Creeped Out

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jallenecs

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This thread may have come up before in this sub-forum. Normally I hang out in the SF/F forums, so forgive me if I'm beating a dead horse here.

The current story I'm working on is UF, but it delves very deeply into demonology and Satanism. I have been doing a lot of research into the subjects (and angels, too; it's complicated), because that's the responsible thing to do: do your research, get your info right.

Some of the research has been fun. I read Milton's Paradise Lost again, and Dante's Divine Comedy,two books I really enjoy (yes, I have embraced my geekhood!), and I enjoyed them so much more this time. I even got annotated versions, and traced down all the Biblical references, and that gave the books even more depth than I had realized before (and some of the language is just beautiful. OK, I'll stop geeking now).

It's when I start getting into the less literary research that things get weird. I find myself really grossed out, creeped out, and just freaked by some of the stuff I've been stumbling across. The Internet has some scary scary stuff on it. Some of the grimoires and stuff that have been published over the centuries are equally icky.

So what's my question? My question is, have you ever had this happen to you? I love scary stuff, but this is way too much. Have you ever had a story -- or the research necessary to prepare for a story -- scared you, or made you want to stop working on it?

The stupid thing is, I don't believe in demons, or angels, not in the way they appear in my story; it's just a story. And I'm not prepared to abandon the story; I have a MC that is so real in my head that NOT writing him is just not going to happen, and I think the story is possibly my breakthrough project. I've never felt so confident about a writing project before.

I'm just freaked out by the research. Has anybody else ever had this? And I'm open to suggestions for what to do.
 

EFCollins

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Hi. I have, actually, been freaked out by story research.

Here's what I did. I decided to hand write essays about the stuff I was reading. I wrote telegraphically, as if for a column or term paper or article. Don't think about what you are reading... think about summarizing it as simply as possible. After you do that, you'll have notes you can reference without having to read the details that creep you out.

I am not much of a note keeper. I lose track of stuff all the time. I have to have barely controlled chaos or I just can't think. My house is clean... my desk is... something else entirely. I dunno what it is. But, when I have to have notes like this, because something freaks me out... I have a little expandable file keeper that slides up under my desk that I put those in. I do keep those notes. They can be quite helpful when dealing with something that wigs you out. It's less... personal.
 

Shakesbear

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I was seriously upset by some research I did to try and understand a certain type of behaviour - there was no one I could discuss what I was doing with. When I realized that if I wanted to conclude the research and reach closure I would have to deal with my emotions. I limited myself to about thirty or forty minutes research per day and immediately after I would go and do something that I really enjoyed and that would stop me from brooding on what ever I had found out. I would listen to a favourite piece of music, read from a favourite book, go and garden watch a bit from a film. I would plan out what I would do before I did the research. It did not work all the time but most of the time it stopped me from brooding.
 

jallenecs

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I am torn between continuing the research, just toughing it out, and abandoning the research entirely, and going with the "making sh** up" approach.

I hate the "making sh** up approach. It's actually more work in the end, and it feels wrong wrong wrong to me.
 

EFCollins

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Channel the fear and freaked-out feelings into the story you're writing?

Yeah... but I research before I start writing, if research is needed. Hence, the notes.

Making stuff up works too... you can skim and get the gist of things and fill in the gaps your own way. So long as it is believable. That's really all that matters.
 

Calla Lily

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To the OP:

Yes. I take a break and don't write late at night or when I'm alone. Because I'm rather a Jesus-freak, I also resort more to prayer. (Y'all can laugh; I don't mind. :))

Can you write a different story using the same MC?

Since you say you don't believe in the demons or angels you're writing--that actually is license, IMO, to make up anything that will work for you. Ditch the stuff that's freaking you out and write stuff that's scary in a different way. Writing that freaks you out is good in that it'll probably freak out readers (ka-ching?), but not if you can't actually work on the book.
 

regdog

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I've just started writing horror and sometime I get squigged out by what I'm writing or thinking
 

Martin Rose

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Creepy/Icky Stuff

Jallenecs - I don't know if it's any help to you, but I've delved in the "icky" stuff. I've read a lot of grimoires, done a lot of research into the occult -- extensive research. I'm way past icky now.
My parents used to move me all over the country, and every house we stayed in had a horror story attached to. So I developed an interest in the supernatural out of desperation -- I wanted protection. So from twelve on, I've been steeped in the occult.
You can decide this sort of stuff is real, or it's a crack-pot. I'm not here to prove or disprove. I can offer you practical, grounded advice. But only if you want it. So, if you want to talk about what you're worried about specifically, I could give some insights backed by long years of research.
What are you frightened of -- the research alone, the content? You can only be frightened of it if you're starting to believe it . . .
 

