same event viewed from different POV

tko

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Not sure if this is a grammar or style question.

I have a novel with different viewpoints of the same event. Say, you have Bob witnessing a murder in one chapter, 3rd person POV. The next chapter has Susan witnessing the same murder, also 3rd person POV. My example isn't the best, but lets assume you have different person's viewpoints of the same event at the same time, but in different chapters.

Why? Well stylistically it seem to work out for me, plus it allows me to concentrate on one person's reactions for a whole chapter. Better than intertwining a mix of character reactions in the same chapter.

What confusion is this likely to cause the reader, and what grammatical or stylistic approach should I take? I believe I've made it obvious what I've done, and so have not done anything special with the grammar. It's all past tense, so who cares? Especially when the chapters are in sequence - person A views the murder scene in chapter 1, person B views the same murder scene in chapter 2, etc. The readers automatically assumes that all chapters are happening at the same point in time, assuming you give them all the right clues?

There's a variation of this theme that I think I remember seeing done. That's when events in chapters overlap in time. For example, chapter 1 may have the killer (POV) leaving the murder scene, chapter 2 may have the police (POV) entering just as he's leaving. Some overlap in time may be present between the two chapters. No problem right?

On the other hand, when doing a flashback, it's recommended that past perfect tense be used at the start as a clue that it's a flashback.
 

Lil

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For an example of this you might look at Lawrence Durrell's Alexandria Quartet, though I think he repeated the story from different points of view in different volumes.
 

LynnKHollander

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It's been done, if that's your question. Stage and movies ~~Rashomon and View Point. I had no problems with either, but there were gross visual cues.
Labels as chapter headings -- Character A/0000 to 0800/SOC; Character B/0000 to 0815/Home -- SOC; Character C/0830 to 1200/SOC and so forth -- might offer adequate cues for even the inattentive reader.
 

BySharonNelson

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I agree, I think its totally doable as long as you have something that marks the time period. Like Lynn suggested having time listed at the beginning of the chapter or perhaps have something visually going on that every person notices. Like a specific line in a speech or the clock striking midnight.
 

maestrowork

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It's not really a grammar or style issue. It's a storytelling issue. You want to retell the same events from two different POVs. That's perfectly fine and has been done before (Rashomon is the most famous example). As long as you're clear whose POV it is and it's the same event again, you can do it....
 

Dr.Gonzo

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Funny. I just started reading The Rules of Attraction.
 

Chase

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Ernest Hemingway used the technique of presenting the same scene through different eyes in many early short stories and into his most famous novels.

Apparently, I'm no Hemingway, as one critique partner goes off like an ICBM whenever I try it, hinting at needless repetition, short-term memory loss, writing while intoxicated.
 
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Dr.Gonzo

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I like the technique if used in the right way. I don't think there's any point saying the exact same thing happened using two different characters. What I like is when one thing from one character's perspective is another thing entirely when viewed by another. That's when characters grow because you're showing what they see, what they take away from an event.

Once, my friend and I were walking back to work after grabbing a coffee. We witnessed a suicide. A woman--40ish--took her shoes off at the curb and jumped in front of a bus. Splat. Terrible mess. When we got back to work we were both talking to various people about it. He was going on and on about the poor bus driver who would have to live with that for the rest of his life. Me? I was dumbfounded. I could not get my head around the fact that she took her shoes off. Why do you think she did that? I asked people. Had she borrowed them? Did she think that by wearing them and her feet not being flat on the floor (they were big heels) that the impact would not be as great, thus not finishing the job? To this day I still think about those shoes, neat on the curb, and the smell of burnt rubber in the air. And sometimes my friend wonders how the bus driver is getting on.

People are different; the things we see are different once filtered.