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Anya Smith

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This is a synopsis for a science fiction story of 103k words. Is it bad? What can I do to improve it? Any kind of suggestions are welcome.

I've been working on this synopsis for weeks, months, and it's driving me crazy. It was originally 3600 words and I chopped it down to 2000. To me, it feels like I chopped it to death.

Please, Mighty Sages and experienced writers, give me some input. I can take harsh criticism.

Thank you all in advance.
Anya

Cora Delacort is an ambitious woman who wants to have it all. But one body is not enough to deal with her demanding job at the Alien Research Center, motherhood, and her passion for senso dancing. She decides to have Fragments cloned, bodies of herself endowed with parts of her personalities that take over the majority of parenting and her senso dancing. By neural interfacing, she can access her Fragments' daily activities and experience them in minutes.

Soon after she brings her Fragments home, problems begin to develop. Cora expects them to function perfectly, and like other commodities, she treats them as chattels. When she discovers that they’re developing the feared Split Personality Syndrome, she's angry. Her Dancer Fragment hates her, but the visions of aliens that appear in her dances alarm Cora more than the hatred. Her Mother Fragment dreams about Lisa, a woman who’s obsessed with her lost babies.

Zac Solerno, a Belter with a space ship to his name, encounters a hostile alien ship on his way to Earth from the asteroid belt. By the intervention of a golden light sphere, he barely escapes.

When Zac, Cora's lover and the father of her son, drops by for a visit, they disagree about the necessity of Fragments. Zac worries about the tendency of Fragments developing Split Personality Syndrome, and despite their love for each other, tension settles around them. Citing his job of hauling chunks of rocks from the asteroid belt, Cora manages to convince him that she's in a lot less danger than he is.

After several sensory interfaces, Cora suspects that the visions of Dancer and the dreams of her Mother Fragment are something more sinister than Split Personality Syndrome. Despite the penalty of personality adjustment to own Fragments with SPS, Cora decides not to report it to the Panel of Bioregulation.

Unknown to the Moon Colony and to the citizens of the Coalition, (Earth, Mars, and the Belter Society) there is an alien base on the dark side of the Moon. Defense and Intelligence, based on Pluto, tracks the Ynevon's activities. DI evolved from the United Powers after the Ret invasion attempt in 2044, and its sole function is to defend the Solar system. When the Coalition revokes its authority, weapons codes and all, Admiral Frann knows there's a conspiracy.

The Moon Colony's attempt to secede from Earth provides the political confusion that the Ynevon use to cover their stealth attacks on Human ships. Space Force and Belter ships disappear, and Earth and the Moon Colony blame each other.

Leo Cromwell, director of the Alien Research Center, tries to shift the blame of the disappeared ships to the Moonies. Cora becomes suspicious when Leo orders her to design bioprobes that are clearly not for detecting the golden light spheres that also flit around in the Solar system.

Wit today's nanotechnology to eradicate unwanted genetic flaws, Cora doesn't understand how Fragments could become insane. Alas, her mother died when Cora was nine years old, she would know about insanity in her family. A nagging doubt about her unknown father prompts her to look up the old census records. When she finds out that Lisa with the lost babies was one of her ancestors who disappeared from an insane asylum in 1995, Cora is determined to find out the truth.

She can't imagine how, but the fact that Lisa was real might explain the dreams of her Mother Fragments if not the visions of Dancer. Cora decides to look into the closed files on the lowest level of the Institute. Because she's uncertain whether her security clearance would trip some alarms, she goes in secret. When she almost stumbles into Leo, whom she overhears coercing a scientist to synthesize some alien substance, Cora's suspicion grows. After the voices recede, she tries several doors until one opens. The lab contains Ret specimens in stasis.

By neural interfacing with her Fragments, pieces of the puzzle begin to fall in place. The aliens, called Ynevon, have been watching the Earth for centuries. They have abducted people, conducted atrocious experiments on them, and created hybrids of Human-Ynevon babies. The dreams and visions also reveal that the Rets and the Ynevon are the same.

