Learn Writing with Uncle Jim, Volume 1

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SilverPhoenix

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Personally I think it would, unless it was only two characters present and indicated they were talking telepathically.

Lately, novels are beginning to go a bit further with the use of strange fonts or methods, like The Knife Of Never Letting Go. I think it works okay, but it is a bit distracting. I like good ol' italics.


by the way, Uncle Jim, any recommendations for good research material on Faeries? Seelie Courts and that sort of thing. I haven't found much net-wise. I remember the Faerie Queens featuring in one of your books - and being pretty nicely done.
 

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Uncle Jim wrote, Will putting telepathic dialog in quotes confuse the reader?

In my particular case, no. There are only 2 or 3 conversants and they're all the same species all "speaking" in the same manner.

I think I originally wrote it that way years ago because it was supposed to be strange and exotic. Today, it just looks weird (and maybe a little stupid - not to mention the notion that it might upset readers or typesetters (or even agents and/or editors reading it initially - which would give them an excuse to reject).
 

Calliopenjo

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Calliopenjo

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Faerie
also n., pl. -ies.
  1. A tiny, mischievous, imaginary being; a fairy.
  2. The land or realm of the fairies.
Fairy
n., pl. -ies.
  1. A tiny imaginary being in human form, depicted as clever, mischievous, and possessing magical powers.
  2. Offensive Slang. Used as a disparaging term for a homosexual man.
Source: Answers.com
 

Judg

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Magick is a spelling resuscitated by 20th century witches to distinguish from the magic of stage magicians. I'm not fond of the spelling myself, but that's what it's used for.
 

James D. Macdonald

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by the way, Uncle Jim, any recommendations for good research material on Faeries? Seelie Courts and that sort of thing. I haven't found much net-wise. I remember the Faerie Queens featuring in one of your books - and being pretty nicely done.

Yes.

Facts On File
Encyclopedia of World Mythology and Legend


You should be able to find a copy in your local library.

After that, research. Go to libraries. Remember interlibrary loan. Keep your fantasy magic as strict as you would the tech in your science fiction. Everything happens for a purpose. Everything has a cost. Every advantage comes with a limitation.

For on-line sources:

Fairy and Folk Tales of the Irish Peasantry
Edited and Selected by W. B. Yeats

(Yes, that William Butler Yeats.)

I first ran into that book in the library when I was in grade school, and it made a big impression.

Also on-line:

Teutonic Mythology
by Jacob Grimm

(Yes, that Jacob Grimm.)

I ran into this one in college.
 

Calliopenjo

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Magic
n.
  1. The art that purports to control or forecast natural events, effects, or forces by invoking the supernatural.
    1. The practice of using charms, spells, or rituals to attempt to produce supernatural effects or control events in nature.
    2. The charms, spells, and rituals so used.
  2. The exercise of sleight of hand or conjuring for entertainment.
  3. A mysterious quality of enchantment: “For me the names of those men breathed the magic of the past” (Max Beerbohm).
adj.
  1. Of, relating to, or invoking the supernatural: “stubborn unlaid ghost/That breaks his magic chains at curfew time” (John Milton).
  2. Possessing distinctive qualities that produce unaccountable or baffling effects.
tr.v., -icked, -ick·ing, -ics. To produce or make by or as if by magic.


Magick

n. An action or effort undertaken because of a personal need to effect change, especially as associated with Wicca or Wiccan beliefs.
[Variant of MAGIC.]
magickal mag'ick·al adj.


Source: Answers.com
 

smsarber

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Magick is a spelling resuscitated by 20th century witches to distinguish from the magic of stage magicians. I'm not fond of the spelling myself, but that's what it's used for.
I kind of figured it was something in that vein. I am writing in a variety of genres now, but I doubt I'll be delving much into faries(faeries) and magic(magick) enough to need all this specific info, but one never knows:).
 

Rufus Coppertop

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Suppose the first arc is aaaaaaaaAAA (where AAA is the climax). And suppose the second arc is bbbbbbbBBB (where BBB is the climax).

The finished story with the surprise twist ending goes aaaaaaaabbbbbbbAAA.

Okay, so the bbb arc doesn't necessarily have a climax?

(Q. How many writers does it take to screw in a lightbulb? A. Two. One to screw it nearly all the way in, the the second to add the final surprising twist.)

LOL and thanks.
 

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Reading one of Jim's books was, for me, an encapsulated lesson in everything he teaches. Truly, and not sucking up! :D I would've taken notes, but the action kept moving so darn fast I couldn't. :tongue
 

euclid

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Jim, I have a question.

I have a plot outline for my sequel nearly complete. With the outline I tried to make the plot EXCITING, and at one point I found myself looking for a cliff-hanger to end each chapter. I have quite a few, but not one for every chapter.

My Brother said the book might be formulaic, if it had a cliffy at the end of every chapter, and I think he is right. So what's the best policy on cliffys?
 

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Will putting telepathic dialog in quotes confuse the reader?

Yes as mentioned, in anything other than a simple exchange. In addition, when others are speaking, things get more confusing. I'll play with it.

Thanks.

motormind: There is a lot of cat waxing going on, at times, but I'm glad to have read the entire thread. I keep up on it, because it sits for awhile and then takes off.
 

smsarber

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And when you have your own thread with your name as the header, well, I think you get where I'm going with that. Kudos to you for keeping it real, though. I get a laugh out of the "In it for the money" tagline every time;)
 
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