Ethics question: Using a real life catastrophe as a basis

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Tornadoboy

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I've got an MC whom is a survivor of a fictitious disaster which I (well, for the moment anyway) have based on the real-life nightmare of the Station nightclub fire in Rhode Island, and I was wondering if by doing so I might come across as being exploitive, unethical and overall hurtful? Anyone from New England (which I am) will certainly be familiar with what I am talking about, but for those whom aren't the incident happened a few years back in a nightclub called "The Station" which was overcrowded and had insufficient exits. There was foam padding on the cieling installed to help control noise but the ignorant SOBs whom decided to put it there didn't take into account how incredibly flammable it was, then one night it caught fire and in a matter of seconds it quickly spread throughout the building, 100 people died and hundreds of others were maimed, a lot of which was captured on some particularly horrific video footage.

What I have in mind for my MC is different enough that legally I'm not worried, but anyone from New England with half a brain will know what I used as a basis because I'm also from there and because the overall mechanics will be the same, an overcrowded nightclub with too few exits and a fire that ignites the cieling then quickly spreads, and from the vantage point of my protag the panic, smoke inhalation and being burnt by debris falling from the cieling. And while the story is not going to center on this at some point he is going to have to relive it for the reader, and though I will avoid getting overly graphic as much as possible the horror of what these people went through will be obvious, this is what has got me worried.

So for me it's not a question of can I but more importantly SHOULD I? The reason why I am thinking of using this whole scenario is because like 9/11 this disaster it didn't touch me personally but I still felt haunted by it, and when a writer cares about something that usually comes across in his/her story. But also the absolute last thing I want to do is sucker-punch the survivors and families of victims whom, if by some miracle I ever get published, stumbled upon my book without realizing where it goes.

I know it will depend a lot on how I write it and I realize that whenever you describe a realistic tragity it is inevitable that it will push the wrong buttons for some readers, but still I go back and forth on the whole question, I really don't want to be reckless with something that has effected so many people.

This all of course assumes anybody will ever care to publish or read anything I write! :D But that aside I thought this might make an interesting topic.
 
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Jamesaritchie

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Disaster

CSI frequently uses real life disasters as the basis for a show, including one about a night club fire.

A great deal of good, and bad, fiction is based on real life events. I suppose it's up to you to decide whether you think it's ethical, but it's certainly common.
 

CaroGirl

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As writers, we must be brave. If it fits your story, you should use it. All stories must be grounded in real-life in some way, or no one would be able to relate to them. Even SF and fantasy stories have, at the very least, seeds of human behaviour that readers recognize.

In the end, you must decide what direction you want to take. It's your story.
 

Shadow_Ferret

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Law and Order always had the voiceover in the beginning, "Ripped from today's headlines."

The recent Nelson DeMille "Night Fall" novel featured two prominent disasters, the TWA Flight 800 that exploded right after take-off from New York and then I won't mention anything further because it'll be a spoiler.

And I guess his newest book, that I haven't read yet, "Wild Fire" features 9/11 in it.
 

Maryn

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I don't see using real disasters as a springboard or catalyst for fiction even slightly unethical or immoral. There are excellent works of fiction that use the eruption of Mr. Vesuvius, the Triangle Shirtwaist Factory fire, the San Francisco earthquake, and so on, as the event which propels their stories. There's no reason not to utilize it, so long as you don't tarnish any real people, living or dead, in doing so (any more than their own actions tarnished them).

Maryn, who likes a good disaster, in fiction
 

aruna

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So for me it's not a question of can I but more importantly SHOULD I? The reason why I am thinking of using this whole scenario is because like 9/11 this disaster it didn't touch me personally but I still felt haunted by it, and when a writer cares about something that usually comes across in his/her story. But also the absolute last thing I want to do is sucker-punch the survivors and families of victims whom, if by some miracle I ever get published, stumbled upon my book without realizing where it goes.
.

My latest novel deals with a real-life catastrophe with extremly traumatic consequences for survivors and their families. For me it was very important to deal sensitively with it. By coincidence I wrote about this very topic on today's entry in my blog .
 

