I will be available again in January.
I'm willing to be a beta and/or serious critique partner. My goal is to become a literary agent, so this is something I need to gain experience with.
What I'm willing to read:
No non-fiction, please. It's not a matter of disinterest, it's a matter of...I don't read of enough non-fiction to be worthy.
In fiction I'll read basically anything, but if you're writing western you probably don't want me (I haven't ever, as far as I recall, read a western novel). Sci-fi isn't exactly one of my strengths either--all of my sci-fi experience comes from TV shows consisting mostly of Stargate and Doctor Who.
But what I really love to read is YA lit, particularly paranormal and fantasy, though also plain contemporary (Sarah Dessen, for example, is one of my absolute favorite authors). I know a lot of people are sick of vampires, but I feel vampires are never overdone, so long as you're doing them well. If you feel Twilight was an amazingly written series, I'm probably not the right beta for you, considering I once wrote an essay on why Twilight is awful.
I'm a romance nut when it comes to YA. Most of what I personally write is queer fiction, and that's also where I plan to focus as an agent, so if you're writing queer fiction--YA or not--I'll probably be happy to work with you. Queer YA fantasy or paranormals are definitely my favorites. This is not to say I won't read hetero romances too--I'm basically an even split when it comes to reading material.
Dark fantasy is a big plus for me. I love twisted fairy tales (think The Book of Lost Things, by John Connolly) among other things. If you're writing faeries, I like the variety that are not all friendly little sissies--I want the dark beauty, the coldness, the "I am so much better than humans" attitude of the Seelie and Unseelie Court variety. I'll also read beyond dark fantasy into horror, though most of what I've read for horror has been of the disgusting Richard Laymon variety (every time I read one of his novels, I wonder why I keep reading more of them).
How I critique:
I'll critique however you want me to. I'm capable of line-by-lines (I'm not a grammar genius, but I know all of the important things), as well as much more detailed critiques. I'll tell you when your characters aren't acting like themselves, when I feel a scene (or heck, even an entire subplot) doesn't really need to be there. If you have a plot hole I'll point it out. My style of critting typically involves going over the read once and copying down impressions as I have them, then going back over it to get more detailed, marking down typos and whatnot along the way of all read-throughs.
As for the state of your manuscript:
I'm willing to look at any level of manuscript. Your current WIP, that first draft you just finished a few days ago, the third draft that you think is almost ready to go...I'll take it.
I'm very interested in forming lasting partnerships. What I mean is, I'll continue looking at everything you write if you want me to. And of course I'd love someone who is willing to do a back-and-forth, critting for me while I do it for them.
PM me with the gist of what your work is about, the state of it as mentioned above, and the word count.
Arianna S.