My agent believes that my story picks up with a real bang on page 45 with the intro of my fantasy character. He believes she is the facinating core of the entire book. My first chapter, and nearly the entire second chapter, contain back-story, but its full of action and important information that the reader must know. He only believes that it's a bit slow, however, written well. So we agreed on a flashback.
When I combine chapters three and four for the front hook, it takes off just fine, and leaves the reader wondering "Now what in the hell is going on here?" Then it dovetails perfectly with chapters one and two, which follow, and serve as the flashback. Trouble is, the new chapter one is 38 pages long, and chapter two is 34 pages long. I can live with that, I guess.
Question: Should a flashback chapter always follow the hook chapter? I think it's much more convienent this way. Can you cite an example where the flashback chapter is way off somewhere else deep in the book? I want to play it safe. I want to avoid scattering bits and pieces of the flashback throughout the book, although I'm aware that this is also a accepted means of filling in backstory.
Tri
When I combine chapters three and four for the front hook, it takes off just fine, and leaves the reader wondering "Now what in the hell is going on here?" Then it dovetails perfectly with chapters one and two, which follow, and serve as the flashback. Trouble is, the new chapter one is 38 pages long, and chapter two is 34 pages long. I can live with that, I guess.
Question: Should a flashback chapter always follow the hook chapter? I think it's much more convienent this way. Can you cite an example where the flashback chapter is way off somewhere else deep in the book? I want to play it safe. I want to avoid scattering bits and pieces of the flashback throughout the book, although I'm aware that this is also a accepted means of filling in backstory.
Tri