The following essay/commentary appeared in the Huffington Post, Huffington, N.Y., June 5, 2007
http://www.huffingtonpost.com
Below is a small excerpt. To read the full article, click here:
http://www.huffingtonpost.com/alex-remington/why-every-summer-movie-en_b_50851.html
As you can imagine, it's a bit of a rant. And he even makes a disparaging (and unfair, IMHO) comment about Hollywood suffering from "creative bankruptcy" from its very beginnings by quoting Samuel Goldwyn's harsh words to a scriptwriter:
I was a little perplexed that nowhere in his essay did he mention Lord of the Rings as having any bearing upon all of this, (not that I want that great work of cinema to be drawn into the crosshairs of his loathings).
Oddly, at the end of all his snobbery and condescension, he concludes by saying "there's nothing wrong with all this." (??) So I guess it was a lot of fuss over nothing. Hey--he's gotta make copy, right?
http://www.huffingtonpost.com
Below is a small excerpt. To read the full article, click here:
http://www.huffingtonpost.com/alex-remington/why-every-summer-movie-en_b_50851.html
Why Every Summer Movie Ends in "3"
By Alex Remington
... This summer is especially gruesome, as it seems like every movie ends in the number three. (Thank God, The Number 23 won't be one of them.) Just in case you'd forgotten, here are some of the movies appearing this summer at a theater near you: Spider-Man 3, Rush Hour 3, Shrek the Third, Pirates of the Caribbean: At World's End (P.O.T.C. 3), Resident Evil: Extinction (Resident Evil 3), Ocean's Thirteen and The Bourne Ultimatum (Bourne 3).
Oh, and there's an entry in a quadrilogy (Live Free or Die Hard) and in a heptology (Harry Potter and the Order of the Phoenix), plus eight plain old sequels: Fay Grim, 28 Weeks Later, Day Watch, Hostel Part II, Fantastic Four: Rise of the Silver Surfer, Evan Almighty, Daddy Day Camp, and Mr. Bean's Holiday.
As you can imagine, it's a bit of a rant. And he even makes a disparaging (and unfair, IMHO) comment about Hollywood suffering from "creative bankruptcy" from its very beginnings by quoting Samuel Goldwyn's harsh words to a scriptwriter:
"Why did you name him Sam? Every Tom, Dick, and Harry is named Sam!"
I was a little perplexed that nowhere in his essay did he mention Lord of the Rings as having any bearing upon all of this, (not that I want that great work of cinema to be drawn into the crosshairs of his loathings).
Oddly, at the end of all his snobbery and condescension, he concludes by saying "there's nothing wrong with all this." (??) So I guess it was a lot of fuss over nothing. Hey--he's gotta make copy, right?
