- Joined
- Dec 6, 2006
- Messages
- 188
- Reaction score
- 18
The post about writing with a specific market in mind makes me wonder
if other story writers ever tried bypassing the ever-diminishing mainstream
literary fiction market altogether, and selling their stories as nonfiction
'memoir' or 'confessional' type pieces for nonfiction markets.
My current reigning model for this idea is Elizabeth Gilbert, whose
knack for turning fiction into magazine feature is just about
unparalleled---her 'memoir' in GQ about working at an NYC redneck bar I
cite here as the great modern exemplar of the form.
http://elizabethgilbert.com/
http://www.coyoteuglysaloon.com/101/gq01.html
These confessionals might be only suited to a certain kind of writer and a
certain kind of writing---the reader is always going to assume that you're
the narrator. Hunter Thompson was good at it, and filled this niche
completely, although the compromise it required killed him in the end.
You can deflect it from your own life by writing a third-person 'account' of
something, or turning an anecdote into a character sketch as like a
Stephen Leacock or James Agate essay, but I've found that this extra
stipulation of nonfiction 'disguise' can also add another hurdle---when
you just want to write straightforward, dramatic short stories, there's
only so much disguising and recasting as journalistic articles before
the production falls apart beneath the fake scenery and schnozz
glasses, and I end up wondering what I'm doing trying to write a story
in the voice of a memoir on my personal health that will appear to the
world as a feature in the Saturday Evening Post or whatever.
if other story writers ever tried bypassing the ever-diminishing mainstream
literary fiction market altogether, and selling their stories as nonfiction
'memoir' or 'confessional' type pieces for nonfiction markets.
My current reigning model for this idea is Elizabeth Gilbert, whose
knack for turning fiction into magazine feature is just about
unparalleled---her 'memoir' in GQ about working at an NYC redneck bar I
cite here as the great modern exemplar of the form.
http://elizabethgilbert.com/
http://www.coyoteuglysaloon.com/101/gq01.html
These confessionals might be only suited to a certain kind of writer and a
certain kind of writing---the reader is always going to assume that you're
the narrator. Hunter Thompson was good at it, and filled this niche
completely, although the compromise it required killed him in the end.
You can deflect it from your own life by writing a third-person 'account' of
something, or turning an anecdote into a character sketch as like a
Stephen Leacock or James Agate essay, but I've found that this extra
stipulation of nonfiction 'disguise' can also add another hurdle---when
you just want to write straightforward, dramatic short stories, there's
only so much disguising and recasting as journalistic articles before
the production falls apart beneath the fake scenery and schnozz
glasses, and I end up wondering what I'm doing trying to write a story
in the voice of a memoir on my personal health that will appear to the
world as a feature in the Saturday Evening Post or whatever.