Is it considered an infodump if there's an aspect to the character that he doesn't know about that is later revealed by triggering memories or finding new information?
I mean, at first I want to say no, because the character didn't know about it and knowing it ties in with his personal stakes. But now I'm worrying that I'm bogging down the climax of my story with a run of the mill infodump and backstory. Personally, I find this kind of backstory interesting, but I don't know that editors feel that way.
I guess I have this tendency to build secret revelations into my plots, and always end up revealing them at the end, in addition to the resolution of the main conflict. I'm not sure if this is a good thing or not anymore.
As a sidenote, now I realize the need to stay away from how-to-write books while you're in the middle of a project. I'm second guessing everything I do now.
I mean, at first I want to say no, because the character didn't know about it and knowing it ties in with his personal stakes. But now I'm worrying that I'm bogging down the climax of my story with a run of the mill infodump and backstory. Personally, I find this kind of backstory interesting, but I don't know that editors feel that way.
I guess I have this tendency to build secret revelations into my plots, and always end up revealing them at the end, in addition to the resolution of the main conflict. I'm not sure if this is a good thing or not anymore.
As a sidenote, now I realize the need to stay away from how-to-write books while you're in the middle of a project. I'm second guessing everything I do now.