How should I react when AW reviewers ask, "Is it a comedy?"
Why can't it just be a murder mystery with several classic stereotyical characters and a more-than-plausible number of coincidental happenings?
Maybe, I just answered my own question.
Really, it's not that bad.
My original premise was that a female police officer became a contract killer to make ends meet when her police lieutenant husband wasn't progressing through the ranks fast enough. After all, she had sacrificed her career (nepotism issue) for his. The contract killings serve two purposes: (1) she gets the extra money and (2) she leaves enough evidence behind so that her husband can make an open-and-shut case against the person she frames for the murder. Problem is, he sometimes needs a lot of help finding the clues and an FBI agent is becoming suspicious.
Now, does that sound like a comedy to you?
Mac
Why can't it just be a murder mystery with several classic stereotyical characters and a more-than-plausible number of coincidental happenings?
Maybe, I just answered my own question.
Really, it's not that bad.
My original premise was that a female police officer became a contract killer to make ends meet when her police lieutenant husband wasn't progressing through the ranks fast enough. After all, she had sacrificed her career (nepotism issue) for his. The contract killings serve two purposes: (1) she gets the extra money and (2) she leaves enough evidence behind so that her husband can make an open-and-shut case against the person she frames for the murder. Problem is, he sometimes needs a lot of help finding the clues and an FBI agent is becoming suspicious.
Now, does that sound like a comedy to you?
Mac