Selling stories as 'true' memoirs

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lostlore

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The post about writing with a specific market in mind makes me wonder
if other story writers ever tried bypassing the ever-diminishing mainstream
literary fiction market altogether, and selling their stories as nonfiction
'memoir' or 'confessional' type pieces for nonfiction markets.

My current reigning model for this idea is Elizabeth Gilbert, whose
knack for turning fiction into magazine feature is just about
unparalleled---her 'memoir' in GQ about working at an NYC redneck bar I
cite here as the great modern exemplar of the form.

http://elizabethgilbert.com/

http://www.coyoteuglysaloon.com/101/gq01.html

These confessionals might be only suited to a certain kind of writer and a
certain kind of writing---the reader is always going to assume that you're
the narrator. Hunter Thompson was good at it, and filled this niche
completely, although the compromise it required killed him in the end.

You can deflect it from your own life by writing a third-person 'account' of
something, or turning an anecdote into a character sketch as like a
Stephen Leacock or James Agate essay, but I've found that this extra
stipulation of nonfiction 'disguise' can also add another hurdle---when
you just want to write straightforward, dramatic short stories, there's
only so much disguising and recasting as journalistic articles before
the production falls apart beneath the fake scenery and schnozz
glasses, and I end up wondering what I'm doing trying to write a story
in the voice of a memoir on my personal health that will appear to the
world as a feature in the Saturday Evening Post or whatever.
 

pdr

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Er... I'm confused.

Do you mean turning your fiction, into fact?

In which case how do you do it? Haven't you just invented the characters and plot?

Do you mean lie to the editor and pretend your inventions are the truth?
Wouldn't touch it with a barge pole, mate. Never lie to editors if you want a long and happy writing career.
 

Jamesaritchie

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Fiction

I'm not sure what you mean. If you mean making something up and selling it as the truth, then, no, I'd never do this, and neither should anyone else. Lying is never a good way to live, and sooner or later, you will get caught.
 

lostlore

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I'm not sure what you mean.

I'm glad you replied because it was a post of yours on this very topic (link below) that got me thinking on this in the first place.

For context, this was in a debate on the lack of decently-paying short story markets. When you said that you sold a lot of work to magazines, someone said that the magazines you mentioned were for nonfiction. To which you replied,

Yes, the magazines I listed are nonfiction. But I sold them fiction, just as many other writers do. I'll let you in on a trade secret. . .not all the "nonfiction" out there is nonfiction. Particularly humorous "nonfiction." Just because a piece doesn't have "Short Story" under the title does not mean that piece is nonfiction. Some of it is fiction. A lot of it is fiction.

That's exactly what I'm interested in. Especially because in my experience, the number of nonfiction magazines that pay well (and that are open to new writers) are plentiful, while the number of well-paying outlets for the traditional short story are almost entirely gone.

The problem I'm trying to deal with is that I've found a paying niche for myself in nonfiction, I've been steadily at it for a while, but I haven't been able to replicate that success by selling the work that I actually care about, which is fiction.

You said that what you do is sell short stories to nonfiction markets that aren't billed as fiction. I'd like to know how that works. Are you talking about writing humorous or slice-of-life 'memoir' pieces along the lines of what I mention above, or are you talking about something else?

I'd also like to know if anyone else does this.


http://www.absolutewrite.com/forums/showpost.php?p=1013364&postcount=184
 

Jamesaritchie

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I'm glad you replied because it was a post of yours on this very topic (link below) that got me thinking on this in the first place.

For context, this was in a debate on the lack of decently-paying short story markets. When you said that you sold a lot of work to magazines, someone said that the magazines you mentioned were for nonfiction. To which you replied,



That's exactly what I'm interested in. Especially because in my experience, the number of nonfiction magazines that pay well (and that are open to new writers) are plentiful, while the number of well-paying outlets for the traditional short story are almost entirely gone.

The problem I'm trying to deal with is that I've found a paying niche for myself in nonfiction, I've been steadily at it for a while, but I haven't been able to replicate that success by selling the work that I actually care about, which is fiction.

You said that what you do is sell short stories to nonfiction markets that aren't billed as fiction. I'd like to know how that works. Are you talking about writing humorous or slice-of-life 'memoir' pieces along the lines of what I mention above, or are you talking about something else?

I'd also like to know if anyone else does this.


http://www.absolutewrite.com/forums/showpost.php?p=1013364&postcount=184

Many nonfiction magazines use fiction, but do not label it as such. But there's usually a caveat. Most such stories are written in styles that make the reader understand the story is wildly exaggerated, and is not really true.

Read some of Patrick McManus' stories to see what I mean. Even though his stories are never labeled as fiction, most readers knows what they're getting a tall tale.

This is important. The piece can be fiction, but it must not pretend to be factual. Obvious exaggeration is the key. Or using events, places, names that betray the fact that the story is not literally factual.

In a sense, I guess you could say that you lie so obviously that most readers will know you're lying, even without being told. This can be humor to get a laugh, a tongue in cheek article to make a point, or a deadly serious piece or "news" reporting, as long as the average reader of each can spot the hyperbole, location, people, dialogue, etc. as being obviously made up in order to achieve a desire reaction, or to make the right point.

Here's an example of McManus' humor. http://www.mcmanusbooks.com/merchandise/whats_in_a_name.htm
 
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