Taos Toolbox 2012, Open for Submissions

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efkelley

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http://taostoolbox.com/

It's that time of year again. A couple of AW'ers made it into last year's class.

For those who haven't seen this before, Taos Toolbox is a masterclass workshop taught by Walter Jon Williams and Nancy Kress. The workshop focuses on novel writing in all aspects; characterization, plotting, pacing, keeping it all organized, etc... Some short story information is gone into (since story is story) but the focus is on longer work. The primary curriculum is on craft with one or two lectures given over to business.

This isn't a simple 1 2 3 of novel writing or highly structured checklist. Walter and Nancy have vastly different writing styles. This is about helping you find the way you write and capitalizing on your strengths while shoring up your weaknesses. Every writer has a different method. This course will help you find yours.

Applying sooner is better than later if for no other reason than the reduced tuition cost (found on the Applications page). Also, as the VP staff and instructors can attest, it's just plain helpful to the workshop organizers to get submissions sooner rather than later.

Note that the submission you send need not necessarily be the piece you have workshopped. For many students this is the case, but if you've got a published work or two, or something on the rejection circuit, you might send that in as your application piece.

For any questions, feel free to post or PM. I check back in here every day or two, and other alumni are known to lurk as well.
 

RemusShepherd

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I really want to go to this workshop. I want a novel-focused workshop. I want something difficult with real criticism, unlike other workshops that are mostly concerned with inflating their students' egos. And I like week-long workshops; I can't get away from work for six weeks to attend Clarion.

I have one concern, though, and that is Nancy Kress.

I have zero respect for her as an author. I've had discussions with the editor of Azimov's magazine about the continuity errors and other failures in Kress' short stories. I've never read anything of hers that didn't make me wonder how she got published.

I suppose I can still learn from somebody that I don't respect. I'm just worried that I'll open my mouth and say something I'll regret that will destroy my reputation and career. (I already had a meltdown at the TOR party last Worldcon. I'm really, really bad in social situations.)

Now to decide which novel I should send as a submission: The one that has been shopped everywhere and failed, or something a little more virginal...
 

efkelley

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Heh. Well, if your concern is not causing a scene, I wouldn't lead off with 'I have no respect for you as an author. No offense.' ;)

I can't think of any author whose body of work I simply adored in total. Not even Patrick O'Brian (whom I will fight to the death defending). You might try her BEGGARS IN SPAIN. Damn fine book. Won the Hugo for good reason.

Good luck with the submission!
 

RichardGarfinkle

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I really want to go to this workshop. I want a novel-focused workshop. I want something difficult with real criticism, unlike other workshops that are mostly concerned with inflating their students' egos. And I like week-long workshops; I can't get away from work for six weeks to attend Clarion.

I have one concern, though, and that is Nancy Kress.

I have zero respect for her as an author. I've had discussions with the editor of Azimov's magazine about the continuity errors and other failures in Kress' short stories. I've never read anything of hers that didn't make me wonder how she got published.

I suppose I can still learn from somebody that I don't respect. I'm just worried that I'll open my mouth and say something I'll regret that will destroy my reputation and career. (I already had a meltdown at the TOR party last Worldcon. I'm really, really bad in social situations.)

Now to decide which novel I should send as a submission: The one that has been shopped everywhere and failed, or something a little more virginal...

I can offer a bit of personal testimony, only it's two decades out of date.

Twenty years ago, Nancy Kress was one of the teachers when I went to Clarion West. I found her to be a good, helpful and insightful teacher, able to handle the wide range of stories we threw at her. Barring some serious change in her in the intervening time, I'd say she's well worth listening to.
 
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