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http://blcklst.com/lists/2011_black_list.pdf
I'm reading through it, and, so far, I haven't found any impressive loglines.
I like this one:
Especially this:
I won't even talk about this:
So, is it even necessary to learn how to write decent loglines anymore? Or are these exceptions that someone managed to get onto an agent's desk? I mean, I thought the Blacklist was for scripts that would normally get little to no attention -- meaning, debut scriptwriters and unknowns.
I'm reading through it, and, so far, I haven't found any impressive loglines.
I like this one:
But the rest? Meh.THE THREE MISFORTUNES OF GEPPETTO
by Michael Vukadinovich
A prequel to the story of Pinocchio in which Geppetto endures a life of misfortune, war, and adventure, all to be with Julia Moon, his true love.
Especially this:
and this:GOOD KIDS
by Chris McCoy
Four overachieving high school students in Cape Cod reinvent themselves during the summer after graduation.
I'm wondering if the art of a well written logline is lost. Most of these simply don't intrigue me. Even my fav isn't a well written logline.JURASSIC PARK
by Imran Zaidi
A high school couple and two of their friends ditch school to catch a special preview screening of JURASSIC PARK.
I won't even talk about this:
I mean, I get that it's a remake. But what about this logline, besides the word Pinocchio, makes anyone want to pick this up?PINOCCHIO
by Bryan Fuller
A wooden puppet, Pinocchio, dreams of becoming a real boy.
So, is it even necessary to learn how to write decent loglines anymore? Or are these exceptions that someone managed to get onto an agent's desk? I mean, I thought the Blacklist was for scripts that would normally get little to no attention -- meaning, debut scriptwriters and unknowns.