When I first started writing-- twenty years ago!-- I wrote two novels just to get them out of my system. Drawer material. I think practicing at the form in that way is a good idea. (Many authors have done likewise.) Since that time I've written mostly essays, but also a dozen or so stories and a few novellas. Right now I'm writing a novel which began as a novella, but got away from me.
My personal opinion is that art needs form. The longer the work of fiction, the harder it is to carry off. Too many novels, even best-sellers, start out fine but don't know how to end. By the end, everything gets ridiculous. (Usually there's much violence and many bodies.)
To write a novel-- a good one-- a writer should first read the best examples of the form, to A.) get an idea of what's possible; B.) see what's worked and what hasn't worked for other writers. There's much that can be learned from the greats.
Then, you should have something to talk about. Characters you need to portray; dialogue you need them to say; a theme, hopefully, someplace. A plot. An ending or a hint of an idea of how it will end.
Yes, I also believe that a good novelist should know something about life-- whether Tolstoy knowing families, their dynamics, as well as anyone could possibly know them, or Herman Melville knowing everything there was at the time to know about whaling. Or James Gould Cozzens-- a master of form-- knowing everything there was to know about military bureaucracy, which he put into his
Guard of Honor.
If you don't have a unique vision, unique style, or unique story, what's the point?
I'm a reader first. As a reader, I look for a new experience. To plunge into a fascinating fictional universe that will tell me something about people, or the world, or myself, that I didn't previously see or know.
Just my inflation-adjusted 1.2 cents worth.
Blitz Book Review
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