Scene, chapter and POV issues...

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Katallina

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So I'm finally starting to work on the revisions for my book. One of the things I am trying more consciously to go right this go around is the scene, chapter and POV setup.

I realize that *anything* is possible. I could have one character's pov for a whole chapter and then have another character doing the next and alternating them. I could have different characters povs within the same chapter provided they are starting a new scene (or that I am careful in switching while in a scene). All chapters do not need to be the same length. (Something that is hard for me to accept, but that is ultimately true.)

What I am wondering is how quickly the pattern that I am using for POV needs to be established? For instance, I know that chapter one is fully going to be Sarena's POV. Chapter two I have a choice: it can fully be Kesyl's or Sarena could share it with him because there is a major change of location half way through.

I know there are going to be at least two sequences in the book -- one near the middle and one at the climax -- where all three of the characters who have POV in my book will be using it close together. Part of my revision notes have addressed trying to "stay with" a character for as long and smooth a period of time as possible, and I was happy to realize I only had a couple scenes where the characters actually did bounce at all.

I'm just trying to make this decision as much as I can now so that I (hopefully) don't have to write each of these scenes again because of this. I will if I feel it will make the book better, of course, but it's so much easier to make decisions like these in the planning before a round of writing rather then to get half way through and start going "Uh-oh..."

Anyway, thanks for your time. :)
 

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I personally like setting up a fairly rigid pattern of POV shifts right from the start - POV 1, POV 2, POV 1, POV 2... But I've certainly read books that weren't structured that way.

Have you gone through the entire story and made a list of scenes, with the best POV beside each one? What does the pattern look like, if you just leave it as it is?

I definitely think it's better to take your time setting up the pattern (or to not have a rigid pattern at all) than to establish a pattern and then break it. Once I, as a reader, come to expect a POV shift, it's jarring to not get it. So, yeah, I'd look at your scene/POV list and decide based on that.

Good luck with it!
 

Parataxis

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On the completely opposite end of the spectrum, I established two point of view characters early on, and pretty much switch between them at will, sometimes in the middle of a longer scene. BUT! This will not necessarily work for you since my characters spend 80% of the book together, and so switching from one to the other doesn't change what's happening.

But I'm a follower of the idea that patterns can constrain you and prevent you from writing the best book possible.

Think about it this way: You're building a castle out of legos. Each brick is a piece of information you want to give your readers about the story. At the end, every block is in place on every PoV's part of the castle. But in the middle, there are all sorts of ways you could build: One section at a time, one block at a time in rotation, or unevenly, so that each when big block comes down it completes something. What if two big yellow blocks would be really awesome going on one after another, but one block was much higher on the wall that the other? If you were working in a rotation, then you'd have to put in fluff on one wall while you built up the other to maintain the "pattern". No one likes fluff in their legos.

...Okay, I admit that metaphor doesn't really work, but do you see what I mean?
 

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Do you not outline? If you don't, then, yeah, I guess just write. But if you outline, it's usually pretty clear who has the best POV for a given scene, before you start writing everything out.
 
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