Have you ever had to rethink all you thought you knew about your WIP?

C.J. Rockwell

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Have you ever worked on something that no matter how bad, or rough, or even broken the first draft was, you saw a story worthy of being told?
That’s how my current WIP is, something I believed in from the spark of inspiration, to my current draft of it, and it’s been through so many drafts I can’t count them all.


I’ve recently come to the conclusion that I started too late in my story and have to back up. That by itself wouldn’t be so bad, but couple that with the fact the all the feedback I received on is that “It needs work to be publishable” or “I’m not interested” starts to get to you after awhile. Sure, it takes time to have a polished MS, but if this cycle of people not getting it repeats for four years, it’s natural to get frustrated.

Ultimately, I’ve come to realize I need to rethink my WIP and give it a breath of fresh air. It’s hard because I thought I knew the story like the back of my hand for so long, and now I’m questioning if everything I’ve done these past four years has been worthless. But then I remind myself that maybe it’s a good thing, maybe this means I know the basics of the story, but need a different way of writing it.

When I wrote the first draft, I didn’t know 1/8 of what I know now, about the characters, and the overall structure of the events. I think that’s why it hurts more to feel as if I don’t know the story anymore because I know the characters so much better than when I started.

One of the things I fear the most is that the only way to make the story work, I have to take it to places that are heartbreaking for me. I’ve heard countless authors say that in order to get the story right, you have to be willing to face the darkness, and I’m not talking about Horror fiction. I mean you have to allow shades of grey in your work so things aren’t all brightness and rainbows.

I thought I’d done that, especially because the story is about a broken friendship. But maybe I don’t do it enough, or in the wrong way. It seems that a lot of the books that are popular right now have a dark edge about them, and while I I’ve read them and enjoy them, I’m just not comfortable writing that way. I want to entertain with my work, I want people to laugh and have fun with my stories. Now there are moments in my story where you might cry or feel the pain of a character, but I can’t write in that dark. Grey, unhappy place all the way through.

Has anyone ever felt like they don’t know certain things about their WIP, no matter how much they’ve worked on it?



(If you’re interested, here’s the first chapter of my WIP)
MG Novel - Chapter 1 - 1,273 words
 

laurel29

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I set out to write a light hearted story and discovered that I am far too depressing. Everything was about death, loss, darkness and general ickiness, but I wanted my characters to be cheerful... it didn't work. I have to start over.

I think maybe I have to purge some of my negativity :D. A little depressing is alright, but what I do is just mind-numbing and ultimately boring since there is nothing happy to contrast it with. I still don't know why these characters don't just lie down and die. It doesn't make much sense unless they are secretly taking happy pills.
 

vfury

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Every day I open the file and stare at it. :/

Right now, I'm at the stage where things are getting rewritten, fixed and moved around. I've ended up with an entirely new first chapter. A character who previously didn't appear until Chapter Three now speaks the first line of dialogue. A character who was previously only mentioned in backstory is now the catalyst for my protagonist's motivation.

I don't think I'll ever be completely happy with it, even if it gets published. I'll always want to pick at and change things. Right now, 80 percent of my first draft is getting tossed. I ended up letting it sit for three months while I went through the reasons for things going wrong in the first draft.

I understand about the grey areas - some of the things that happen to my protagonist cut a little close to some of my own issues, and I worry that I'm going to either mess it up completely, or just fall flat in my face.

In the end, I know this can work, I just have to not give up on it. I have to accept that nothing I write will ever be perfect, but I can, and must, polish it up as much as I can. I have to accept my doubts and keep opening that file, no matter how much I cringe and don't want to.

Good luck, and don't give up. :)
 

TnTexas

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A couple of days ago, I looked at the project I'm just about ready to send out and decided that I wanted to set the scene for the story a bit better so I dug into some earlier versions of the story and re-added some things I had taken out.

So yes, I've reworked a project many times over. Kind of frustrating when that happens.
 

writin52

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I just keep telling myself, just one more tweak! I find I just have to let go and send it out into the world. If I don't, I find it gets worked into oblivion and never gets finished. Why do you think "The Neverending Story" is so popular?
 

Lisa F

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I'm totally rethinking the first pb I ever wrote. I wrote it five years ago. It's been through countless critiques and revisions. It's a sensitive topic (childhood cancer), so I figured the rejections had more to do with the topic than the story. Now I'm beginning to rethink it. I think I'm going to pull out all of the front matter, cut it in half, and give it more focus.
 

Hedgetrimmer

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It’s hard because I thought I knew the story like the back of my hand for so long, and now I’m questioning if everything I’ve done these past four years has been worthless.

CJ, I don't think any kind of writing is ever worthless. It may not be the best material we're capable of creating, but there is always something to be learned from every word put on the page.

That notwithstanding, four years certainly is a long time to devote to an MG novel. What you may want to do is put the manuscript aside completely and move on to another project. It is amazing how writing about different themes in a different voice helps cast light on a previous work.

You can also try writing your novel in a much shorter form, say a 500- or 1000-word short story. Doing so will force you to cut to the bare essence of the tale and provide you with a bit more direction.

Also, be very careful about whose advice you're listening to. If editors and agents are saying your book needs a lot of work to be publishable, that is one thing. Those same comments from peers, particularly people who have never been published, carry less weight.

As far as the issue of darkness goes, well, you can't artificially insert elements just because you think that is what the public wants. Remember, those dark novels may appeal to a particular audience, but at the same time they will turn some people off. Listen to your characters and write in the tone and spirit they dictate. I'm a firm believer that anything written from the heart will find a following. Fads come and go. The essence of who you are should remain constant.
 
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HeronW

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I've learned so much since doing the first book I can make it better and that momentum will carry forward to all the rest. It ain't a bad thing. :}
 

C.J. Rockwell

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As far as the issue of darkness goes, well, you can't artificially insert elements just because you think that is what the public wants. Remember, those dark novels may appeal to a particular audience, but at the same time they will turn some people off. Listen to your characters and write in the tone and spirit they dictate. I'm a firm believer that anything written from the heart will find a following. Fads come and go. The essence of who you are should remain constant.

Thanks Hedgetrimmer, I've had a rough couple of weeks in my writing world. I should clarify that I would never write something that doesn't fit the story. I definitely listen to my characters and have always followed my instincts.

I just meant that my story has been recieved as having an old-fashioned feel and it would help to "modernize" some things about it. But I've always loved stories with a certain feel. When I said I might need to go darker, I meant that I needed to make sure I don't make things too easy for my characters, and not to be too fluffy. I have problems with conflct.

I'm careful about the advice I take, but I don't want be blind to things that'll make my MS better. Most of feedback Ive gotten have been from writers on this forum that I've read their work in SYW and it's often worlds beyond what I've done.

I did put the story aside once before for five months and worked on short stories in that time, but I'm uncertain if I can do it again.

I have an idea for a new project, but I'm afraid to start it. It's a PI-style Fantasy/Mystery and I know to make the mystery plausible, I need to have an outline or a definite plan in place, and I've never been able to do extensive outlining. I'm also afraid of the same issues appearing, even though the story and characters are different.
 

Hedgetrimmer

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I have an idea for a new project, but I'm afraid to start it. It's a PI-style Fantasy/Mystery and I know to make the mystery plausible, I need to have an outline or a definite plan in place, and I've never been able to do extensive outlining. I'm also afraid of the same issues appearing, even though the story and characters are different.

Interesting. I just began working on a chapter book series in which my MC plays the role of neighborhood P.I. As I've heard agents and editors are hungry for boy-friendly books, I'm hoping this project won't be such an uphill struggle as others in the past. Good luck with your book.