Thoughts inside character's head.

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rlayna

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I tried quick search but I don't think I am using the write phrases. Anyway, when your MC thinks to herself, how is that written out/structured (not sure of the word) on paper? In quotes? Italics?

Ex. Sarza sat up quickly, hearing the sounds of birds chirping. “Damn!” she whispered softly putting her hand to her head. The sky was just beginning to lighten as she hurried out of bed and put her pants on. I should have been out of here before the birds awoke. < Thought is in bold, not meant to be said out loud.
 

Victoria

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I write direct thoughts into the narration. Using quotes denotes speech, and italics get too busy and annoying for some folks. Also, I think it flows better to slip the thoughts in without any markers. Everyone is different, though.
 

Pacze Moj

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I've seen it done five ways:

1. The giant gorilla-man swept Mona off her feet and dangled her over his open mouth. He licked his lips. Man, he thought, I sure do love me the taste of women.

2. The giant gorilla-man swept Mona off her feet and dangled her over his open mouth. He licked his lips. "Man," he thought, "I sure do love me the taste of women."

3. The giant gorilla-man swept Mona off her feet and dangled her over his open mouth. He licked his lips. Man, he thought, I sure do love me the taste of women.

4. The giant gorilla-man swept Mona off her feet and dangled her over his open mouth. He licked his lips. Man, I sure do love me the taste of women.

5. The giant gorilla-man swept Mona off her feet and dangled her over his open mouth. He licked his lips. Man, I sure do love me the taste of women.

Writers sometimes reserve quotation marks for spoken words, sometimes not. The last two examples are more efficient than the first three. If you don't use quotation marks or italics, it can be unclear who's thinking: giant gorilla-man or narrator?
 

leahzero

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You have to use some kind of visual cue if it's third person. Italics (with or without tags like "he thought") is the most common way I've seen it done.
 

VoireyLinger

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I use italics and my publisher prefers this as well. The other option I would use would be to keep it in third person but use the same wording, just switch out the pronoun. This can give a nice, deep POV.

One thing to watch is how many of these italicized thought phrases pop up. Too much can make the book feel cluttered and make them stand out, which can disrupt flow. I suggest you save them for emphasis points and keep the rest in third person narrative.

I don't use 'thought' tags because it should be obvious the character is thinking it, not verbalizing. If it's not, I rework the sentence so that it is. For me, it provides a tighter, cleaner manuscript.
 

Layla Nahar

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I write direct thoughts into the narration. Using quotes denotes speech, and italics get too busy and annoying for some folks. Also, I think it flows better to slip the thoughts in without any markers.

I like this way. I disagree that you have to use a cue. I think it's clear from the narrative. But that's just me.

Everyone is different, though.

QFT
 

BotByte

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For 3rd person, use italics and add a cue to the thought so readers don't get confused.

Bob ran out of his house. Why did I do that?, he thought.

If it's 1st person, you can skip it, if it doesn't directly quote from his mind.

I ran out of the house in a rush. I didn't know why I did that, but I did and for no reason.

Just keeps the standard italics and play around with it. Just make sure it works together with the flow of your writing style.
 

Terie

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(pedantry on) Just please don't ever say, 'she thought to herself'. There's no one else one can think to other than oneself! (pedantry off)
 

Domino Derval

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If I'm writing third-person, I tend to prefer:

She hurried out of bed and put her pants on. She thought/knew she should have been out of there before the birds awoke.

Unless the narrator tells the story from her P.O.V., in which case I'd go with:

She hurried out of bed and put her pants on. She should have been out of there before the birds awoke.

(pedantry on) Just please don't ever say, 'she thought to herself'. There's no one else one can think to other than oneself! (pedantry off)

Psychics, telepaths, wizards, certain vampire clans, gods, eldritch horrors...
 

Terie

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Psychics, telepaths, wizards, certain vampire clans, gods, eldritch horrors...

In which case, 'he thought' isn't usually the tag. Most SF/F authors dealing with that kind of thing use something else to distinguish a character's own thoughts from their mental communications to others...at least in the books I've read with telepathic communication.

The point is that lots of new (and even some experienced) writers say, '...he thought to himself', and it's just plain redundant.
 

SaronaNalia

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The most common way I've seen it done is with italics. If I were you, I'd use them. I don't think any readers would question it.
 

KSandoval

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I'm with those who dislike markers. I feel integrating thought into the narrative make for a compelling, close, third-person narrative. I find italics disruptive and tagging things as 'so-and-so thought' always feels like hand holding to me. If you're in third-person limited, no one else can be thinking, so it feels obvious.

