Agents who aren't members of AAR

qdsb

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I'm not at the query stage yet, but I write literary fiction. I've noticed that some of the agents for fairly recent literary works aren't members of AAR. I thought one of the major recommendations for novelists seeking representation was to make sure the agent is an AAR member.

For instance, the McCormick & Williams agency reps Matthew Sharpe and Elizabeth Kostova, among others. They've sold to the big publishers as well as small presses. Yet David McCormick and Amy Williams don't seem to be AAR members.

So I'm just wondering about this discrepancy. Any insights?

Thanks in advance.
 

NiennaC

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It's great if an agent is a member of AAR, but it's not necessary. Many reputable agents aren't members. If you get interest from an agent who's not a member however, I think it's a good idea to ask if they follow the AAR Canon of Ethics.
 

Carmy

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I believe agents have to be in the business for two years before they can apply for AAR membership.
 

victoriastrauss

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I believe agents have to be in the business for two years before they can apply for AAR membership.
They must have been in business for two years, and have sold at least 10 literary properties to commercial publishers over the past 18 months.

Sometimes agents aren't AAR members because they're too new to qualify. Sometimes successful agents choose not to join. So not being an AAR member is not a de facto indication that an agent isn't reputable--although, since most reputable US-based agents do choose to join AAR, it makes sense to do some extra checking on an agent who isn't a member. Ditto for agents in the UK who aren't members of the AAA, and agents in Australia who aren't members of the ALAA.

Track record is the bottom line.

- Victoria
 

qdsb

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Thanks very much for all the replies. I appreciate the clarification.
 

Andrew Zack

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I have to disagree with this: "most reputable US-based agents do choose to join AAR" as there are many reputable agents who have not and there are reputable agents who were and no longer are, me included. If you are not located in NYC, being a part of the AAR makes little sense. You'll attend none of the meetings and receive little benefit beyond some handouts now and then.

And even if you are in NYC, you may simply choose not to belong because of the lack of benefit. When I joined the AAR, it was to learn more about being an agent and, I'd hoped, to get some group health insurance or something. But the AAR had no such benefits when I joined, so I petitioned to create a Member Benefits Committee and was the founding chair. We got some discounts on office supplies and a few other things, but insurance never worked out.

I quit the AAR when I realized that I was spending quite a bit of time on AAR items (I was chair of the Royalty Committee) but just not getting a lot out of it. I thought that I had something better to do with my $150 a year membership fee and, honestly, I knew at least a couple of agents who had dropped out for similar reasons. The best thing about it for me was the gossiping at the Royalty Committee meetings. And since those were held only 6 blocks away, why not? If they had been cross-town, I'd probably not joined the committee.

The Canon of Ethics is a good idea, but there is a limit to how much the AAR can do. It can't stop a member from charging a 50% commission. It can't negotiate boilerplate with publishers. It is actually very toothless when it comes to publishers, though publishers may sometimes take the outcry of the membership as an indication that they should alter a policy.

In the end, I think it's a fine organization, but did little for me. And I would never suggest that an author should take or reject an offer of representation simply on the basis of whether or not that person is a member of the AAR. Plenty of good agents are not.

Z