- Joined
- Feb 13, 2005
- Messages
- 3,126
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- Near Cincinnati
- Website
- www.allensedge.com
And I don't mean "when do you write?"
Writing the first draft wasn't a chore . At times I was flying along, the story practically writing itself. However, I didn't stop to flesh things out. Many scenes were sparse and a lot of dialogue didn't have many beats. Much dialogue was there only to get the point across, and I had plans to improve it in the second draft. In spite of all this, I ended with 100K words.
That first draft took about five months to write.
I've been revising for nearly a year and a half. I'm about fifty pages away from the end of Draft 2. And I have to be honest here, a lot of time revision is a struggle.
Sometimes I'll keep reworking the same paragraph for an hour or more. I keep changing dialogue; it seems to become more natural every time I work on it, but it never seems good enough. "Is it real? Is it believable?" are questions I keep asking; never mind the fact that the subject of the book, its whole focus, is based on a concept that is impossible in the real world. (A machine to catch ghosts? Yeah, right.)
The book and story are constantly on my mind. I'll have scenes and individual lines of dialogue running through my head at any given time. Sometimes I'll go back a hundred pages and add a line in a scene to add a tiny detail that might enhance it just a little. Other times I'll rethink another past scene and post it in SYW and ask for advice. I did that with a scene involving a passage quoted from a Ben Franklin book I made up. I ended up reworking nearly the entire thing. And now it's better, I guess. Nobody really said so in SYW.
I keep pouring so much time and effort into this thing, and sometimes I wonder, will anyone like it? Have I wasted my time? Will I find an agent? Will it really get published?
Or have I wasted two years of my life endlessly working on a project that in the end . . . will go nowhere?
allen
Writing the first draft wasn't a chore . At times I was flying along, the story practically writing itself. However, I didn't stop to flesh things out. Many scenes were sparse and a lot of dialogue didn't have many beats. Much dialogue was there only to get the point across, and I had plans to improve it in the second draft. In spite of all this, I ended with 100K words.
That first draft took about five months to write.
I've been revising for nearly a year and a half. I'm about fifty pages away from the end of Draft 2. And I have to be honest here, a lot of time revision is a struggle.
Sometimes I'll keep reworking the same paragraph for an hour or more. I keep changing dialogue; it seems to become more natural every time I work on it, but it never seems good enough. "Is it real? Is it believable?" are questions I keep asking; never mind the fact that the subject of the book, its whole focus, is based on a concept that is impossible in the real world. (A machine to catch ghosts? Yeah, right.)
The book and story are constantly on my mind. I'll have scenes and individual lines of dialogue running through my head at any given time. Sometimes I'll go back a hundred pages and add a line in a scene to add a tiny detail that might enhance it just a little. Other times I'll rethink another past scene and post it in SYW and ask for advice. I did that with a scene involving a passage quoted from a Ben Franklin book I made up. I ended up reworking nearly the entire thing. And now it's better, I guess. Nobody really said so in SYW.
I keep pouring so much time and effort into this thing, and sometimes I wonder, will anyone like it? Have I wasted my time? Will I find an agent? Will it really get published?
Or have I wasted two years of my life endlessly working on a project that in the end . . . will go nowhere?
allen