So this: Alissa's ex-boyfriend stood across the room. She thought, I'll hate him forever for what he did.

Becomes this: Alissa's ex-boyfriend stood across the room. She'd hate him forever for what he'd done.
 

Bufty

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I'm with those who dislike markers. I feel integrating thought into the narrative make for a compelling, close, third-person narrative. I find italics disruptive and tagging things as 'so-and-so thought' always feels like hand holding to me. If you're in third-person limited, no one else can be thinking, so it feels obvious.

So this: Alissa's ex-boyfriend stood across the room. She thought, I'll hate him forever for what he did.

Becomes this: Alissa's ex-boyfriend stood across the room. [She'd hate him forever for what he'd done. This is not a thought - it's a narrator statement.
 
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dangerousbill

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I tried quick search but I don't think I am using the write phrases. Anyway, when your MC thinks to herself, how is that written out/structured (not sure of the word) on paper? In quotes? Italics?

In my style, most thoughts become part of the narrative, since I write in first person. But when I want a thought to be expressed for emphasis, I use italics and shift temporarily to present tense.

Italics are okay unless they're overused.
 

JSDR

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I don't know why but I have an aversion to including thoughts structured that way (in OP). I'm currently writing in 3rd person limited, and the example would look like:
“Damn!” she whispered softly <comma>putting her hand to her head. The sky was just beginning to lighten as she hurried out of bed and put her pants on. I should have been out of here before the birds awokeShe'd planned on leaving before the birds awoke. Too late now.
I use quotes strictly for spoken speech, and italics (since I write fantasy/sci fi) for other forms of communication. But if I was writing any other genre, I think I would do the same and just not use quotes/italics.

Also, I'm not a fan of the "he/she/they/it thought" tag. I feel like it's redundant or puts a distance between the character and the reader, slanting the POV to show the reader that they are not privvy to *all* thoughts of the character. Only certain ones.
 

smellycat6464

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i agree with basically all of the above
use italics to denote unspoken though, don't use tags to indicate its a thought, the italics do that for you. and keep the thinking to a minimum, unless the character is not participating in anything and is quite pensive in general :)

also, as a stylistic thing, try omitting "softly" its an adverb, and a tad redundant since one doesn't whisper un-soflty. great verb choice though!
:)
 

Domino Derval

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Bufty said:
This is not a thought - it's a narrator statement.


That's true, but it fulfills the same function in a way I think is more elegant. This is, of course, provided that the third person narrator is relatively close to the pantsless woman.

In which case, 'he thought' isn't usually the tag. Most SF/F authors dealing with that kind of thing use something else to distinguish a character's own thoughts from their mental communications to others...at least in the books I've read with telepathic communication.

The point is that lots of new (and even some experienced) writers say, '...he thought to himself', and it's just plain redundant.

Now I'm thinking to you.
 

Mackenzie

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I write in third person and try to keep the first person thoughts to a minimum. Specifically, I and so forth in the sentence, which, to me, screams for italics, which interrupts flow. So, I use them like a dash of Tabasco every now and then. Separate short graph. Italics for emphasis.
 

BethS

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For 3rd person, use italics and add a cue to the thought so readers don't get confused.

Bob ran out of his house. Why did I do that?, he thought.

The italics themselves are a cue; you don't need both that and a 'he thought' tag.

To answer the question of the OP, my personal preference is for italics. Just don't overuse them.
 

rlayna

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Thank you all very much!

I am not a fan of the 'she thought' phrase either and am leaning towards italics, especially since the character's thoughts aren't made known throughout the story.

Smellycat6464, thanks, great point about the whisper/softly thing.

Again thank you all!
 

SquareSails

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Lots of good info here.

I know this wasn't OP's question, but I'm wondering for myself (forgive me, OP): Should the exclamation be after Damn! if the character is whispering?
 

dangerousbill

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Lots of good info here.

I know this wasn't OP's question, but I'm wondering for myself (forgive me, OP): Should the exclamation be after Damn! if the character is whispering?

If I hit my finger with a hammer when there are children or nuns around, I will whisper, but the exclamation mark will still be there.
 

Dreity

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If I hit my finger with a hammer when there are children or nuns around, I will whisper, but the exclamation mark will still be there.

I agree. Exclamation points don't necessarily indicate the volume of the word/s, but rather, the emphasis with which they are said.
 
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