every time someone calls Oryx and Crake "science fiction."
Let the critics figure out what's good ("critics" read: sarcasm).
Well, KTC, critics have said some pretty fucking inflammatory things. For example, try this review of Oryx and Crake by Birkerts. First paragraph follows:
I AM going to stick my neck out and just say it: science fiction will never be Literature with a capital ''L,'' and this is because it inevitably proceeds from premise rather than character. It sacrifices moral and psychological nuance in favor of more conceptual matters, and elevates scenario over sensibility. Some will ask, of course, whether there still is such a thing as ''Literature with a capital 'L.' '' I proceed on the faith that there is. Are there exceptions to my categorical pronouncement? Probably, but I don't think enough of them to overturn it.There is no way to read this except as a broad denouncement of science fiction as a genre.
If you'd like more examples from real-world reviewers, I can oblige.
Your argument seems to be that this issue isn't systemic and is instead supposedly the result of a few bad apples. I don't agree.Did you miss the "carte blanche" in KTC's post, and the "blanket" in mine?
Nobody's arguing that there aren't some critics who are twats. But I like to think there are some good ones, who approach each work on its own terms and evaluates each on its own merits.
What do I know, though.
Your argument seems to be that this issue isn't systemic and is instead supposedly the result of a few bad apples. I don't agree.
There is no way to read this except as a broad denouncement of science fiction as a genre.
Well, KTC, critics have said some pretty fucking inflammatory things. For example, try this review of Oryx and Crake by Birkerts. First paragraph follows:
I AM going to stick my neck out and just say it: science fiction will never be Literature with a capital ''L,'' and this is because it inevitably proceeds from premise rather than character. It sacrifices moral and psychological nuance in favor of more conceptual matters, and elevates scenario over sensibility. Some will ask, of course, whether there still is such a thing as ''Literature with a capital 'L.' '' I proceed on the faith that there is. Are there exceptions to my categorical pronouncement? Probably, but I don't think enough of them to overturn it.There is no way to read this except as a broad denouncement of science fiction as a genre. He even goes so far as to dismiss any possible exceptions to his denouncement. No writer would respond well to this sort of treatment from the establishment, because contrary to some claims I've read, most writers really do long for acceptance. We're social creatures.
And if you'd like more real-world examples, I can oblige.
You have clearly confused me for someone else. I never used the word all. I merely posit the existence of a culture of discrimination, which as we have seen elsewhere doesn't require the complicity of every person in a population.No, my argument is that you're making sweeping generalizations and tarring ALL critics with the same brush.
The quality of the review (or lack thereof) is, IMO, beside the point. The man is a critic, and he wrote what I posted. That's all.That was a terrible review--I don't mean that he didn't like the book, I mean it was terribly written.
You have clearly confused me for someone else. I never used the word all. I merely posit the existence of a culture of discrimination, which as we have seen elsewhere doesn't require the complicity of every person in a population.
If some people read literary, and some read genre, hooray!
Well, KTC, critics have said some pretty fucking inflammatory things. For example, try this review of Oryx and Crake by Birkerts. First paragraph follows:
I AM going to stick my neck out and just say it: science fiction will never be Literature with a capital ''L,'' and this is because it inevitably proceeds from premise rather than character. It sacrifices moral and psychological nuance in favor of more conceptual matters, and elevates scenario over sensibility. Some will ask, of course, whether there still is such a thing as ''Literature with a capital 'L.' '' I proceed on the faith that there is. Are there exceptions to my categorical pronouncement? Probably, but I don't think enough of them to overturn it.There is no way to read this except as a broad denouncement of science fiction as a genre. He even goes so far as to dismiss any possible exceptions to his denouncement. No writer would respond well to this sort of treatment from the establishment, because contrary to some claims I've read, most writers really do long for acceptance. We're social creatures.
And if you'd like more real-world examples, I can oblige.
I get rejected by some agents/publishers for not being commercial enough, by others for not being literary enough. For the same book. What's a girl to do?