The Ynevon discover that Cora’s Fragments are telepathic and able to tap into the Morphic Resonance Field, which exacerbates their hatred and fear of Mankind. But the mission must continue because the third planet may hold the secret to their Great Search. Septar orders Akta to eliminate Cora and her clones.

During their trials of dreams and alien visions, Cora’s Fragments begin to change. The love of the Mother Fragment grows towards Dex, Cora's son. When the Ynevon attack their home, she sacrifices herself so Dex could escape.

Dancer yearns to be Human. Her frustration with Cora, Harvey, her lover, and Mirez, the director of the senso studio, increases to a breaking point. Voices in her head draw Dancer to a secret enclave of telepaths where she discovers that she's not insane but a telepath, and that the aliens are real. She also finds compassion and caring at Horizon Enclave, and a sense of belonging. But because she's a property of Cora, she can't stay. Surprisingly, she understands. What's more, she's happy to protect the secret of the telepaths, whom she considers her people now. She returns to Harvey, a Misfit of society living on government dole. Harvey also deals in chimera senso plays, addictive form of VR's that cause irreversible brain damage and kill the users.

When Cora finds her Mother Fragment dead, she panics about Dex. Experiencing the last neural recording of her MF, she learns that Dex escaped to Lowell Commune. The last minutes of her Mother Fragment's suffering drives home to Cora how much she cared for this person. After calling to make sure her son is safe, she decides to go and warn Dancer at Harvey's place. She also realizes that she needs help and contacts Zac to meet her at Luna Station. Her air car barely lifts when her apartment blows up.

Dancer is hiding in the sonic stall when Cora arrives to tell her that the aliens killed her Mother Fragment. Cora begs Harvey to tell Dancer to stay out of sight. Through her emerging telepathy, Dancer detects that Cora really cares about her. When Harvey tells her about his plans to abduct Cora and hand her over to the aliens, she's determined to stop him. After escaping from Harvey's place, she heads back to Horizon Enclave and finds the alien ship demolishing the commune. Dancer is devastated. She tries to reach Cora by telepathy and fails, and then contacts Zac to inform him about Harvey's treachery and the aliens' plan.

Zac is out in the Buckle, the Trojan asteroids, but dumps his cargo and rushes to Luna Station to aid Cora. Knowing he's not going to arrive in time, and that Cora won't listen anyway, he asks two Belters to keep her away from the meeting place. When Dancer informs him in a brief telepathic burst that she's also heading to Luna Station, Zac asks two more Belters to warn Dancer away.

When Harvey can't produce Cora, the Ynevon abducts him from the cyberslum. He awakes at their base, but uncertain what happened and whether the aliens are friend or foe.

Cora is furious at Zac when Simon and Travis lure her to a flat on Luna Station and slam the door on her. Simon is called away to help repair a large breach in the Chevron shields of the Station. Waking to a searing pain caused by the demolishing of her security mind block by the powerful sending of Dancer attacked by Ynevon Warriors, Cora screams. When Travis responds, she takes advantage of his alarm and runs past him. Travis accompanies her.

They discover upon arrival that the shield breach is above the Sapphire Hotel, where Dancer is. Travis braves the aliens and shoots a couple of them before one of them wounds him. Meanwhile, Dancer begins to shout at Cora to leave, confusing the aliens into thinking that Cora is the Fragment. Filled with remorse, Cora realizes that Dancer is trying to save her, but she wouldn't budge. When Zac arrives, he manages to kill the rest of the Ynevon Warriors. Before Dancer dies of her wounds, she transmits all her telepathically gained knowledge about the aliens to Cora. As the bodies of the aliens and Dancer begin to dissolve, Cora removes an intact tissue sample. Since they can't explain to Station authorities what happened, they flee in Zac's ship, the Cora-Lyn, to the Moon Colony. Revenge for the death of her Fragments and fear for the Human species fuel Cora, and she’s determined to locate the alien base.

