Wo! Amazon's new commercial publishing includes graphic projects?

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Miss Plum

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What have we here?

S.G. Redling's FLOWERTOWN, after a chemical spill, a remote corner of Iowa becomes a long-term quarantine; seven years later, supplies are cut off, the Army is withdrawing and as the residents band together to search for answers, they learn the real terror is just beginning, to Terry Goodman at Amazon Publishing, for publication in 2012, by Christine Witthohn at Book Cents Literary Agency (World).
Dramatic & graphic: [email protected]
“Dramatic & graphic”? Does this mean that Christine Witthohn sold those rights to Amazon? Or does it mean she’s the person to contact for buying those rights? Let's run with the former.

I'm aware that the POD component of CreateSpace isn't the best way to publish a graphic project because of quality issues, but if Amazon means to get serious about graphic projects in this new commercial venture of theirs -- do big print runs and use glossy paper and all that jazz -- I'm paying attention.

I'm aware of potential risks associated with Amazon Publishing -- limited distribution and the necessity of a color-capable e-reader -- but I'm not introducing that discussion here. (It's going on in a couple other threads here at AW.) I'd like to know what y'all think about approaching the new Amazon Publishing with your graphic project. With some trepidation, I'm about to ask my agent what he thinks of it.

P.S. It strikes me that graphic novels are particularly suitable for film rights sales. And what do you know? Amazon is partnering with Warner Bros studios for first-look deals.
 

thothguard51

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Couldn't hurt to ask your agent what he has heard, or how he feels.

Graphic novels is why I am buying a color e-reader.
 

Miss Plum

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Uh...I've had several black and white graphic novels published through Create Space...the quality was very good.

Don't know about color at the moment, but I will soon.
Axler, I went to the CreateSpace forums and found some serious complaints about print quality, particularly with B&W graphics. There were also some authors who said they were perfectly happy, but I wasn't filled with confidence; the issue of the proper technical process was debated, but not settled. I also read there that the paper isn't up to the same standards that traditional publishers use for graphic projects.

I haven't tried CreateSpace so I can only go on what I've read.
 
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Axler

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The first question I have is how old are these complaints?

I haven't had anything new printed through them in over a year, but I've recently reordered several books that they previously printed and if anything, the quality was superior than the initial runs. The paper stock was heavier.

Also, they used to be extremely receptive to complaints...and would promptly send you replacement copies of any book you were dissatisfied with.
 

Miss Plum

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Thanks, PH. But yeah, a graphic project would be a different matter.

I think this part of the discussion is getting more attention than it needs, though. As I think about it, I'm sure Amazon will use a different process for mainstream publishing. I'm more interested in the prospects for marketing, distribution, film rights sales, and then the mysteries -- what's in the contract, who are the editors, etc.


ETA: I contacted Publishers Marketplace and flat-out asked them what the "Dramatic & graphic" note meant (funny how you can just do that and get information) -- whether it meant 1) the rights had been sold or 2) were available for sale. It turns out to be the latter -- so maybe my frenzy of interest is all for naught.
 
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Bicyclefish

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P.S. It strikes me that graphic novels are particularly suitable for film rights sales. And what do you know? Amazon is partnering with Warner Bros studios for first-look deals.
In my opinion, though it could happen, I don't think the chances for an unknown GN to become a movie are that good. It might be a bit cart before the horse.
 

Bicyclefish

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They prefer semi-unknown...the rights cost much less.
Assuming both are by unknowns and have more or less the same success/sales, any idea how they compare to a novel's chances? I often see people online view comics as a gateway to films, but I don't know how true that is. Much like with novels, there's a lot of GN properties out there; I thought only a few ever see the big screen, even though a greater number probably managed to sell their film rights.
 

Torgo

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“Dramatic & graphic”? Does this mean that Christine Witthohn sold those rights to Amazon? Or does it mean she’s the person to contact for buying those rights? Let's run with the former.

I'm positive it's the latter - sorry!

Oh! Just saw your edit. Sorry!
 
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small axe

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Here's the obvious thing with an "unknown" Graphic Novel maybe being a better way to pitch an idea for a movie than a novel: imagine someone's desk in Hollywood (whether its the lowly reader, or the busy development guy or a director ...) piled with scripts to read.

A pile 20 novels high,
and 20 screenplays high, or ...
20 graphic novels ...

Who's gonna make the most immediate initial impact, and get thumbed through easiest, or read?

Which is already in a VISUAL format (more like movies) and needs the least further development?

Which demands the least imagination and creativity from a low rung person, to pass it up the ladder to someone who can greenlight it (or, y'know, at least push it a little higher up the ladder) ???

Just imo, but I'm just sayin' ... :)
 
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