A chapter-by-chapter synopsis vs. a general synopsis?

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KikiteNeko

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No, agents are not typical readers. Why? Because, unlike a typical reader, they know the ins and outs of shopping a manuscript around to publishing houses. They know how to aggressively get them sold for a good deal. And they get PAID only if the manuscript they are trying to sell in fact SELLS. Get it? They can't just say "Here Mr. Publisher, read this inspiring book but I'm not going to tell you what it's about because I want you to be surprised." They need to PITCH it, just like commercials and movie ideas and toothpaste ads need to be pitched to the people in charge of selling the idea.

The agent will work without getting paid until the book sells, and they will do that because they have to believe in the manuscript, wholeheartedly. Will an average reader sell your book? Try asking. You can be the crazy person at Barnes and Noble who runs from consumer to consumer saying "Will you buy my book? It's really good." After a few days of this they'll say "Oh look, it's crazy Jane!" Maybe it'll even become a nice sitcom.

The agents aren't going to waste time leisurely reading every manuscript to see if the ending tickles them. They need to know what it's about first, to see if it's something they will be able to represent. When they read your manuscript, they are taking time away from their other responsibilities as an agent (working with already-signed clients), so they want to know that they aren't wasting time. They aren't going to just hand you a contract and cross their fingers hoping you're willing to change what needs to be changed. They're doing what they feel is best, to decide whether or not they believe in a story enough to sell it. Because if your pitch won't sell your manuscript to an agent, I guarantee the agent wouldn't be able to sell it to a publisher. Unless that publisher is Publish America.

If you can go door to door peddling your manuscript to publishers, and get it advertised, and you're so above the agent's approach, then why on earth aren't you on bookstores near me?

Hmm, agents not typical readers? Perhaps they should try being just that. Are they above the average person? Please keep in mind our true audience, the "typical" reader we hope to inspire. If an agent likes the first three chaps, or likes the full they've requested, an offer should come then or not. Playing games? Begging? I totally agree that neither party should ever do that, and that's why I don't "dance" until a contract is offered. If they have read the full ms., they should know if they love the work enough to rep it or not and most do. If they are still worried about how it might sell, they have not really made up their mind that they like it enough. They are still auditioning you. They don't have a passion for the work. AFTER that offer comes is the time to decide, between the two parties, how best to get others (publishers) excited about the book, and then it is fine to see if a chap. by chap. synopsis (or whatever else they come up with) might help.
So I wish everyone the best in finding such a good agent, who is not "above" the "typical reader". Long live the wonderful typical readers who buy books and love libraries, and the authors who inspire them. Best wishes to you too.
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writer friend

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We agree on lots of things. It's important to keep a sense of humor regardless, but I stick to my point: Once the person offers a contract and if you sign with that agent, then there is a relationship of give and take, and expectations need to be discussed and worked out. Someone who has read your mansucript and still does not offer a contract is not your agent. I'm not doing homework for someone who doesn't know how to push a book and doesn't believe in it. Good agents often come back with "I've read your work, and I'm just not passionate enough about it to offer representation, but others might have different opionions...wish you the best" That to me is a very honest reply. I respect that kind of realism. Especially if it takes less than 4 months.
The whole process changes if you sign with someone you trust who has legally signed on with you. Before that moment, the only steps I would take include these examples:
If someone has read either my first three chapters and requests the full, for example, naturally I would send them the full, gladly, understanding that they might not like the way the book evolves after reading the entire work. They already have seen the intial query, a "pretend jacket blurb" that might help them, my author bio, CV, blood type, full manuscript, whatever is reasonable by this point.
By this time they have the full, I've been waiting an average of 3-12 months already and have most likely had to email once or twice to see if they are enjoying it. (Translation, "It's been almost six months, any questions?" I have possibly made one long distance call if they hold onto it after 4 months. They have responded only by cryptic emails with the terse: "We're still in review process. Get back to u soon." I begin to wonder.....
After an average of 3-12 months, if they have read the full and don't like it (or me) enough to offer to rep me, I am not dealing with them any further. What more do they want?
I was having fun thinking of how some classic novels would look if only summarized. Imagine a prospective agent (someone who has read the book but has not offered a contract) saying: ''I've read Dr. Zhivago. Can you send me a chapter- by -chapter synopsis?"
How could one summarize such a work of beauty without destroying it? A synopsis might read: 'Chap. one: Young Zhivago buries his mother on a cold day, then goes to live with relatives. It is snowing. Chap. Two: Zhivago grows up and wants to become a doctor but likes writing poetry. It is still snowing, lots.
Meanwhile, the revolution goes on and it snows heaps and heaps....'
So if you love your work, think it's a work of beauty, you woudn't want to slice it up like that. If the prospective agent likes it enough after reading the whole thing, they should offer the contract. If they want a chap by chap synopsis AFTER they sign me, I'll aquiesque, maybe....Otherwise, there's a very awkward moment hanging out there between "Hmm, I've read it all......but in order to sell it, I need this and that, but no, I'm not offering a contract as yet....."
Only after a signed contract would I discuss the work further. Yes, by the way, I have had an agent. We parted amicably after a very strange and surreal three years.
I had not heard from her for lo about 8 months and when my timid emails asking for any updates recevied no reply, and my phone calls went unreturned, she emailed me apparently hurt that it just wasn't working.....I never once got any word where she had sent any of my manuscripts, not in three years. Later, I saw a list online of ten red flags that an agent is not working out for you and she was eight out of the ten. Lesson learned. There are great ones out there and perhaps I shall find one. Trust me, when I do, I will let my friends know.
Wishing all my writing friends the very best,
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KikiteNeko

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Writer Friend-
The agent who requested my chapter-by-chapter synopsis has not read the entire manuscript. It seems perfectly reasonable to me that they request to know what happens in each chapter in advance, to know whether or not they would like to promote it. And in fact it saves me time as well. It takes much less time for them to read a six-page summary of events than an entire 250 page manuscript which may, as you said, lead to months of silence.

I've found that every agent has a different method, and so far of the eleven who've requested material from me, none has made a request I found unreasonable. Remember, you want their services and it's your job to do what it takes to get them interested. They WANT your book to be great, they want to like it, and everything they do is to help you rather than hurt. They won't send you on silly senseless chores. They aren't going to hand you a plastic baggie and tell you to walk their dog.
 

IceCreamEmpress

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So if you love your work, think it's a work of beauty, you woudn't want to slice it up like that.

Well, that's your opinion.

It certainly didn't bother Proust or Flaubert or Thomas Mann or Margaret Drabble or F. Scott Fitzgerald to write synopses. I don't think my work is any more sacred than theirs.

I don't know much about Pasternak's writing process, so can't comment on whether he wrote synopses or not.
 

Birol

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That's a good question right now.
I've only had one agent take an extended time to get back to me. In the meantime, I queried others.

Perhaps, you're querying the wrong agents?
 

KikiteNeko

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Agreed. See, as much as we, the writer, see what we do as an art (and it is), it's also a business. The agent takes care of the business aspects for you, so you can work on your next brilliant story :)

It certainly didn't bother Proust or Flaubert or Thomas Mann or Margaret Drabble or F. Scott Fitzgerald to write synopses. I don't think my work is any more sacred than theirs.

I don't know much about Pasternak's writing process, so can't comment on whether he wrote synopses or not.
 

Soccer Mom

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Agreed. See, as much as we, the writer, see what we do as an art (and it is), it's also a business. The agent takes care of the business aspects for you, so you can work on your next brilliant story :)

This is so dead-right-on-the-money that I'm quoting it for emphasis.
 
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