A Valuable Re-Writing Technique...

Status
Not open for further replies.

wayndom

Super Member
Registered
Joined
Jul 21, 2007
Messages
775
Reaction score
130
Location
San Francisco
...that I've never read or heard of anywhere.

When I'm working on a re-write, occasionally I'll be reading along, and suddenly think, "Hmm." Then I continue reading a bit, and then think, "Oh, no, this is OK. This works fine."

Whenever that happens, I stop right there, because I've learned, whenever you think, "Hmmm..." it's NOT alright.

If it was alright, you wouldn't have thought anything. You would've just continued reading, uninterrupted by unarticulated questions.

Something is wrong, which must be made right.

For me, the easiest fix is usually to cut something out of the offending sentence, or the whole sentence. Often, you can see the writing strengthen before your eyes as soon as you cut the offending passage.

But in any case, any time that wordless question (or sense of uncertainty) enters your head while you're reading your work, it means something's wrong.

Don't know why I've never read this in any book on writing techniques. In my experience, it's made the difference between professional-quality and amateur writing.
 

c.e.lawson

Super Member
Registered
Joined
Jun 21, 2007
Messages
3,640
Reaction score
1,286
Location
A beach town near Los Angeles
Oh, I think I know exactly what you mean! I've had the experience of editing my own stuff and that very subtle little voice squeaks in my ear. But then I ignore it or convince myself that "Nah - it's really fine the way it is.". And almost ALWAYS, my beta calls me on the very same thing.

Good point!
 

John61480

The Elements of Style
Super Member
Registered
Joined
Aug 2, 2006
Messages
547
Reaction score
37
Location
Right Next Door
For me, the easiest fix is usually to cut something out of the offending sentence, or the whole sentence. Often, you can see the writing strengthen before your eyes as soon as you cut the offending passage...wayndom

Is this what Stephen King shows in his book On Writing, you know, that newspaper editors trick?

I tried to do something similar in reference to the above I mentioned. Very scary stuff in excess, which is what I did. I even did that in a few critiques in the SYW board. I still ponder about that every now and then. But I do have to admit, in large doses, it can change a writing into something else without even having to {take not taking -- sorry} out or adding to the plot.
 
Last edited:

IrishScribbler

Super Member
Registered
Joined
Apr 19, 2006
Messages
610
Reaction score
41
Location
central Illinois
Website
coffee-stainedwriter.blogspot.com
That's wonderful advice! Thanks so much! There have been times I've thought "Hmmm..." or "Wait...what?" but thought it kind of worked later.

If I ever write a book (or article or whatever) about editing/revising, I'll make sure to put that in there, and give you credit! :D
 

blacbird

Super Member
Registered
Joined
Mar 21, 2005
Messages
36,987
Reaction score
6,159
Location
The right earlobe of North America
My rule of thumb is, anytime I hesitate in reading something, or need to re-read it, something is wrong, or at least could be done better. Goes double for my writing, as well as for critiquing others.

caw
 

Chasing the Horizon

Blowing in the Wind
Super Member
Registered
Joined
Nov 8, 2006
Messages
4,288
Reaction score
561
Location
Pennsylvania
Excellent advice for line editing, terrible advice for major content editing. I have officially stopped content editing on my completed MS. I will now only make changes my betas recommend, not ones which occur to me as I read. I keep wanting to change entire subplots or situations because I can think of something 'better' to have happen, when the truth is that what's there is working just fine. I could spend ten years changing around scenes and complications in this one book, but I've decided to accept 'OK', and not fix what isn't broken.

When I'm line editing, though, I always obey the slightest inclination to delete an unnecessary word or line because I know I'm an overwriter.
 

zornhau

Swordsman
Super Member
Registered
Joined
Feb 21, 2005
Messages
1,491
Reaction score
167
Location
Scotland
Website
www.livejournal.com
Good advice (but caveat)

And the caveat is: Don't do this while writing the 1st draft!

Can I add one?

Check further up the tree before tinkering with text. It might be the problem lies in a plot hole or some aspect of characterisation, e.g. "She wouldn't do that, and where did she get the whatsit?"
 

Joe Moore

Super Member
Registered
Joined
May 16, 2007
Messages
195
Reaction score
45
Location
Florida
Website
www.cottenstone.com
Here are a couple of additional tips. Read your work out loud off a hard copy. Better yet, have someone read it to you. You’ll be amazed at what happens when you hear your dialog being read. It will show you where the dialog might sound forced or there’s too many tags. Also, editing off hard copy rather than your computer monitor lets you see the entire page and how it visually flows to control reading speed and pacing.
 

Bufty

Where have the last ten years gone?
Kind Benefactor
Super Member
Registered
Joined
May 9, 2005
Messages
16,767
Reaction score
4,662
Location
Scotland
Careful who you pick. Someone not accustomed to reading aloud could screw up the best dialogue in the world.

Here are a couple of additional tips. Read your work out loud off a hard copy. Better yet, have someone read it to you. You’ll be amazed at what happens when you hear your dialog being read. It will show you where the dialog might sound forced or there’s too many tags. Also, editing off hard copy rather than your computer monitor lets you see the entire page and how it visually flows to control reading speed and pacing.
 

wayndom

Super Member
Registered
Joined
Jul 21, 2007
Messages
775
Reaction score
130
Location
San Francisco
Here are a couple of additional tips. Read your work out loud off a hard copy. Better yet, have someone read it to you. You’ll be amazed at what happens when you hear your dialog being read. It will show you where the dialog might sound forced or there’s too many tags. Also, editing off hard copy rather than your computer monitor lets you see the entire page and how it visually flows to control reading speed and pacing.

Related to this, I've also noticed that no matter how many times I read something on my computer monitor, it always reads slightly differently when it's ink on paper.

So I always end up doing one more touch-up rewrite after it's printed out.

Anyone else experience that, or is it just me?
 

wayndom

Super Member
Registered
Joined
Jul 21, 2007
Messages
775
Reaction score
130
Location
San Francisco
Careful who you pick. Someone not accustomed to reading aloud could screw up the best dialogue in the world.

And you run the risk of being disillusioned in your friends, when you discover they can't read aloud to save their lives...
 

amber_grosjean

AW Addict
Super Member
Registered
Joined
Jan 25, 2007
Messages
455
Reaction score
38
Location
Alexandria, Indiana
Website
www.amberrigbygrosjean.blogspot.com
Wayndom, you're not the only person. Reading it on paper really makes the difference. I try reading things aloud now but I suck at it so I always make sure I'm alone so no one can hear me. I stutter sometimes when I read, which isn't something I normally do. I see the word and my mind wants to tell me its another word and then I see it at the last second as what it really is. My mind loves playing tricks on my lol.

I'm not a crazy person, really!

But I did learn that reading out loud to myself does make editing easier. I have found mistakes that I never would have picked up other wise. Now my manuscripts go to the publisher cleaner than before, making me feel a whole lot better with what I've created. Normally, when I do read I will pause and ask myself how it is so far. If I think its good, I keep going. If I think it needs more work, I stop and rewrite before going any further. Then I continue editing.

Amber
 
Status
Not open for further replies.