Most Important Element in Speculative Fiction

Most Important Elements in Speculative Fiction

  • Setting

    Votes: 5 9.3%
  • Plot

    Votes: 9 16.7%
  • Characters

    Votes: 26 48.1%
  • Writing

    Votes: 3 5.6%
  • Themes

    Votes: 1 1.9%
  • Cover

    Votes: 1 1.9%
  • Title

    Votes: 0 0.0%
  • Map

    Votes: 0 0.0%
  • Other (please elaborate)

    Votes: 9 16.7%

  • Total voters
    54
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brokenfingers

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From a reader’s viewpoint, what do you feel is the most important element in a good spec-fic story?

Is it the setting? How fantastical and amazing and removed from the everyday normal world it is? The author’s world itself and its marvels and oddities and difference from our own world? The society, the buildings, the landscape, the relationships, the livelihoods, the power structure, if there’s magic etc.

Is it the plot? The storyline and all it entails: heroes, quests, conflicts, villains, monsters, trials and tribulations, accomplishments etc? Good vs. evil, Right vs. wrong? The underdog defeating the favored and all-powerful? The little guy overcoming adversity? Achieving one’s dreams?

Is it the characters? Heroes and villains you root for or rail against or admire or hate or even unwillingly admire? The human story told through a character you identify with or sympathize with or aspire to be or wish you were? The archetypes as drawn by the writer, bearing the essence of mankind in their very being, their every action?

Is it the writing? The beauty of the prose? The author’s writing style? The way they use their words, so cunningly and cleverly?

Is it the themes? The universal things like Honor? Faith? Truth? Justice? Redemption? Vengeance? (While all novels deal with these themes to varying degrees, I think that spec-fic, especially fantasy, often deals with our idealized version of how the world should work and these themes seem to predominate the stories told within the framework of spec-fic.) Good vs. evil, Strong vs. weak, Woman coming into her own, Boy coming into his own, etc?

The cover? Fantasy seems to be moving away from the old-style covers of muscled warriors brandishing bloody blades etc and to a more mainstream and “safe” or neutral style of artwork. Does a cover influence your decision?

A good title? Some titles just scream “Fantasy!” or Science Fiction!” while others are more neutral or ambiguous.

A good map? Some people like to envision the world and like a good map with their story.

I realize these all have their own part to play but I’d like for you to take a moment and think about the books you’ve loved the most, the types you seem to look for first etc. – then try to decide which one of the above elements you feel plays the largest part when deciding which book to buy/read.

Or, based on the books you've enjoyed most, which of the above do you feel is the most important element as far as your enjoyment of your spec-fic reading list goes.

If possible you could also list them in the order of importance since I’m sure all or most of the elements listed above are weighed in some way by a buyer.

I’m just curious as I’ve found that sometimes, what you believe to be so can be turned on its head when you start getting a sampling of what others think and their ideas on a subject.

And since we’re all basically here writing our own stories, it might help all of us to know what readers think – just as something to keep in the back of our minds while crafting our tales.
 
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glutton

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Characters. I'd much more be interested in reading about a hardcore female warrior, than anything else...

Then plot. The hardcore warrioress better actually do something, other than just sit there and look tough.

I don't care if something is "beautifully" written or just workman-like, but the writing style does matter. Mainly, I require something with a decent pace, not having to wade through pages and pages of excess.

Themes are pretty important, since they're strongly tied to the characters/plot, but I can stomach any theme, done well.

I'm generally more into a low-magic setting, than say one where powerful wizards run everything including the grocery store - but it's not that important (I enjoy Ed Greenwood's Band of Four books and some of the Forgotten Realms novels, and those are pretty damn high magic). Don't pay much attention to "scenery details", in any case.

A good cover can help catch my attention. I prefer a nice, attractive and credible-looking warrioress taking center stage. Don't need it if I know what the book is about, though.

Title - see cover, a cool one doesn't hurt, but it doesn't really matter.

Maps... I don't give a flying ****. Don't even pay attention to them when they're there...
 
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Rolling Thunder

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This is a great list of questions, but I'm going to have to take some time to think more about them. Part of me says plot first....but the reader doesn't really know the plot aside from the cover blurb to judge the story from the outset, do they?

