Pacing a Romance?

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bchrumby

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Hello all! I'm new to Absolute Write, and to writing novels in general; up til recently, I've stuck with writing music (but 3 minutes's worth of lyrics, I have found, present very different challenges than 75,000 words! :p)

So, here is mthe pre-question. I'm writing a novel-likely YA- set in a post-apocolyptic future wherein The State (read:the government) is very wary of close attachments or relationships between citizens; thus institutions like marriage, etc. are gone. People are very closely monitored, and male/ female relationships are strongly discourage, with romantic relationships being absolutely forbidden. Think 1984/ V for Vendetta sort of atmosphere.

The novel has other focuses that are probably more in the forefront than the love story, but the love story is definitely very important. MC is a 19 year old girl; her LI is a boy who has been in love with her for quite some time, but they obviously can't do anything about it, as they would be risking their lives.

So, finally, to the question: any ideas or formulas (left-brain thinker alert) you guys use to adequately pace the romantic arc in your novels? I don't want things to happen too quickly, but, at the same time, I don't wasnt thim to have looked at her longlingly once and then in the last 5% of the book, they are getting married....What are your ideas for pacing here that would get the reader really involved/ wanting them to get together, but not do away wit the suspense too soon, and maintain a level of realism?

I'm definitely a plotter, rather than a pantser, and do have a pretty detailed plot, but am just unsure of how to make a love story progress in terms of when which things should happen. Thanks in advance for any input! :)
 

pandaponies

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Well, I think it definitely depends on personal preferences, and whatever works works.

PERSONALLY what I like is a lot of tension, a lot of agony, and then for the characters to finally hook up about 2/3 of the way through, and then for the last third or so to be filled with drama, and then at the very end for them to finally be able to live happily ever after.

:D <3
 

LJD

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Read a lot. See what works in the books you read...
 

randi.lee

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Well, I think it definitely depends on personal preferences, and whatever works works.

PERSONALLY what I like is a lot of tension, a lot of agony, and then for the characters to finally hook up about 2/3 of the way through, and then for the last third or so to be filled with drama, and then at the very end for them to finally be able to live happily ever after.

:D <3

I'll +1 this answer. If it happens too fast I get bored. If it happens to slow I get irritated. Hints and build up of tension until around 2/3 and then drop a major drama bomb-!
 

Jamesaritchie

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To second LJD, read a lot. The only way to know how to pace a particular kind of book is to read several books of the same type.
 

job

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Ack typos. (3 minutes's worth of lyrics, preciousss?)

You can go back into the same post and edit your work. The button is on the bottom right.
 
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job

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It's really not easy to know what kind of character arc or relationship arc you story needs. Infinite possibilities.

And keep in mind that you may have SF on your hands or YA or something.
 

WildScribe

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To second LJD, read a lot. The only way to know how to pace a particular kind of book is to read several books of the same type.

Third this. I'm not sure if I'm interested in writing novels (I sell short fiction and edit anthologies), but I read a LOT of books in my genre as a form of homework, just in case I decide to do long form. Read in your genre, and pay close attention to pacing, the speed of the romance, etc.
 

bchrumby

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Thanks for the suggestions, everyone. Very helpful! I think this maybe should be in YA as I plan on it being YA rather than a romance novel....just a strong romance component. But I probably should have rephrased from "Pacing in a romance" to "Pacing of a romantic arc." I'll likely go with the 2/3 suggestion...seems to make sense! Though any other ideas are certainly welcome. :) Thanks again!
 

Penlight

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If you seriously want to write YA, you seriously need to read them. Lots of them. Go to the library, take out 20 books and study them. Which opening scenes grab you? What type of dialogue works best? Randomly open pages at around 1/3, 2/3 & 3/3 and see where the story arcs are heading and how they change. You don't have to read them all, just learn from them - then go forth and write the story of your heart. Good luck and happy writing. :)
 

sunandshadow

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I always wonder how a country could avoid a population crash in a situation where they discourage relationships and sex. A population crash would cause a wide variety of problems any country would want to avoid. Historically, wars and famines which have removed around 10% of a country's population have had widespread economic repercussions. Unless there's some privileged class which is allowed to produce a lot of children, who will replace the next generation of the lower class which is not allowed to reproduce?
 

Lady Ice

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Unless there's some privileged class which is allowed to produce a lot of children, who will replace the next generation of the lower class which is not allowed to reproduce?

In The Handmaid's Tale, lower-class women are used as procreational tools. You can have a ban on romance/personal relationships without having a ban on procreation.

As for the pacing of the romance, it depends how important the conflict is. If it's secondary, resolve it relatively soon and focus on the bigger conflict, otherwise it'll slow down the pace.
 

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You can space out the resolution of the romantic conflict by breaking it down into a bunch of mini-resolutions. I don't know the specifics of your story, but for example:

- character acts oddly; resolved when readers realize he's in love.
- character continues to act oddly and creeps out other character. She suspects him of being a spy, or whatever; resolved when she realizes he's in love with her.
- female character is freaked out b/c love is forbidden. She shuns male character; he worries that she's going to turn him in (or, from the other POV, she thinks about turning him in and has a crisis of conscience, lots of soul searching, and finally decides to defy convention). She doesn't yet admit that she returns love, but the mini-conflict is resolved with some understated but clear act that shows that she won't turn him in.
- he is still in unrequited love; resolved when she tells him she loves him back.
-but they're both too freaked out to consummate (or circumstances don't allow, or whatever). This one can drag out for quite a while, and might lead to the overall story climax; resolved when they conquer the government and make out on the smoking remains of the Ministry of Sexual Repression, or whatever.
- denouement - sex? intimacy? whatever.

Sorry, that was just kinda fun! The point was that you might have an easier time with pacing if you break the romantic arc down into a series of events/mini-arcs.
 
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