Are any of you familiar with this term? It refers to TV, specifically to the HAPPY DAYS show from the 70s. When ratings started sagging, they took the cast from Milwaukee to L.A. to "spice up" the season. And they had The Fonz jump some caged sharks on water ski's. Hence, whenever a TV show resorts to gimmicks to boost their ratings, they're said to be "Jumping the Shark."
I bring this up because I wonder if there is a similar term when this happens in serialized novels. More specifically, what author's novels have suffered this plight? A lot of authors write about the same character (and often quite successfully or they wouldn't be writing him/her anymore) for 5, 6, 10 novels. Have you noticed any of these serialized characters "jumping the shark" somewere in their series? Did that particular series come to an abrupt halt because of it, or did the character regain his usual sensibilities in the following novel?
And most importantly, how do you know when to end a character's run? I'm sure it must be hard for the author to say goodbye, but every character (other than maybe James Bond) has to have a proper send-off before either the author runs out of good material for that particular world, or resorts to gimmicks, or alternately, before the audience becomes tired of the same old thing. I guess that's the dilemma: come up with new exciting angles so as not to bore the fans of a particular character, but don't go overboard and make them scoff?
Personally, I think it's time for Dirk Pitt to come to an end, though he hasn't jumped the shark yet. Then again, I was never a huge fan to begin with.
I bring this up because I wonder if there is a similar term when this happens in serialized novels. More specifically, what author's novels have suffered this plight? A lot of authors write about the same character (and often quite successfully or they wouldn't be writing him/her anymore) for 5, 6, 10 novels. Have you noticed any of these serialized characters "jumping the shark" somewere in their series? Did that particular series come to an abrupt halt because of it, or did the character regain his usual sensibilities in the following novel?
And most importantly, how do you know when to end a character's run? I'm sure it must be hard for the author to say goodbye, but every character (other than maybe James Bond) has to have a proper send-off before either the author runs out of good material for that particular world, or resorts to gimmicks, or alternately, before the audience becomes tired of the same old thing. I guess that's the dilemma: come up with new exciting angles so as not to bore the fans of a particular character, but don't go overboard and make them scoff?
Personally, I think it's time for Dirk Pitt to come to an end, though he hasn't jumped the shark yet. Then again, I was never a huge fan to begin with.

