What is the most important thing in writing?

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Silverhand

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My uncle once told me that when writing anything down, that the concepts and the ideas have to be solid before a real story can start. If both of those things are well thought out, everything else can be fixed.

As I just started a new project, I am curious what everyone else thinks.

As anyone who reads my posts knows, I am poor at grammar. I spell very well, but I don't type good enough. :) In that same breath, I do not edit at all until I am completely done with a project.

When submitting work to critique groups, I never go back over my own work and look for syntax, grammar, or spelling mistakes. I make changes at that time based solely on my concept - making sure everything flows and is understandable.

When I read other people's work, I don't pay attention to the stuff I am weak at. Thus, they usually ask me about their concept and ideas...and I am very useful at that.

My question is, what is the most important part of writing a novel? If the concept sucks, but the grammar is perfect...is it fixable? Or, if the concept rocks, but the spelling and structure is horrid...is that easier to fix?

Maybe a better question would be...how would you list out the different attributes of a solid novel?

Personally, here is my list:

Concept, believability, overall story flow, dialogue, sentence structure, grammar, and finally word choice
 

DamaNegra

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The most important part of a novel is writing it. If you haven't written anything, there's nothing to work on.
 

FloVoyager

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Concept, believability, overall story flow, dialogue, sentence structure, grammar, and finally word choice

Sounds like a pretty good list to me. But like DamaNegra said, writing it is the most important thing. Just get in there and write it.
 

Simon Scarrow

The most important thing in writing is getting a really big advance from a publisher, then they daren't let the project go down the pan. Trust me.
 

Sunshine13

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Honestly, I think it;s having a good story. Your list sounds pretty good. Without a story, nothing matters anyway. :)
 

Bufty

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Er....good characters?
 

aadams73

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Two things: The writing itself--you have to do it to fix it. I also think either you have a talent for twisting words to say things in an interesting way, or you don't.
 

triceretops

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My uncle once told me that when writing anything down, that the concepts and the ideas have to be solid before a real story can start. If both of those things are well thought out, everything else can be fixed.

Taking into consideration that we will write the book and edit it, the above comment, in my mind, rings the golden bell. The premise or concept must be there and sufficiently hook the agent/editor. A cliche plot or unorignial idea cannot be fixed--it's the death knell and I've run across it before.

Tri
 

KTC

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Great writing.
 

PeeDee

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Story. Sheer story. If you have a story that blows my mind, then I'll forgive so much.

There was an old episode of Tales from the Crypt (that blessed show!) on HBO. I forget what it was called, but it was a Christmas episode. The basic premise is, shortly after a wife has killed her husband with an axe and is about to dispose of the body, she discovers that an escaped criminal-pscyho has noticed her through her window and is trying to get her. She can't call the police, obviously, what does she do?

The acting was terrible. Over all, the show was horribly, horribly lame. That said, the sheer idea behind it was magnificant and thus, I adore the episode.

I will forgive your bad grammar (which is fixable, as is spelling, because it's mechanicle) faster than I'll forgive your broken story or your cheating characters. I can even forgive bad dialogue, but that's not far down the last from the broken story bit, so take heed.

Tell a story you care about. Write it until you've written an ending for it. From there, you can fix everything else. Gene Wolfe has admitted that he writes really horrible first drafts, that's probably true, but look at his finished product.
 

Tsu Dho Nimh

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YOU grammar can be improved

Silverhand said:
My question is, what is the most important part of writing a novel? If the concept sucks, but the grammar is perfect...is it fixable? Or, if the concept rocks, but the spelling and structure is horrid...is that easier to fix?

As long as the grammar isn't so bad that it obscures what the author means, it's fixable. I regularly fix Dunglish, Japlish, Chinglish, Korlish and Raj-lish and the only time I have a problem is when it's not only bad, it's inedible. Then I have to ask the author what they meant.

You can go back after the flow and plot is good and tidy up the grammar. It's not THAT hard. :D

But fixing a poorly structured story is not an easy task.
 

PeeDee

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Tsu Dho Nimh said:
As long as the grammar isn't so bad that it obscures what the author means, it's fixable. I regularly fix Dunglish, Japlish, Chinglish, Korlish and Raj-lish and the only time I have a problem is when it's not only bad, it's inedible. Then I have to ask the author what they meant.

Even then if you make no sense, you can still write successfully. It just means you're James Joyce's...er....literary...heir.
 

Carrie in PA

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For me, it's all intertwined. Probably the story itself is the biggest piece to the puzzle, but you can't get the story across properly if you can't communicate it clearly.

Some things may be *less* important, but it's all essential to the finished piece.
 

davids

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We dunno-maybe a computer? Started on an old type-writer-went to a word processor-ended up on a computer-it is all the same to me-just sit down and write-like Mr. Macdonald said too-double dittos
 

Aubiefan

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Like others have said before, completing your project is the most important thing. You can go back and fix mistakes, but you can't revise a blank page.
 

moblues

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These are all wonderful, and helpful replies. UJ always has the right answer. Go figure. ;)

Oddly enough, the first thing I thought of was for the writer to believe enough in the story to tell it in the first place.




Mike
 

Higgins

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Aside from finishing and a Big Advance

Silverhand said:
My uncle once told me that when writing anything down, that the concepts and the ideas have to be solid before a real story can start. If both of those things are well thought out, everything else can be fixed.

As I just started a new project, I am curious what everyone else thinks.

As anyone who reads my posts knows, I am poor at grammar. I spell very well, but I don't type good enough. :) In that same breath, I do not edit at all until I am completely done with a project.

When submitting work to critique groups, I never go back over my own work and look for syntax, grammar, or spelling mistakes. I make changes at that time based solely on my concept - making sure everything flows and is understandable.

When I read other people's work, I don't pay attention to the stuff I am weak at. Thus, they usually ask me about their concept and ideas...and I am very useful at that.

My question is, what is the most important part of writing a novel? If the concept sucks, but the grammar is perfect...is it fixable? Or, if the concept rocks, but the spelling and structure is horrid...is that easier to fix?

Maybe a better question would be...how would you list out the different attributes of a solid novel?

Personally, here is my list:

Concept, believability, overall story flow, dialogue, sentence structure, grammar, and finally word choice

Basically I agree with you. After all if you don't know what the novel is supposed to DO (ie what is the narrative scheme and by that I mean, flow plus how the reader is guided through the story, ups and downs, ins and outs, heres and theres) how do you know when it is DONE?
 
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