I've seen this before, and I really like it. I especially like her advice on florid verbs. Now that I have started writing, I pick apart the books I am reading, and noticed one thing that stuck out as a good lesson. Readers don't read about trees.
Example: “The golden spheres of leaves danced merrily in the light afternoon breeze, back and forth. The thick stand of trees covered the winding river that fed their roots and gave them life, taking support in return. The trees….blah,blah,blah.”
I am not talking about scenery setting a tone, or all the other uses, but if it doesn't have an impact on your character, readers notice that. While reading I often wonder, "Why on earth did this author rant about the tree? This isn't doesn't make sense, and he never alluded to it again. What was the point of that? I was mislead!"
But I have never found myself saying, "Gee, I wish the author had become verbose concerning that poplar. I just love poplars. They are the best trees. He should have added more poplars to the story!"
Am I making any sense here? If an author paints a neon sign pointing to a sentence or phrase, I will pay attention. If he doesn't, then I won't. If he DOES, and it was for nothing, I feel like I was led on a wild goose chase because he has the control to lead my concentration and should anticipate my assumptions.
If he needs to make mention of the season, a simple sentence gives me the information without convincing me he is foreshadowing the tree. "The golden poplar leaves swayed in the wind." There. It's fall, breezy, and there are trees. Nothing inferred, or assumed. Just the facts, ma'am.
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I think i need my coffee, that was way to brain wracking to write this early.
Thanks for the link!