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Talk to people where ever you go. I know some writers tend to be loners or introverts, but step outside the comfort zone for the sake of your art. It’s worth it. That silly girl behind the cash register at the grocery store would make a great supporting character, if you only gave her the chance!
Great tips, I think I like this place. I am just starting out writing, planing out my first novel and I would like all the help I can get. I was wondering if you could expand on this particular tip with a small example? I apologize if this seems like a stupid question, but as far as I know the only stupid question is the one you dont ask.
Thanks,
Ian
If you haven't already, check out Beta Readers, Mentors, and Writing Partners forum and read the sticky info threads.Where can I find a beta reader and what exactly do they do?
This is from my friend Gypsyscarlett's blog (permission asked for and granted to post it here):
Ten Reasons Why Being a Writer Rocks
3. The characters in your head- you’re never alone.
4. Someone harassing you? Just segue into a cheery dialogue about those characters in your head.
I think I've learned as much from books I thought were terrible as I have from books I thought were fantastic. It's rarely a waste of time, reading. Although I'm finally getting to a point where if a book is seriously annoying me, I no longer feel compelled to finish it.
That's either maturity or age-induced irritability.
can anyone tell me if an agent tells you your writing is commercial and gives you suggestions for rewrites is that a compliment?
Yes! If an agent gives you any kind of feedback other than a form letter, consider it a compliment. The fact that she thinks what you write is commercial is fine. It simply means it's not literary fiction. I should be so lucky!
Ian,
Glad you like it here!Okay, an example... hmmm. I'm so chatty and extroverted, it's just my nature to talk to everyone. But here goes:
I work at Starbucks and one of our regulars is an older guy, (told me today that he's 63) and he relentlessly flirts with all of the girls behind the register. Instead of shutting him down, I make him talk more if I don't have a line. And if I'm making drinks on the bar, I'll talk to him for a 1/2 hour because his character fascinates me. He would make a great creepy dad in a chicklit, a good serial killer or stalker or or or... My possibilities with this creeper are endless. LOL. Now, just to clarify, I don't think the actual man is creepy or a stalker or anything so nefarious otherwise I wouldn't be chatting him up. I just think that some of his aspects could be molded that way in fiction. So, I'm storing him, along with so many other people, in my character catalogue, with details about how he moves his head when he talks, what his voice sounds like, the way he grips a coffee cup, the color of his loafers. All of those details will be ready to pull out when I need that character.
Does that help?