Although the Ynevon could annihilate the entire Human species, and some would rather do that to insure their survival, the secrets on the third planet still stop them. Instead of hybrids that failed the last time, they have another plan now. But their fear may tip the balance yet, because the Ynevon possess a precious substance whose properties are known to some select few of the Coalition leaders. Should the Ynevon find out that some Humans know, they would not hesitate to scour the Solar system of all life.

By analyzing the Ynevon tissue specimen aboard the Cora-Lyn, Cora learns that their cells contain a self-destruct mechanism, a nanodisassembler. Travis' injuries force them to seek medical help near the LeibnitzMountain. Travis is treated, but because the venom found in his blood stream hints at illegal use of a closed system of nanotechnology, the Moonies suspect sabotage and impound Zac's ship.

With the aid of Cypher, Zac manages to break the Moonie lockdown code and they head for Mare Australe, the remotes outpost on the Moon.

Alia, a Belter Brat who has a crush on Zac, agrees to help them by allowing Cora to use the Sealed Bioanalyzer Nanoelectronic Computer System. Cora is shocked when she learns about the Ynevon’s origin. Exhausted and hiding from both the aliens and the Moon authorities, Cora thinks she's hallucinating when she finds herself conversing with a golden light sphere. In anger and denial, she storms out of the lab when the Goldy confirms her suspicion that the Ynevon originated on Earth over a million years ago, engineered to fulfill some function, and then transported to Epsilon Aquarii. The disassembler was supposed to make certain that they die out after fulfilling their function, but instead they evolved a nanoretarder. More than ever, she’s determined to find an activator molecule to turn on the nanodisassemblers in their cells.

Even though the Cloned Human Brain Cell system has a built-in alarm to alert the Nano Patrol, killer clones that guard against dangerous replicators and disassemblers, Cora manages to convince the system to design an activator molecule. It has a twelve-hour viability.

Zac's ploy to leave Cora behind fails as he finds her aboard the ship. As they approach the base, the Ynevon attacks and cripples the Cora-Lyn. Zac manages to crash-land. They barely exit the ship and hide in a crater, waiting anxiously for the alien ship to depart.

Filled with guilt caused by the crimes of its species, Thinker Mataw of the Ynevon contemplates wilting. It considers their mission a failure when it senses the Humans' entry into the base. The abhorrent truth of their origin and the callous fate that the Progenitors dealt the Ynevon plunges Mataw into despair. It pulls its toe roots out of the skin of the Habitat to hasten its wilting process.

Cora, Zac, and Travis race against time and battle Ynevon Warriors to release the nanoweapon into the alien base. Before they reach the hangar bay, they burn through to a large chamber and find thousands of Human clones. Cora is terrified that they might have been too late and the Ynevon already replaced key leaders and scientists with their clones.

When Defense and Intelligence arrive at the disassembled alien base, Admiral Frann informs them that they either join DI or get a memory block. Bitter about the loss of his ship, Zac accuses DI of dereliction of duty. Cora learns that her mother was also a DI agent before she mysteriously died.

On Pluto, they finally learn the reason behind the Ynevon’s fear of Mankind. Their cells contain age retarding molecules, the nanoretarder the Ynevon evolved to counter the nanodisassembler that have been engineered into to their genes over a million years ago.

Zac agrees to join DI because he wants to search for the clones the Ynevon might have released into the populations. Cora joins because she wants to know the truth behind her mother's death. Admiral Frann also confirms her suspicion that it's a deception that Fragments get SPS. Minds that resonate on nearly identical waves tend to develop telepathy easier. The World Government doesn't want too many people learning about its secrets.

Book Two will be about the agenda of the clones the aliens left behind.
 