CaroGirl

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There are excellent works of fiction that use the eruption of Mr. Vesuvius,...
Poor Mr. Vesuvius. What a mess!

Caro, who loves Maryn and is just kidding.
 
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Nickie

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As an author, we frequently 'use' real life situations. Although my novels are situated in the past, I also have used real situations from that time in my books. One of my heroines, for instance, is caught in burning London in 1666. All the horror and scare she experiences has been real to those who lived in that time.
So I don't see any problem in using such situations.


Nickie
 

Judg

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Anybody who would find it too hard to bear is unlikely to be reading the story in the first place. I don't see anything unethical or even insensitive in what you are doing.
 

Gabriel

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I totally agree that you should use it if it is part of the story. When creating my WIP I had to take into account that much of the capital city is destroyed by hidden bombs. Terrorist elements anybody?
 

Tornadoboy

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Or, use the Cocoanut Grove fire instead.

My story takes place at present day, although of course that doesn't mean I couldn't do a little research on what happened there and use it anyway. The Station however was something that really freaked me out and I want to base it on an event that has a lot of emotional charge for me personally, if I base it on something too impersonal that I can't relate to then it will no doubt show in my writing. There is no video of what happened inside Coconut Grove but there was in The Station, and that's what really got to me, and that is probably what I'll be thinking of as I write those scenes.
I'm not really as worried about it as I make it sound in my original post, but still I thought I'd throw the question out there and see what the more experienced writers thought of my concerns, being a newbie I don't want to blunder myself into something that I might not fully understand.
I think I am going to go ahead with my original plans for my MC and just try to be tasteful about it, like everyone has pointed out using real disasters in fiction is not new and I guess as long as I'm not a jerk about it it'll be ok.
 

Gillhoughly

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I used one real life tragedy in one book, but the event took place in the 1930s and all parties concerned were long dead. I changed names, etc.

But recent events--you do skate close to being insensitive. I recall a writer on another board speculating how he could make a good "missing person" story from 9/11 and people were ready to tar and feather him for being a moron.

One of my editors could see the towers from her window. She was crying when I phoned that day to see if she was all right. She is a danged tough cookie, so I knew just how bad it was for her.

Editors and agents might well have friends and relatives involved in such events.

Tread carefully and file off the serial numbers rather better than the Law and Order franchise. I've been offended by some of the shows they've put on, and I'm not at all connected to such matters.

And, if I might suggest, being an editor as well as a writer, that you get Strunk & White's Elements of Style. If you break your postings up into paragraphs (skip a line in between) they will be much easier to read!

Good luck!
 
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TwentyFour

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Someone said Law and Order and another said CSI...Don't forget Cold Case. It has remade many old stories and disasters.
 

Tornadoboy

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And, if I might suggest, being an editor as well as a writer, that you get Strunk & White's Elements of Style. If you break your postings up into paragraphs (skip a line in between) they will be much easier to read!

Oh yeah, believe me, it's going to be in my next order from Amazon!

although i dont know what youre talking about' there,s nothing wrong with mine grammar ! :D
 
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BlueTexas

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If it makes you feel any better, they're making a movie with Nicholas Cage about 9/11. Not saying it's right, just saying it's out there, as are re-hashes of your nightclub fire.
 

mscelina

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I think probably the most important thing for a writer to consider when using a real-life event as a catalyst for his/her work is to approach the subject sensitively. You're dealing with very real, very raw human emotions here which, I presume, is what you're trying to use as a springboard into the meat of your story.

I would tend to agree that it may be a bit soon to use the nightclub fire in its 'real' context; there are too many people still dealing with the fallout from the legal actions. For me personally, I've used many recent events (meaning in my lifetime and memory) allegorically to establish crises in my work. That way, although I am picturing something very specific (such as the Columbia disaster in the 80s) and using that to stir up MY emotional response, I can write something completely different so that (hopefully) my READER gets the same emotional response from a scene that on the surface has nothing to do with my inspiration.

Rambling, but I hope it helps. :)
 
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