Episodic novels. Are there many around?

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underthecity

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What I mean is, each chapter is a story in of itself. It's a novel, but it's not One Big Story with a few subplots, but a different thing happens in each chapter, not necessarily building into any big climax, except the end of the book. MASH the novel comes to mind. The basic story is that Hawkeye, Trapper and Duke are three surgeons in a field MASH in Korea. Wacky things happen until they're discharged after a few months.

I was given a self-printed book by a coworker's wife to read because I was curious about it and offered to read it. His wife wrote it as kind of a memoiristic tale of her years working in a restaurant in the late 1960s and early 70s. He explained that she tried to have it published, but it was rejected. She took it to Kinkos and had a few bound copies made just so she could have a "book." She knows she isn't "really published."

I've read the first hundred pages. It's interesting, but not written well enough for submission. It needs a lot of work: punctuation, grammar, structure, endless "As she did this" type sentences, it's just, well, it reads like a first draft. Once I accepted all the issues, it's kind of an interesting story. But it's not a novel. It's about a young girl who has a baby at 15 and goes to work as a restaurant carhop in 1966 to help support herself and her baby as she lives with her parents who help raise her. The father, kind of a hoodlum, runs off and abandons her. The story folllows her different experiences in the restaurant and the different people she works with. I don't think it's building to a climax, but I am interested in the characters and where things are headed. So, I guess it's somewhat compelling, just not well written.

Is there a market for this kind of book? All names and places have been changed, but it's a look at her life in a restaurant told in episodic form.

I'd like to encourage her to work on it and submit it when it's finished (and maybe visit AW) as long as there's a market for it.

She's in her 60s, I believe. She wrote a book, I'd like to see it get better.

allen
 

Toothpaste

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There used to be a market for it, for sure. Especially in children's literature. But I think people find that sort of writing old fashioned these days.

All that said, there's this Canadian author who won the top literary prize here for his novel which is more like a series of short stories with the same characters in it. Not even really a through line at all. So again, if it's done well, doesn't really matter in the end.

(BTW, my book is episodic, and I got rejected because people thought it was too old fashioned. I also got accepted and published in over 10 countries. Still reviewers are really split over my book when it comes to the episodic thing. But episodic fiction isn't bad, just not the norm these days).
 

TheIT

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All Creatures Great and Small by James Herriot comes to mind. IIRC, those books read more like compilations of anecdotes of life as a veterinarian.
 

raegan_1

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The description actually reminds me a little of Tim O'brien's book "The Things They Carried." Each story within the book was actually published as a short story, so it's really a cycle or collection of short stories. Yet the characters are consistent all the way through, the stories are tied together through the characters, the war, and the narrator(s). It's fiction and it was written over many years (as the story was published).

"The Things They Carried" is on the list of (nearly) every "Good Books" course I've heard discussed at the university I attend.
 

JoNightshade

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I'm interested in this topic as well. The novel I'm planning to work on after the current WIP is going to be in 7 parts: 7 short stories about two or three main characters. There will be an overarching storyline (there's a war on and the characters are working to stop/win it), but each of the seven parts will be a separate story spread out over about 40 years. It's fantasy.

So yeah, I'm wondering if there's a market for this kind of thing.
 

Aggy B.

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Ray Bradbury did that with several books. Dandelion Wine is probably the most well known. But I think The October Country fits that description as well. And there was one he did about Ireland (Green something, I think) too. If I remember they were all stories that revolved around a group (or family) of people. They weren't necessarily chronological but they did eventually lead to a kind of climax.

Of course, Bradbury may not have intended them to be novel-like. If I remember correctly The October Country was put together and the last few pieces added long after the rest of the book had been previously published as short stories.
 

TheIT

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Good point, Aggy B. Ray Bradbury also did The Martian Chronicles and The Illustrated Man as sets of short stories.

ETA: And wasn't Asimov's I, Robot a set of short stories, too?
 

Smiling Ted

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I, Robot and The Martian Chronicles were anthologies.

MASH and Huckleberry Finn were episodic. (Actually, they were picaresque - which means episodic, with a "roguish protagonist.")

Other episodic novels - gosh, lots...off the top of my head:

Tales of the City
Tom Sawyer
The Pickwick Papers
Mr. Roberts
Tales of the South Pacific
Candide
Tom Jones


And, come to think of it, Jack Vance's Eyes of the Overworld qualifies as episodic and picaresque.

It used to be very common for authors to serialize their novels in newspapers and magazines; Dickens did this with much of his work. This format made episodic novels a "natural."
 
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IceCreamEmpress

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There's a market niche called "novel in stories" that includes this kind of work to some extent.
 

CaroGirl

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Specimen Days by Michael Cunningham is a recent episodic novel. Three stories, separated by time period (past, present, future), featuring the same characters.
 

Tirjasdyn

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All of the books that Anne Logston wrote are like this. They all take place in the same world but only a few deal with the same characters.

Technnically Lackey does this with her series.

Niven has done it in the same book several times.
 

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Blackbird House, by Alice Hoffman, is one I've read recently and loved. Gorgeous book. And the Tim O'Brien book mentioned upstream was wonderful--I didn't realise how much I'd liked it until I'd finished it. It remained with me for a long time.
 

underthecity

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Thanks for mentioning these different titles. :) I'm halfway into the book I mentioned earlier. It has a very interesting story, but is buried by the, um, not-so-good writing. I'm going to encourage her to learn more about writing, try to get her to visit AW and learn, and go back to work on it and make it a strong book. I think it could sell. At least to a smaller publisher.

allen
 

donut

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Episodic novels definitely still get published (if they're *really* distinct stories, with only the same characters or settings, sometimes it will be called a "book of interconnected short stories"). The thing is, if there isn't a strong plot threading through the whole book and building to a traditional climax+denouement, then I think most publishers (and readers, and reviewers) expect the prose to be really exceptional to make up for it. So if you've got a story with rough, amateurish prose and not much of a plot, I'm not sure there's a place for it in the market.

Of course, bad prose can be made better, even brilliant, but it's up to the author whether she's willing to put in that level with work.
 

underthecity

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there needs to be a strong intersecting plot that involves all the episodes somehow..
I agree. So far, it's the main character's growth at the restaurant. She starts as a carhop at 15, over ten years later she's moved into management to another store. I'm halfway through it right now. I don't yet know what happens at the end. A different thing happens in almost every chapter. As I said earlier, it's technically the life story of the author (in the restaurant business) done in a novel format. Names and places have all been changed. It reads like a story, though, which is what I find appealing.

allen
 

IceCreamEmpress

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Barnes and Noble's website has a special search term for "novels in stories"--perhaps your friend might want to take a look at some of these? Rebecca Barry's Later, at the Bar sounds like it might be along somewhat similar lines to your friend's book--I read the Barry book and found it interesting, if a bit slight.
 

CDarklock

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I think this would be most interesting as gradual crossover.

The first few stories seem unrelated. The next few start to knit everything together. A few more get everything good and interwoven. And then you write a big one at the end to tie up all the pieces.

It would be really cool to see this done with the use of time travel and disjoint historical events.
 
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