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Maprilynne

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Umm, what is this for? A synopsis for an agent? Just a synopsis for fun? If you clarify that it might be easier to give you feedback.
However, for starters, you still have a few spelling errors and quite a bit of tense switching.

Maprilynne
 

Anya Smith

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Maprilynne said:
Umm, what is this for? A synopsis for an agent? Just a synopsis for fun? If you clarify that it might be easier to give you feedback.
However, for starters, you still have a few spelling errors and quite a bit of tense switching.

Maprilynne

Thank you Maprilynne. Believe me, it's not for fun.

I was under the impression that I could use the same synopsis for agents and publishers.

I'll correct the spelling errors and tense switches. Thanks again.

Anya
 

MadScientistMatt

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These normally go in Share Your Work. I'm afraid I may not have enough time for an in-depth critique just yet. And be patient. Crits may take a couple days to arrive.

I can tell you right off the bat, though, that you have a bad habit of dropping in characters and names with no explanation. For example, at one point you say, "Septar orders Akta to eliminate Cora and her clones." Only neither Septar nor Akta appear at any point before or since in the synopsis. Does anything actually come of this?

I think you can cut this back further. If a sentance is not a key to the plot, having nothing to do with anything in the synopsis that comes before or after it, chop it out. For example, while you mention "Harvey also deals in chimera senso plays, addictive form of VR's that cause irreversible brain damage and kill the users," these chimera senso plays do not appear to have much of any relevance to the story. They don't figure elsewhere in the synopsis, so does that need to be there?
 

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While you're at it, get rid of that very last sentence. Tell them that only if they ask if there's a sequel.
 

Anya Smith

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MadScientistMatt said:
These normally go in Share Your Work. I'm afraid I may not have enough time for an in-depth critique just yet. And be patient. Crits may take a couple days to arrive.

I can tell you right off the bat, though, that you have a bad habit of dropping in characters and names with no explanation. For example, at one point you say, "Septar orders Akta to eliminate Cora and her clones." Only neither Septar nor Akta appear at any point before or since in the synopsis. Does anything actually come of this?

I think you can cut this back further. If a sentance is not a key to the plot, having nothing to do with anything in the synopsis that comes before or after it, chop it out. For example, while you mention "Harvey also deals in chimera senso plays, addictive form of VR's that cause irreversible brain damage and kill the users," these chimera senso plays do not appear to have much of any relevance to the story. They don't figure elsewhere in the synopsis, so does that need to be there?


Thank you, MadScientistMatt for your input.

Septar and Akta are the aliens, but I will add something to explain that. I'm glad you pointed it out. I thought it would be obvious. That's why it's so hard to decide what to include and what to cut from a synopsis. And again, you're right, I could cut Harvey's dealings in chimera out. It's not that important; it just shows his character and his situation, which later will force him to sell out the MC.

Again, thank you so much. Your comments were very helpful.

Anya
 

Anya Smith

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DaveKuzminski said:
While you're at it, get rid of that very last sentence. Tell them that only if they ask if there's a sequel.


OK, I'll take it out. It will cut length.

Thanks so much, Dave. I was wondering whether to include that.
 

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dlcharles said:
I believe a movie has been made along these very same lines. The title eludes me, but I recall the story line.

OMYGOD! Really? I've been writing this story for years and I've never come across anything similar. If you remember which movie, please let me know.

