How many subplots?

This is a great topic. I counted five. Some interesting wisps and side-alley travels were present as well.




Mike

I tend to let subplots develop on their own. If I try to plan them, they become too complicated and end up interfering with the main plot.



I'm not sure there's a set amount you should aim for, but you don't want to go overboard. I suppose however many fit the story, and what you're comfortable with is the right amount

I'm not exactly sure what a subplot is. How do I tell the difference between a subplot and necessary story lines to develop the character?

Currently I have approximately four subplots. Two were planned, the others just happened. I say approximately because I'm only halfway through the first draft, and subplots seem to keep popping up where I didn't expect them. I'm just letting them develop as they need to. If a minor character decides she wants a more important role, who am I to stop her? On the other hand, a subplot that I thought was going to be key to the story has gotten lost along the way and I think I will probably axe it in the revision process. I'm no expert, but I don't think the subplots detract from the main plot. Done well, they add depth and complexity. I say let them grow where they will. You can always cut them later.

This might be helpful (if my analogy is correct):

Think of The Lord of the Rings. The fellowship is large, so it's easier. The mission to destroy the Ring is the plot. The whole journey is part of the plot. However, Aragorn's pining over Arwen is not. They could leave it out, and the ending would be the same. It wouldn't be as enriched though. Gollum's part would be part of the main plot because his role affects the central outcome concerning the Ring. Eowyn's part also, I believe, as well as some other characters, would be a subplot because her actions don't affect the Ring.

Maybe someday I'll read LoTR.