What the Protag?

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jpsorrow

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What the Protag?

In the commentary to the movie Die Hard, one of the commentors said something interesting: that the protagonist in the movie is actually Hans Grueber, the man who takes over the building in an attempt to steal millions from the company’s vault, and the antagonist is the hero, played by Bruce Willis. And I went: What? The hero is the ANTAgonist? The commentor also said that the reason the movie was so great was because everyone who was a part of the movie understood this about the movie.

But the hero as antagonist? It made me sit back and actually ask myself what the two terms meant: protagonist and antagonist. What are they and what role do they play in the story? And guess what. I had to rethink my initial basic assumptions about their roles. So I figured I’d play a little devil’s advocate and say what I think about the two roles and what they mean, and then see what everyone else out there thinks. So here goes:

Protagonist: I think the protagonist is the person in the story who has a goal, something they want to achieve, and the story itself is about how they go about trying to achieve that goal. In other words, the story is about their struggle to achieve their goal, how they go about it and the problems that they run into along the way. For Die Hard, the protagonist is the thief Hans Grueber, because he is the one in the movie with the main plot-oriented goal. He wants to steal all the money and escape with it. He has some basic problems he needs to work through to achieve this goal: the money is inside a rather sophisticated safe, and much of the movie is spent cracking that safe. He also has other problems, such as the police catching on to what he’s doing, and how he’s going to escape with the money. And then he’s got Bruce Willis’ character, the unplanned-for problem.

Antagonist: The antagonist is the person (or thing) that blocks the protagonist from achieving his or her goal. The one who throws a monkey into the wrench, so to speak. The person often does this for their own reasons or goals, but those reason aren’t the driving force behind the plot. Instead, those reasons are usually character-oriented. Their goal is basically to just stop the protagonist. If the protagonist wasn’t there, the antagonist wouldn’t have a plot-oriented goal at all. For Die Hard, the antagonist is the Bruce Willis character (who’s name I CANNOT for the life of me remember even though I’ve seen all of the Die Hard movies and loved them), because he’s the one that screws up all of Hans’ well-laid plans. His initial character goal is to try to fix up his relationship with his wife, or ex-wife, or family. Hans is messing those plans up, so his new goal is simply to stop Hans and save his wife’s life. His actions are determined by Hans’ actions; he doesn’t initiate the plot itself.

So that’s what I think the two personas are supposed to be in a story. I got to thinking about most of the fantasy and science fiction novels out there, and I think we’ve all got it screwed up for a lot of them. The hero ISN’T the protagonist in most of the ones I can think of off the top of my head. Because most fantasy is about how the hero goes about stopping the well-laid plans of Evil. Evil is the protagonist, because it has a goal, something that it wants to achieve, and somehow the hero finds out about it and the ends up screwing up Evil’s plans as best they can.

This obviously doesn’t apply to all fantasy out there. Obviously there’s the LOTR example. Frodo is the protagonist; his goal is to destroy the Ring, and evil is attempting to stop him. The story is his struggle to fight the Ring’s influence and evade all of the Evil forces trying to stop him. But a lot of the more recent fantasy that I’ve read, or even write, seems to be the other way around. In my recent book, just finished (and still basking in the afterglow), the main character spends the entire book trying to stop the Evil forces from taking over the city. So the protagonist would seem to be the Evil forces. They’re the ones with the plans, the goal. Varis, my main character, seems to be the antagonist, because it’s her goal to stop them.

So, here’s the challenge. Take your book, or the book you’re currently reading, and ask yourself who you think the protagonist and antagonist are, and tell everyone about it in the comments (without spoilers if you can). Or if you don’t agree with the definitions I came up with here—and I’m not claiming they’re good definitions at all, just my thoughts on the two—then tell everyone what you think the definitions should be. Is the hero always the protagonist? I no longer think so.
 

JanDarby

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In almost any well-done story, the protagonist and antagonist labels can be applied to either of the two opposing main characters, especially when you remember that the antagonist is the protagonist in his own mind.

Also, some experts suggest that it's always the antagonist who gets the ball rolling (the Grueber character in the Die Hard example).

I'd suggest adding one more criterion to the definition, though, and that's simply who's the story about. Clearly, the Die Hard series, ultimately, is about the Bruce Willis character, and it's not really a close question (unlike, say, the Silence of the Lambs, where it's a closer call whether it's Hannibal or the FBI agent). That makes him the protagonist.

Sometimes, but not always, only one of the two characters changes over the course of the book (sometimes both change), and if only one changes (grows), then that would be the protagonist. Classic example is Raiders of The Lost Arc, where Indy and his nemesis are pretty much the same in the beginning, both determined to be the best darned artifact-collector in the world. By the end, Indy has grown enough to know that some things are more important than artifacts, and he's saved, whereas his nemesis, who hasn't changed/grown, but is still completely obsessed with the artifact and only the artifact, dies.

Just as an aside, for an interesting take on the whole "bad guy as protagonist," check out Jacqueline Carey's Godslayer and Banewreaker, where the she tells the story from the "bad guy's" point of view, in a fantasy setting, complete with a mystic prediction about events that will lead up to the victory of the good guys and overthrow of the bad guy, and then the bad guy's working to prevent that prediction from coming true. It's fascinating. And in that case, truly, the protagonist is the "villain," but it's done so as to make him also be a sympathetic character, if not entirely "good."

But, really, I think the key is to remember that the antagonist is the protagonist in his own mind, and then, in a sense, it doesn't matter which is which.

JD
 

Prawn

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Very interesting topic, sparrow. Me like!

Most tales of Good and Evil like Die Hard or LOTR have the good guys with a defacto goal to foil the goals of the bad guys, and the way we tell the good guys from the bad guys is really the bias of the narrator.

It seems like in your terms, the protagonist has an active goal: accomplish x. The antagonist has a REactive goal: to keep the other guy from accomplishing X.

I think that there is also a third variable: from whose perspective is the story told? The narrator is rarely neutral. In your examples above, Hans is the one with the objective, and John McClane is the one who foils it, but in a certain sense the narrator (in this case the director or cinematographer) is on the side of Hans, and does not sympathize with his goal.
 
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