Given that, character might be the best first choice IMO, if the first chapter builds the character up enough to gain the interest of the reader (the cover blurb should give enough information to interest the reader about the MC) plot should come second.

Good question, BF.
 

Tachyon

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Writing, characters, and plot are absolutely essential. Without any of them then the story is flat in some way.

One could have an awesome plot and wonderful characters, but if one writes like a five-year-old child, then how am I supposed to tell? When an author can draw me into the conflict with his or her writing skills then I'm hooked.

Good writing isn't enough to make a work succeed on its own though. The characters need to be worth my emotions--one has to work to make them people that I'd like to care about. And no matter how good one's plot is, if one's characters are caricatures or leaden, then it's going to detract from my experience.

But let's face it. One could write the best description of how one's characters are sitting around the living room watching TV--it might even make me cry. But if they don't do anything, what is the point of writing it in the first place?

I don't consider themes of direct importance. Themes should emerge because of what's written; the story should not be written because of a certain theme (if that makes any sense). It should feel natural.

The setting matters not. If the story, characters, and writing are interesting enough, I'll read anything, whether it's set in Middle Earth, medieval England, ancient Troy, or Arrakis. However, how one uses the setting in one's story could affect the quality of its plot or its characters. That links back into writing.

Now I will admit a certain weakness when it comes to maps. If a fantasy story has a map, I am immediately attracted to it, simply because ... well, it's a map. It helps me visualise the setting, track the characters' journeys, etc. The map was one of the reasons I first read L.E. Modesitt's Recluce Saga, which is one of the reasons I first starting writing fantasy, so I guess that's a good thing, right? However, it's far from essential. Plenty of fantasy stories lack maps and I don't knock them for it. A good map will never rescue a bad story.

The title and cover mean absolutely nothing to me. When I go to the library for new books, I'll browse the "New Books" shelf they've got set up. Sure, maybe I'm attracted to a pretty cover. But if the book is fantasy at all, regardless of how it looks, then I'll pick it up and read the teaser on the inside flaps of the jacket.

Speaking of which, that little summary--be it on the inside flap or the back? That's important to me. I usually read only that before I toss it in my bag (if I'm shopping at a bookstore I might read the first chapter, since it's costing me money). So it had better hook me, or else I might pass. I particularly loathe those little excerpts from the novel that get placed on the back cover sometimes. I hate reading those excerpts. They don't tell me enough about the story to make me interested.
 

Backward Masking

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Character is what rates high on my list. I understand that a good plot, setting and theme make most of what we read readable, but it is the characters that will carry story in the direction predetermined by the author. Covers, maps and titles are just icing on the cake. They contribute, but you can still eat cake without icing.
 
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Zoombie

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Goor charicters are the most important. I still remember some of my charicters and feel bummed that I haven't used them in a story for a while. Don't worry Sally, I drag you out of retirement soon, I promise.

Setting: Setting is always neat...as long as it's neat. I love settings that get all those little wriggy details right and are original

Plot: Plot is very important as well. Without a plot, you don't have a book.


Wait.


Actually, now that I think about it...all of these things, with the exception tital, map and cover are all nessiary to a good book. All of them. But Character is the highest, I belive.
 

Sassee

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I voted "other."

When I'm picking out a book, I like to look at the whole package. The name or the cover might initially catch my interest, but if the plot isn't appealing or the characters don't grab my attention, it's going right back on the shelf. Typically I'll read the first paragraph or page to see if it catches my interest. Every once in a while I'll buy a book just because it's that much "different" than everything else around it, and I want to see what it's like even if the cover is horrible, the title is corny, and the characters sound so-so. (example: I picked one up because it had to do with atlantean myth. in the romance section, this stood out.)

As far as what I've already read - characters are usually first and foremost in my mind. It's what makes me go, "you know, I haven't read that one in a while, I should pick it up again."
 

brokenfingers

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Hmmm… for me it depends. The things I look for when initially buying a book can be very different from the things that make a book memorable.

For instance, we can all agree on the importance of the characters in a story - but when you first buy a book, you don’t really know much about the characters. We all know, going in, the basic character archetypes that fall within each genre (fantasy, sf, mysteries, romance, thrillers etc.) and so we have our basic expectations of what we’ll encounter as far as characters go.

That’s why the most important thing for me, initially, is the setting or the world. Especially as time has gone on and I’ve become more accustomed to the tropes and archetypes in the genre.