Thanks,
Anya
 

Andrew Jameson

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Whoa. First impression: you've got spec-fic disease. Way, way too many names and places and Capitalized Concepts. Let's take a look:
Cora Delacort
Alien Research Center
senso dancing
Fragments
Split Personality Syndrome
Dancer Fragment
Mother Fragment
Lisa
Zac Solerno
Belter
Panel of Bioregulation
Moon Colony
Coalition
Defense and Intelligence
United Powers
Ret
Admiral Frann
Ynevon
Space Force
Leo Cromwell
Morphic Resonance Field
Great Search
Septar
Akta
Dex
Harvey
Mirez
Horizon Enclave
Misfit
Lowell Commune
Luna Station
Buckle
Simon
Travis
Chevron shields
Ynevon Warriors
Sapphire Hotel
Cora-Lyn
LeibnitzMountain
Cypher
Mare Australe
Alia
Sealed Bioanalyzer Nanoelectronic Computer System
Goldy
Epsilon Aquarii
Cloned Human Brain Cell
Nano Patrol
Progenitors
Mataw
Habitat
World Government
Every single one of those is a concept or a person you have to explain or define or describe. When you don't, it's confusing. When you do, it's lengthy. In either case, there is just no way anyone could remember all this stuff in a 2000-word synopsis.

Remember you don't have to (and you don't want to) relate every single detail in your book. Trim things down, delete subplots, skip parts in the middle, and relate only the core of your story.

I'd suggest a couple things: First of all, peruse Miss Snark's Crapometer (which starts here) for examples and advice on synopses. Second, start the other way around. Write a paragraph that summarizes your book as best you can. THen take that sentence and *expand* it, rather than take a longer piece and reduce it.
 

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I am sorry for any upset I might have caused you by the above post. Your story just rang a bell to me. One movie which came to mind was "Multiplicity", with one of the Keatons as star - about a man who didn't have enough time to do everything so he had himself cloned several times. I typed into a search engine "movies about cloning" and several results came up. You might check it out if you wish. Regardless, it matters not whether a similiar story has been done - yours sounds most interesting to me!


This brings up a possible thread question: Name a story in which you feel the author was writing from something picked up from some other story as a springboard.

I noticed on your profile that you are an artist. Would you perhaps be interested in doing a cover art for a novel? If so please email me at: [email protected]
 
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You do drop things in unannounced so one has read on in the hope they will be explained (first example 'fragments'). You also don't need to include everything in the synopsis, secondary characters and plots can be omitted to increase interest. As a general rule I go for 1-2 sentences per chapter for an avergae length synopsis. You need not only to describe the story, but make it sparkle and hold the reader's interest. you might like to try writing a short format synopsis (about 300-500 words) to see what you think are the crucial elements--it should help you edit the long format version.
 

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Andrew Jameson said:
Whoa. First impression: you've got spec-fic disease. Way, way too many names and places and Capitalized Concepts. Let's take a look:Every single one of those is a concept or a person you have to explain or define or describe. When you don't, it's confusing. When you do, it's lengthy. In either case, there is just no way anyone could remember all this stuff in a 2000-word synopsis.

Remember you don't have to (and you don't want to) relate every single detail in your book. Trim things down, delete subplots, skip parts in the middle, and relate only the core of your story.

I'd suggest a couple things: First of all, peruse Miss Snark's Crapometer (which starts here) for examples and advice on synopses. Second, start the other way around. Write a paragraph that summarizes your book as best you can. THen take that sentence and *expand* it, rather than take a longer piece and reduce it.

OUCH! Now that you listed all, I can see the name and spec dump. Whew, all those things are so second nature to me that I didn't even realize they crept in there. Thanks for pointing it out, I really needed that.

I did look at Miss Snark's crapometer. I must be dense because I read in many of her remarks that she wanted specifics, like what and why and who.

Thank you for the suggestion; I'll try the one paragraph beginning, then.

Anya
 

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dlcharles said:
I am sorry for any upset I might have caused you by the above post. Your story just rang a bell to me. One movie which came to mind was "Multiplicity", with one of the Keatons as star - about a man who didn't have enough time to do everything so he had himself cloned several times. I typed into a search engine "movies about cloning" and several results came up. You might check it out if you wish. Regardless, it matters not whether a similiar story has been done - yours sounds most interesting to me!


This brings up a possible thread question: Name a story in which you feel the author was writing from something picked up from some other story as a springboard.

