Comic development questions

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Freelancer

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Is there any place where I can find a proper "Noob 101" guide which would tell me how to use the "Click", "Ka-boom" and other sound effects properly?

i.e. what "sound effect" should I use for "taking a clip into a rifle", etc, etc...

I also need a similar good noob guide which would tell me how to translate a script to comic panel properly and how to create the panel layout for that.

Thanks in advance.
 
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Wolvel

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Well for snapping a clip into a rifle there is several sounds to use such as "clak, ch-chik" as to explosions I would go with "ka-boom, ba-doom" just to name a few. It really depends on the scene and how big of an explosion it is.

As to panel layouts buy and study some comics. As to script to panel, as you write the story break the scenes into panels for a base line idea. Try to picture the scene in your head as a panel.

Also to remember most comics either on the first or second page is whats called a splash page. Basically one page as a whole panel.
 

elae

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There isn't really a guide to sound effects that I know of-- just read a lot of comics and take note of what they use and when they use it. Some scenes are better "silent" without any sfx.

Depending on who you ultimately publish with, many people hire separate letterers to do all balloons and sound effects. If you're doing a webcomic, though, you may not be able to afford someone else.

For panel layouts-- read comics, see what is successful. For an exercise, copy the frame layout onto another piece of paper and try to tell your own story within those frames. Try making the same page of script in 5 different comic page layouts and see which you think is strongest.
Read Scott McCloud's books for a lot of good information on making and laying out comics.
 

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Thanks Wolvel. I studied some comics, such as Alien comic novels as that's the closest to my one, but there were few things that are confused me in the first round.

Also to remember most comics either on the first or second page is whats called a splash page. Basically one page as a whole panel.
I have one, prior the opening page. I'm using morse codes merged with a blank opening narration (It's not in the script that I sent to you.).

Try to picture the scene in your head as a panel.
So like if I would do a storyboard. Well, I did storyboards before so that might help a little... or not.

Some scenes are better "silent" without any sfx.
Yeah, I thought for the same. i.e. I'm not willing to use BOOOOM for a huge explosion in space. :)
 
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myrmidon

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I can't second elae's recommend of McCloud's Understanding Comics (and others) hard enough. It's invaluable if you want to write or draw comics...or just understand them.
 

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Or...you could read...
I'm doing that, but I always want to know more insight details. You can't do that by simply reading it.

It's invaluable if you want to write or draw comics...or just understand them.
Drawing and writing is not a problem as I do both profession a long time ago. I just want to understand comic novels better to have a chance to merge the two together.
 
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Axler

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I was actually going to suggest you read this:

Graphic-Novels1-300x300.jpg


But I stopped myself because I've been promoting it for a while...as well as teaching graphic novel creation workshops and classes at various conferences.

It's easy to find and easy to read...full of examples of everything anybody needs and wants to know about creating comics, the graphic novel and the "graphic narrative" in general.

As far as I can see, other than Colleen Doran, I'm the only professional comics creator who contributes to this board...Anyhow I figure it's time to promote something else.

Like...

http://justicemachine.com/
 
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