The novel thing for me is the new world the writer will transport me to. That’s the initial grabber. That moment of “Wow, I haven’t seen this place before” when I read the back blurb.

So when making a decision to buy a book, that and the plotline are the most important elements for me. By plotline, I mean, as long as it isn’t a tired old cliché plotline, and is something new and intriguing than I’ll be more inclined to check it out.

But when thinking of what is the most important element as far as the stories I enjoyed best – characters play a more important role. Yet still, when it comes to my spec fiction choices, I believe the world itself or setting holds dominance.

The reason being that if it was only about the characters, I’d enjoy other genres as much as spec-fiction. There are interesting characters in so many different forms of literature, yet speculative fiction is my first love. Why?

I can only assume it’s the setting - which is the main factor differentiating spec-fic from mystery, romance, thrillers, literary, mainstream etc.

I read other genres also but not as much as spec-fic (and historicals) and I believe this is due to the settings themselves. Worlds removed from our own. A chance to see characters, their actions and emotions displayed against a backdrop so different from the one I experience everyday.

As an example, I’ll use the Dune books. I enjoyed Dune – with Paul Muad’Dib, Duncan Idaho, Baron Harkonnen, Stilgar, Jessica, Gurney Halleck, and the rest of the memorable cast – but without the world itself: Arrakis, the Imperium, The Bene Gesserit, The Fremen, The Great Houses, The Spacing Guild, Sandworms etc – it could’ve been a story in London, Constantinople, Venice, Jerusalem, Mexico city, Osaka, Beijing, Washington D.C.

So it was the setting that set it apart and, of course with the characters and the plot/story, made it memorable. But the setting, or world, - the uniqueness of it - was, I believe, the key factor why I enjoyed it.
 
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glutton

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There are interesting characters in so many different forms of literature, yet speculative fiction is my first love. Why?

I'll answer this for myself - what other genre has hardcore warrior characters who kick a lot of ass? Well, historical fiction (which I like as well - Steven Pressfield and Donna Gillespie in particular) and men's adventure (which I used to be a fan of, but I got bored of them due to being too formulaic/predictable).

So, in my case it still comes down to the characters in the end - although, I do have a love for melee combat over ranged, which makes me favor less technologically advanced settings. Still, you can have plenty of melee in a modern setting too (see Kill Bill, Jet Li movies, etc).
 

Pthom

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I voted for "plot." I could have voted for "other" for similar reasons as Sassee, because setting, theme and the writing are all important. I didn't vote for "character" because it isn't fair--as far as I'm concerned the characters are the most important element in all fiction. Without them, you have a Wikipedia article.
 

Mac H.

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Personally I like something that makes me think - something that changes me just a little bit.

I find that sci-fi has that affect more than other genres.

Mac.
 

MattW

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While it is nowhere near the most important thing, I find a map can be useful to track a journey story. But I have a gripe, and this is as good a place for it.

All too often, though, these maps don't note where mundane things take place, only the great battles and the _____ of Doom. And if you begin the story in a small hamlet, you are lost until the story reaches a walled city or river crossing.
 

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I said characters, because if I don't care about the characters, I won't get far enough in to find out if I like the plot. However, it really is characters and plot as equals for me, and my own writing is more plot than character driven.

I also love interesting, original settings, and I'm a sucker for good, detailed maps, but characters and plot are far more important than these.
 

ChaosTitan

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Character ranks number one in my list. If the author doesn't make me care about the main character (or even one of the supporting characters), then I don't bother with the story. Sure, things like plot and good writing are essential to me finishing a book, but I'll give a poorly written novel a chance if I find myself falling for the characters.

It's one of the reasons that I love reading Stephen King. He's a good storyteller, even if his writing tends to be passive at times. But I almost always fall in love with his characters. They are real, well-drawn, and I sympathize with them. The only exception to this (so far, I haven't read all of his books yet) has been Cell. I like the story idea, but I can't find myself caring a whole lot for the characters. I started it around Christmas and haven't picked it back up since January.

Characters draw me to everything I like in entertainment, from books to movies to television shows. I may adore the concept of a TV show, but if the characters don't grab me, I won't come back. That happened with the first six or so episodes of "Heroes." I loved the idea, but none of the characters really grabbed me at first. I went away, came back, and suddenly boom! It clicked.

