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Beta Buddy wanted for SciFi/Fantasy

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karo.ambrose

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Okay, it's that time. I've done two extensive revisions/rewrites of my 82,000-word YA science fiction novel entitled THE FIREFLY WINGS and I would like to have someone else take a look at it and give me some serious, no-holds-barred critiquing. I would be more than happy to return the favor; if you have anything in the scifi/fantasy genre that has gone past AT LEAST the rough draft stage, let me at it. Sorry, I can't read rough drafts. I need something a little more revised than that.

I don't know how these processes work. We could swap the whole thing at once, three chapters at a time, or however you want to do it.

My main issues of concern for my MS are: is it confusing? is the plot solid? do you care about the characters? do you like the POV? does it read like YA lit? and of course, does it suck? I think I've gotten these issues resolved, but I need a fresh perspective to second this.

I have some pieces of my MS floating around in the SYW sections, but I've done extensive revisions of said pieces. Here's the query letter I used for the book. If it sounds like something you'd like to work with, PM me and we will get started. If you want for me to critique your work as well, send me a little blurb on your story.

THE FIREFLY WINGS - Query

We have all dreamed about flying, but would it be worth enslaving another to make this dream come true?

Elaina, an orphan longing for a better life, wins the oppressed planet of Deriva's most sought after prize: a one-way ticket to their moon's utopian society. But out of their love for flying like angels, the moon's authoritarian government forces her to return to Deriva and work at a factory that makes wings. Surrounded by ruthless guards, attack dogs, and brainwashed workers, she learns a chilling secret: it takes the enslavement of an entire world for the moon to create their manmade heaven. With a deceived and broken heart, Elaina joins a rebellion to liberate the factory workers form slavery. But everyone around her, even the workers themselves, will go to any lengths to make sure that she doesn't succeed.


Oh, I forgot, if you want to check out a little bit of my prose to see if it is to your taste, click on my myspace link and then click on the blog entitled 'chapter 1 revised'.

Thanks!
 
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Misty_Blue

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Congratulations on finishing!! I had a read of your 1st chapter and just wanted to point out that there was a bit of POV confusion going on throughout...! JMHO
 

karo.ambrose

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Could you clarify what the POV confusion is, perhaps?
 

Misty_Blue

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Certainly! The story begins in a 3rd POV perspective then cuts in with Elaina 'thinking'?:

I’m someone special. Me and mommy and daddy and Aunt Penny are all gonna have a big mushroom house on the moon etc...
Then changes again here in the paragraph after the one above:

From their crystal-clear, picture-perfect television, an image of a charismatic game show host was smiling in front of a wild pack of blue unicorns etc...


2nd scene again is interrupted with author intrusion of father's POV:

Something was wrong with her father. The pretty people and the rich colors inside the TV didn’t arouse him because he had no spirit left to arouse. He had looked inside himself too deep and uncovered a tragic and corrupting secret: he was a mammal without a mate, an organism with a worthless fate. Everything in his body chimed with indifference. He tried so hard, but the gnawing indifference was killing him.

Go to work, pick up today’s rations, buy my retard daughter a lottery ticket, go home, lose, go to bed, go to work. What’s the point? What’s the point in living when… Go to work! Pickaxe! Extract the Marigold Diamonds! Food rations! Fucking lottery tickets! Gohomelosegotobed… gotoworklosego… etc


Switch again here...

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It's a little jarring in my opinion and confusing to read at first. I wonder if anyone else here has different thoughts? I like the premise of your story though.
 

karo.ambrose

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Whenever I enter into someone's mind and we hear the characters thoughts, which I do a LOT in my story, I always use a tag beforehand to clarify. Like in the example you stated, right before that, I wrote: "Elaina envisioned the possibilities" because I'm trying to find a way to ease the transition in and out of their minds. Did it not work? Well, I'm not going to go back to the drawing board on this right away, but I will definitely put your thoughts into consideration.

I knew keeping the father's POV would be confusing, since the rest of the chapter is with Elaina, but I don't know, I just like his little segment. He's so disturbed that even though it yanks us out of Elaina's POV, I still wanted to keep it b/c it shows a little different side of her life. I have been debating whether or not to throw it out.

Gracias por ayudarme, Misty.



And to anyone else whose reading this, I've gotten 0 responses on the whole beta reader thing. I don't know how long it takes to get a reader and maybe I came off as snooty saying I didn't want to read a rough draft, but if you have something you'd like for me to look at, I'd be more than happy to regardless of its stage if you'd care to return the favor.
 

ILSinTexas

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Karo--

Hi there! I'll beta read for you if you beta read for me. My novel is an Upper MS fantasy, word count approx. 72,000. It has been fine tuned and I'm in the process of writing the query letter.

Contact me via email: [email protected]

I hope you don't mind sending the chapters as attachments and vica versa? I had a "novel buddy" before, and attachments worked well for the both of us. I have computer security programs in place and a .doc or .rtf attachment doesn't frighten me. Leave a message here when/if you email me so I can look for you in my spam folder. :D

My book is about two cousins, Jake and Libby Marks who are given a blue gemstone which opens alternate realities. The antag is Mortimer Maddas, a shape shifter who has another agenda. He wants to take Jake and Libby alive and offer them as a sacrifice to his god, because he believes them to be the "twins".

Let me know if you're interested--

ILS
 
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