I can't "fill" my story...

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HourglassMemory

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Every time I read a book it seems that the writer can go on and on with interesting paragraphs.
It always looks like their paragraphs are thick. That there's so much in there!
And I start thinking to myself "How can they write so much???" They always have a lot of information that flows around and narrates about the character's inner feelings and history, and then the descriptions can go on for an entire "thick" paragraph and it never bores me. And then they continue with the story.
I feel that as I try to emulate that, I never really get the feeling of flow because I've been with it since the beginning and I know every step I took. I can't read with reader's eyes.

Am I the only one who looks at their own writing and feels that you need to fill it with more stuff?
I just feel that my story is snappy, that there's almost no time to think.
And I feel that it needs to slow down, but I don't know with what.
I can't get into the flow in order to solve that.

I don't think this is a "write what the story asks to be written. It doesn't matter the size" issue. Or perhaps it is. I don't know.
It just seems that my story just has a lot less to offer than other novels.
I feel that it's this amateur attempt that I'm doing. It doesn't feel the same as with the novels out there.

I know it really depends on the writer, but does that sort of stuff, the thickness of paragraphs, feeling that you have to fill the book more, does it go right to the page with you, or is it something that is worked on for a long time, editing and polishing and leaving it alone and coming back 3 weeks later, and so on?
Am I thinking too much?

I know that writing a novel is not like writing a letter, but when I read something, like "Deception Point" by Dan Brown, the thing just flows and flow and flows. And I look inside the book and there's lots of thick paragraphs that ... don't look wrong in there. And then they immediately get images in my head.

I don't know if what I write creates images in people's minds. In a way I don't like being on the side of the writer, because I rarely get that feeling of flowness. Then I feel that I have to mention this and talk about this feeling and describe something from this or that character's POV. It doesn't flow. I do it bit by bit. It almost feels forced.
:rant:


Another thing. I've recently stopped writing on my WIP because I really don't know what to write. The characters are on a ship. I know what sort of stuff happens to them, like a storm and things of that nature. I have scenes summarized in one sentence.
But ... the writing. I have no idea how to start. I don't know what to do with the characters. I don't know what the characters will be thinking as they react to say, a wave falling on them. I feel that if I go immediately to the big event in just one or two paragraphs it's going too fast for me. I feel that the big scene needs to come, as if interrupting a dialog that's been going on from two pages behind. This is what I mean by thickness.

Then I have no idea what the characters are going to talk about. The only things I can get the characters to talk about, is stuff that I think it wouldn't interest the reader, and I could really cut it out; it really isn't about what the story is.
The story is such a simple idea that it really can't be explored very deeply. I feel that if the characters only thought about that and how the thing affected their lives, I would run out of stuff to write about half way through, before the real story began. :Shrug:
It's just the whole process of moving the characters TO the scene that makes me put my head on my hands and sigh.

Urgh...
I chose to write this giant epic where the most important is the characters growth and that's precisely the place where I have more difficulty. I mean the story punches the characters around into extreme situations and yes the characters react to it in two or three sentences, but it snaps right back into crazy events again, because that's the only thing I'm good at.
I mean, it's an epic ... how can an 18 year old like me touch the reader as a human being in a way that doesn't seem amateurish or might actually make people who have gone through similar things laugh or feel insulted?

Some might say, "write simpler things/ start small". I don't want to write simpler things. That doesn't give me any thrill. I wouldn't enjoy it. I actually think I don't know how to write simple things.

I'm having a problem with too many things at the same time.
I'm sorry if you can't get what I'm trying to express. I just need to put it out there to see if someone did.
 

Wrathman

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My initial thought is that you might want to spend some more time with your characters fleshing out who they are, what experiences shaped them and what their likes and dislikes are. Characters can discuss boring things if those boring things are interesting to your character and reveal something about them. If you are advancing your character's development, there is some latitude in how it is done and it allows you to not have to do that in a high-action scene.

People talk about what is important to them, so you need to find out what this is for your characters. Perhaps you could look online for some personality questionaires and have your character fill them out. Or write a scene where you and your character sit around and chat to see where things go. Put them in odd or stressful situations and see how they react.

You may also want to look at how descriptive your writing is and whether you are showing rather than telling. A story that does a good job of this often gives the reader that "full" sensation.

I hope this helps. Don't give up.
 

SPMiller

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In my opinion, you seem to be looking for what writers call sequel.

It's a great way to slow down your story's pace and you get to insert details about how your characters react to their experiences.

A certain Jim Butcher has a good writeup on what sequels are: http://jimbutcher.livejournal.com/2880.html
 

HourglassMemory

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In my opinion, you seem to be looking for what writers call sequel.

It's a great way to slow down your story's pace and you get to insert details about how your characters react to their experiences.

A certain Jim Butcher has a good writeup on what sequels are: http://jimbutcher.livejournal.com/2880.html

Wow Sequels really does get very near the bullseye of my problem.
I have to look into it more, and think about it and make myself understand it.
Thanks!
 

Siddow

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HM, google 'scene and sequel' for even more reading on it, and keep reading until something snaps and you 'get it'. Good luck!

And fwiw, I find that it's easier to put this stuff in during the first draft and removing whatever doesn't work. You know, when you're writing along and suddenly your character says, "My grandmother taught me how to tie flies when I was six." And it's totally out of nowhere? Follow that. Follow tangents. They often pop up when you stop trying to force things. And when you're really lucky, they tie back into the plot, too.

You're eighteen; there's no wasted words. Put them all down and then prune.
 

Melenka

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The best advice I got came while I was writing an academic paper. I thought I was on a roll and gave it to a prof friend to see what she thought. She read it, told me what was good and then said "so what?" I told her where I was going and she repeated it - "so what?" We continued this until I figured out what it was I really wanted to say. Follow the so whats (or what ifs) until you find the story. You don't have to give the reader all of the so whats, but you need to know them.
 
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