The best horror movies are the ones in which I sympathize with the victims. Where I'm rooting for them to survive, to foil the killer or escape the death cube, or whatever. If I'm sitting there going "Kill her next, she's so annoying!" it's not going to be a keeper. I think it's why I preferred Saw II over the original. I never really liked the characters in Saw. Of course, this could just be the Donnie Wahlberg fan-girl in me, but I wanted his character to succeed.

I'm a people watcher. I'm a listener. I'm pretty empathetic. So character will always be on the top of my list.
 

JBI

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Character, then writing. Character first because it takes good writing to make good characters. Writing second since the plot is driven by the way you write it. If you are a crummy writer and infodump every other page, even if your plot and wordbuild is excellent, the book will still suck. Lately however, I have been more concerned with how something is written than what actually is written.
 

Anya Smith

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I voted for plot. I always read the blurb and if the plot is not interesting, I woun't read it. Characters are also important, and setting and theme, and writing. A good book has it all and more.
 

badducky

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the most important element "speculative fiction", or any subgenre with the word "fiction" in the title, is and always has been the "fiction". that covers much of what you posted.

Hm. I didn't actually read lots of other posts before posting, and I bet someone has beat me to this.
 

Higgins

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Just writing

I voted "other."

When I'm picking out a book, I like to look at the whole package. The name or the cover might initially catch my interest, but if the plot isn't appealing or the characters don't grab my attention, it's going right back on the shelf. Typically I'll read the first paragraph or page to see if it catches my interest. Every once in a while I'll buy a book just because it's that much "different" than everything else around it, and I want to see what it's like even if the cover is horrible, the title is corny, and the characters sound so-so. (example: I picked one up because it had to do with atlantean myth. in the romance section, this stood out.)

As far as what I've already read - characters are usually first and foremost in my mind. It's what makes me go, "you know, I haven't read that one in a while, I should pick it up again."

Just writing. That's the only reason I read anything. And it is very easy to check: just open the book and random and if the writing is fun, then I'm buying the book.

This is why I can't read literary fiction. Have you picked a random page from lit fict lately? Did they all go to the same CRATE_OF_WRITING CLASS?
 

spacejock2

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Most popular fiction begins with the characters. When writing, I find the words fly when the characters are interesting, damaged, deranged or angry, and it chugs along when they're talking, happy or travelling.

A recent post to my LJ (linked below) covers exactly that: how swapping out a stale, cliched character for an interesting and unusual one brought on a load of words and ideas.
 

benbradley

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"If you love her then you must send her
Somewhere where she's never been before."
"Words of Love", The Mamas And The Papas.

I voted for other. I'm surprised the majority voted for Characterization, as SF (at least when it means SCIENCE Fiction) has a reputation for being "the literature of ideas" rather than about people. It's true that people/charaterization "carry" the idea(s), but so does everything else.

Take me where I've never been, whether it's the clouds of Jupiter or the inside of an abnormal (not neccesarily meant as a pejoriative) person's mind. Fiction means it's a story. Speculative means the setting or the end result is somehow different from the present or the known past. It's always a drama in that it involves people (whether human or alien) with their own motives, but there's always some idea that's important to the story, that transcends interpersonal relationships. Speculative Fiction isn't Peyton Place. Space Opera IS Peyton Place (I recall "Peyton Space Place" being the only thing on TV in an episode of the Jetsons), but I don't consider that to be real speculative fiction.
 

triceretops

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In the very begining of the submission stage to agents/editors, I believe without doubt now, that it is the gimmick, premise or idea behind the story. It is the hook, the one sentence tagline that has the burden of everything that follows on its shoulders. This is the crucial, single most important primary element that is going to get me pulled out of the stack. It's the "wow" factor, and I believe that it is more important today than ever before, especially with a glutted market and all the competition.

With the bare bones of the book--characterization reigns supreme. Next comes plot. I still think that voice/style is next.

Premise
Character
Plot
Voice

Tri
 

ink wench

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Interesting question. It made me realize the difference between my reader self and my writer self. I voted for plot because, as a reader, if the teaser on the back of you book doesn't grab me, I'm not going to investigate further. I don't care how fascinating your characters or how gripping your prose. As a writer though, I've got nothing until I create an interesting (to me) character.
 
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