those numbers you threw out mean nothing.
Let's say you wrote a script called "Blazing Joe" and you send a query letter to Agent Joe.
First off, Agent Joe's assistant gets 100 query letters a day, not scripts.
Of those, some are solicited by managers who if Agent Joe knows, he will look at those first.
Of those left, from newbies like you, it is the logline that first gives the impression to whether or not it stands out-- to the assistant, not Agent Joe.
Of those that make that grade, Agent Joe gtets them and reads the pitch or short synopsis in your query to see it is marketable and of interest.
Then and only then will he request your script if 1st, the logline stands out and then, the story seems worthwhile.
So now weeks later, he has gotten maybe 5 scripts from those 100 queries. He sits down and reads them, skimming at first and then reading more intently if it stands out. He likes "Blazing Joe" and not ju=t because his name is in the title.
Then he makes a few phone calls to some producers he is in contact with and sees if any interest may be around for a Blazing Joe story. If it seems like there will be, he'll call you for a meeting.
That's it for the most part.
So yes right the best darn story you can but make sure you got a great query letter.