I noticed on your profile that you are an artist. Would you perhaps be interested in doing a cover art for a novel? If so please email me at: [email protected]

Oh, please don't be sorry.

The idea for this story came to me several years ago when I was still working in the Lab full time and didn't have a life. Full time was twelve hours or more at times. I've read many stories about clones, and seen movies even, but nothing quite like this. Then I incorporated the aliens into the story.

Yes, I'm an artist, paint oil in the classical style. I'm trying to phase that out to have more time for writing. I haven't yet. If you're interested in a cover design, I only do digital if I like the subject. Turpentine and linseed oil, lead and cadmium are the stuff I'm trying to get away from. Let me know what type of picture. If I like the subject, it wouldn't take me too long. (have done for friends free of charge), but I need to know what. And the specs for size and pixels, etc. Send me an email if you're interested.

Anya
 

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Anya Smith said:
OUCH! Now that you listed all, I can see the name and spec dump. Whew, all those things are so second nature to me that I didn't even realize they crept in there. Thanks for pointing it out, I really needed that.
Yeah, they are second-nature. I think everyone tends to do this--the subject is so near and dear you can't conceive of anyone not understanding it. But SF/F authors are the worst, because of the world-building concepts.
Anya Smith said:
I did look at Miss Snark's crapometer. I must be dense because I read in many of her remarks that she wanted specifics, like what and why and who.
Yes! She does want specifics. But specifics of only the *core* ideas, characters, and plot points. You've got a lot of specifics, but those specifics are about many different things. The trick is to figure out what characters and ideas constitute that core. I believe it's better to have a fleshed-out core with a couple characters and a simple plot than to really describe the entire complex novel in the synopsis.

Anya Smith said:
Thank you for the suggestion; I'll try the one paragraph beginning, then.
I forget who suggested that, but it worked for me. If you can summarize the plot in a paragraph, then you're forced to cut out whole swaths of subplot. Easier to *add*, fleshing out concepts, than subtract (and skimp on description).
 

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Andrew Jameson said:
I forget who suggested that, but it worked for me. If you can summarize the plot in a paragraph, then you're forced to cut out whole swaths of subplot. Easier to *add*, fleshing out concepts, than subtract (and skimp on description).

OK, but how much description do I add? Sorry to be so clueless. And one more thing. What is the main plot? The aliens or the the Fragments? I really can't tell. My friends have different oponions.

Thanks again,
Anya
 

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They are both the main plot IMHO, currently you leap between them like they are almost separate books. You need to show how they are two aspects of the same story. If the short synopsis doesn;t focus this try going all the way down to a tag line. One sentence-- ;)
 

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veinglory said:
They are both the main plot IMHO, currently you leap between them like they are almost separate books. You need to show how they are two aspects of the same story. If the short synopsis doesn;t focus this try going all the way down to a tag line. One sentence-- ;)


Both main plot; that makes sense. Really, it's because of her Fragments that Cora becomes aware of the aliens.

In the novel, they are connected. I just need to find a short sentence to make them connect in this blasted synopsis. How does this sound?

"When Cora had Fragments cloned to help out with her two professions and motherhood, she had no idea that aliens would creep into her life."

Or something like that? No?

Thanks again, veinglory.

Anya
 

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Don't use terms that need detailed explanation in your synopsis. Keep it simple in the way Matt did. Let the book take the story into detail.
 

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MadScientistMatt said:
Here's one possibility for a one sentance synopsis:

"Cora thought that making two clones of herself would simplify her life, until she found these clones have a telepathic connection to an alien conspiracy."

YESSSS! My preciousssss! Why didn't I think of that?

I'll use that, if you don't mind. Thank you, Matt.
 

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DaveKuzminski said:
Don't use terms that need detailed explanation in your synopsis. Keep it simple in the way Matt did. Let the book take the story into detail.

OK, so I'll replace all the terms that need explanation. I believe we're shaping up here.

Thanks Dave,

Anya
 
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