Writing a Flashback??

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Gina_Ritter

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I'm writing something in which the character is haunted by violent flashes of a past event. As the story moves forward, the flashes further the plot by saying the things that the character won't/can't. Some of them are longer, but most are just a quick snapshot of what's going on in her mind and what happened in the past.

But HOW to write these into the script in an acceptable way is where I am stumped. Can anyone recommend a movie script with similar or has anyone heard the "correct" way to do this?

Thanks!
 

PerditaDrury

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Try TV

Probably someone here will know a feature film script that does what you are looking for...

... but as I come from TV it's an easy answer for dramatic teleplays (which are being written more and more like feature scripts)...

See (virtually) any of the C.S.I. (Las Vegas, Miami, New York), Without a Trace and/or Medium scripts. They all have ingenious ways of using a wide variety of flashbacks and can give you an idea of how these things are done technically.

The most important thing, after you have established your flashback "technique" is to be consistent.

Good luck!
 

Gina_Ritter

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Great advice, thanks! Are there free sources for viewing those TV scripts?

I went to http://imdb.com/ and put in the keyword 'flashbacks' and searched under plots. It spit out quite a few movies to peruse and see if any would give me an idea. Now if I can find those scripts online, I'm set.

I really like the new TV show idea though. Very smart writing sometimes and fast paced thriller drama that I am looking for.
 

Gina_Ritter

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Great ideas!

I'm REALLY interested in a very hard punch. The reader needs to suddenly feel the fear, the chaos, the violence, the danger. Like a hit in the gut. The first few flashes are just that.. a flash. A face, a hand clawing, etc..

I think keeping those flashbacks short and choppy will help. But should I underline or some other technique?

In this case, since you mentioned 'memory' as opposed to 'flashback,' should I use something to convey how fast the flashes are at first? Like INT. KITCHEN VIOLENT MEMORY FLASH.

Overkill?

They do get a bit longer in spots as I need them to move the plot. But especially the first few are violent, quick and chaotic. So I am supposed to be consistent, yet in doing it that way, I would need to soften the flash's line in a few areas (foresaking consistency).

I do NOT want to overthink this, but need direction. I'll check out those movies you mentioned. Thanks!
 

nganok

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Sounds like

Sounds like you maybe able to relay some of these ideas by not using flashbacks. Creative imagery can always do what a flashback does but better.

A teenager was in a car accident. Show him getting tense when his friend takes a sharp turn.

A man was abused as a child -- Show him crying at the sight of a belt.

Yeah, these examples suck but hopefully you get the idea.

Remember, flashbacks are real easy but can easily make you movie cheesy
 

Gina_Ritter

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Great ideas (read: I get the drift!) and I am already there. She's a professional and a wife and mother, so the trauma she hides is coming out in ways that begin to affect her socially, professionally and in her family. Strands of obsession, phobias, depression, anxiety and the subtle things like jumping, daydreaming, clumsiness, fears, physical symptoms, etc...

I am definitely not going for the cheese factor here. But I can see how to pull this thing off in my mind, I just need to get the technicalities of writing the scenes on paper. Someone mentioned to me the movie Catch 22.

I'm checking out Memento now and that's just a bit of a confusing screenplay for me. I think I should watch the movie first so I am not getting hung up on the details.
 

odocoileus

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http://www.simplyscripts.com/tv_all.html

Though most of these are transcripts, there are also plenty of actual scripts. Check the third column over to make sure.

Several Lost scripts, in PDF, from Season One :Thumbs:. One ER script. John August's DC, the pilot and two more. Lots and lots of Lee Goldberg. (This man has to have written a flashback or two.)

Also, I made up a list for myself of films with unusual timelines - flashbacks, discontinuities etc. A lot of these are available at simplyscripts.com in the movie section.

Memento

Go

Pulp Fiction

Jacobs Ladder

Eternal Sunshine of the Spotless Mind

Vanilla Sky

21 Grams

Primer

Following

Run, Lola , Run

Saw

The Sixth Sense

Godfather part II

The Killing (Kubrick)

Rashomon (in a sense)

Sliding Doors

Proof

Gambit

The Magus

Don't Look Now

Betrayal

Urbania

3 Women

Snatch

Lock Stock and Three Smoking Barrels

Solaris

Not looking for a debate here, so if you don't see these films as doing unusual things with narrative as it unfolds through time, keep it to yourself . :tongue ;)

 
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