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popmuze

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I've got a novel making the rounds of agents. Several fulls and partials are pending as we speak. Lately I've developed a non-fiction proposal that might just be a bit more saleable. (I've always had more luck with non-fiction).

The question is, which agents should I approach first with this project--the ones who turned down my fiction but asked to see my next book? The ones who are still considering my novel? New agents who I wouldn't tell about the fiction until and unless they sign me up for the non-fiction idea? Should I wait until all the partials and fulls come back? There are even some agents out there who I told I wrote both fiction and non-fiction and they were way more excited by non-fiction. But if I sent them this idea, wouldn't I be writing off my fiction?

Quick, I need a couch.
 

triceretops

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Pop, I don't think you'd being selling out in that context. Just make sure that the prospective agents rep both catagories, and I wouldn't wait until anything comes back. In fact, your name might still be lingering on their mind as they review one, and then the other comes in.

Totally correct about non-fic. It is now out-selling fiction nearly 4-1. That's how I cut my teeth. Way back when, I couldn't sell four fiction novels in two years. Sold my first non-fiction book in two weeks and held my own tiny little auction.

Tri
 

popmuze

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Boy, Tri, this is a popular question.
Anyway, to clarify, are you suggesting I approach the agents who are already supposedly looking at my novel?
And, if so, not mention that fact when I tell them about my new non-fiction idea?
 

Julie Worth

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The answer would be easy if the second book was also fiction--don't approach the same agent with it. But you say you've had more luck with non-fiction. Does that mean you've had one published, or had an agent?
 

triceretops

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Well, if you had a novel finished and making the rounds to several agents, it shouldn't deter you from making a non-fiction proposal/outline/chapters submissions to the same ones and the same time. I think that's what I'm saying. Only I wouldn't mention anything in the cover letter of the fiction project that states that you "have an idea" or are "ABOUT to send them a non-fiction IDEA." Do you follow me on that?

Anyway, having a solid non-fiction project, as well as a novel to submit is a nice package to have. But pay close attention to your agent choice. Some represent only one category, but fortunately most of them take both.

Tri
 

popmuze

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For the record, I've had both fiction and nonfiction books published through several previous agents. Most agents prefer to deal with my non fiction. I left my last agent because he didn't want to proceed with my fiction. So I decided to take a stand, fiction or bust.

Not that the fiction is a bust yet, but it's certainly not an immediate easy sell.

Now that I've got a good new non-fiction idea, I'm just trying to figure out a strategy that doesn't negate the fiction but at the same time maximizes my chance to get an agent. For instance, if an agent feels he can sell the non-fiction, maybe he'll be nicer to the novel.

Anyway, four people are reading the novel and no one has yet seen the non-fiction idea. The question is, do I go back to the agents reading the fiction, or do I approach new agents and not mention fiction?
 

victoriastrauss

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I'd start from scratch, and market the nonfiction as a completely separate entity. The best agent for fiction may not be the best agent for nonfiction, and vice-versa; and just because an agent likes your novels doesn't mean s/he will like your nonfiction (and vice-versa). It's not uncommon for writers who write both fiction and nonfiction (or in different genres) to have more than one agent.

If an agent who previously rejected you expressed interest in seeing more of your work, I should think it would be fine to send them the nonfiction idea--as long as they have a strong record of selling nonfiction similar to your project. If they haven't much of a nonfiction track record, or their nonfiction interests lie in other areas, save them for your next novel; they're probably not appropriate for the nonfiction project.

I wouldn't approach an agent who was currently reading my novel, even assuming that the agent was appropriate for the nonfiction project, until I got a final word on offer or rejection--I wouldn't want the agent to feel I was bombarding him/her with projects. Just for the sake of logistics, I'm sure most agents would prefer to consider one project at a time.

You would need to let the agents know about each other, assuming you found two of them. Also, if you could get an agent for either your novel or your nonfiction project, it might be helpful for other submissions to be able to say "I'm agented by so-and-so for nonfiction/fiction."

- Victoria