2 Questions

Arcadia Divine

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1. This one I know has been asked before, but I don't know what words I'd use to search for it. What would have a better chance at acceptance, a series or a stand alone? Granted I know it's the quality of the writing that counts, but what if they were written with the same quality? Would one have a better chance of getting noticed than the other?

2. I'm writing a series of post apocalyptic novels with my friend. We have everything written out on who owns what and who does what. Our plan is for us to write 1 novel separately then combine the two into one book. Basically I'm writing the east coast and he writes the west coast and the terminology differs slightly between the two regions. My question is, would it be better/easier to just keep the novels separate when we go to sub it to an editor/agent? If we do combine both how would we sub it? Do we split what they ask for in half (if they want the first 4 chapters I combine the first two with his first two and give the person the low down on which is which)
 

Debbie V

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Is it one book or two? I'm confused y what you wrote. How will the reader see it? The agent /editor gets what the end reader gets.

It's best to sub one book. You can mention series potential in the query, but if the first book doesn't sell there won't be a second. (That's sell in all forms - agent, then editor, then readers.)

Good luck.
 

Arcadia Divine

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Sorry, I could've explained that better.

I write one book he writes one book and we combine the two into a single book.
 

Old Hack

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When approaching agents you pitch just one book. You can mention series potential: but if the book you're pitching doesn't catch their attention on its own, they're not going to change their mind because of that series potential.

I hope you and your writing friend have signed a contract spelling out how income will be split, who gets what out of each deal, and so on.

I'm a little confused by your writing methods. If you and your friend each write a complete book and then you combine the two, doesn't that mean you have two separate narratives in the final book? Do you do any rewriting to make them mesh more? If not, why not just write your own works and try to sell them separately?
 

Terie

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I hope you and your writing friend have signed a contract spelling out how income will be split, who gets what out of each deal, and so on.

This. This this this this, THIS. You might think you can imagine everything that could go wrong, but trust me, you can't. I know from personal experience.
 

Debbie V

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How do your two books make one? Until you answer that, you don't know what you are querying. If the first two chapters are chapters you wrote, that's what will go to editors/agents. They get what the reader will see first.

Ditto on making sure the legal ducks are in a row on the deal with your friend. Many a friendship has been lost over less.