jallenecs

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Jallenecs - I don't know if it's any help to you, but I've delved in the "icky" stuff. I've read a lot of grimoires, done a lot of research into the occult -- extensive research. I'm way past icky now.
My parents used to move me all over the country, and every house we stayed in had a horror story attached to. So I developed an interest in the supernatural out of desperation -- I wanted protection. So from twelve on, I've been steeped in the occult.
You can decide this sort of stuff is real, or it's a crack-pot. I'm not here to prove or disprove. I can offer you practical, grounded advice. But only if you want it. So, if you want to talk about what you're worried about specifically, I could give some insights backed by long years of research.
What are you frightened of -- the research alone, the content? You can only be frightened of it if you're starting to believe it . . .

I grew up in Appalachia, in a family that kept to the Old Ways, so my childhood was steeped in ghost stories, superstitions, the lot. I don't actually believe in any of that stuff. But, with my imagination, I can talk myself into anything long enough to freak myself out.

A lot of it, though, is the idea that there are people out there who REALLY buy into some of the scarier stuff.
 

Martin Rose

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A lot of it, though, is the idea that there are people out there who REALLY buy into some of the scarier stuff.
People in general are scarier than the devils and angels they create. If that's the only thing keeping you from delving into research that frightens you, I say go for it. Turning back is easy; forging ahead may yield a greater, richer experience . . . and that could come across in the story.
 

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jallenecs
Have you ever had a story -- or the research necessary to prepare for a story -- scared you, or made you want to stop working on it?

Well, frankly, no. But somewhere inside o' me there's a tuning fork for emotional resonance, so if I can find an emotional hook in the material, that tuning fork dings, and I creep myself out. That's what I use. Sometimes it works. Sometimes not.

But it's not just for creep-outness, that tuning fork. It responds to other emotional frequencies, too. So if you're sufficiently tuned into the effect you want to create, you should feel the vibe, follow it, and put it on paper. If you don't feel it, your readers likely won't, either. And if you don't follow it, you won't get to the emotional heart of the material. If you don't put it on paper, no one will care because there won't be a story. Or, if you write about it but don't actually evoke it, you get something hollowed out and empty.

jallenecs
I'm just freaked out by the research. Has anybody else ever had this? And I'm open to suggestions for what to do.

You could do what William Hjortsberg did when writing the sections about Satanism in his novel, Falling Angel: He made it all up.

Hmm. Looks like I wrote more words than Leah Raeder just to say, yeah, I agree with her.

Meanwhile...

Shakesbear
I was seriously upset by some research I did to try and understand a certain type of behaviour

That's the very reason that many write. No, not to get seriously upset, but to understand a certain type of behavior. The understanding, or some semblance of it, comes out through the exploration of the story. Harlan Ellison used this approach in, “The Whimper of Whipped Dogs,” just as many others have used it before him. It's part of the broader writerly kit that attempts to order or make sense of the world. Certainly not every story does that, but some do, and this is often the “irritant against reason” that, like the grit in an oyster, can create a pearl of a story.

Okay. Now I've creeped myself out with gooshings not of blood, but that silly pearl analogy.

Adieu.
 

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I've also been seriously disturbed by some research I've done for a story. The worst of it came when I started researching snuff videos - I developed a small obsession, became convinced that must be real snuff floating around the underground internet somewhere, and went places online I never dreamed existed. After many many fakes, I believe I found what was a real snuff video, and that disturbed me on a level I never knew I had within myself - I always thought of myself as extremely mentally tough, but it rocked my world a little bit.

Possibly even scarier, during the course of my research I stumbled upon the same cannibal forums that Armin Meiwes used to find his voluntary victim.

For the trillion fake pages and posts on the internet, there's always a couple of people with real intent. Scary stuff.
 

Chris P

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Not quite horror, but the bad guy in my WIP fancies teens and adolescents. Online research has led me to some sites I'd rather not be on. I've managed to avoid true kiddie porn, but there are many many sites advocating "reevaluation" of molestation laws, in some disturbing ways.

For horror, I was reading a serialized story in a magazine a few years ago and had to stop. I couldn't mentally leave it alone between readings, and not in a good way.
 

jallenecs

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I've also been seriously disturbed by some research I've done for a story. The worst of it came when I started researching snuff videos - I developed a small obsession, became convinced that must be real snuff floating around the underground internet somewhere, and went places online I never dreamed existed. After many many fakes, I believe I found what was a real snuff video, and that disturbed me on a level I never knew I had within myself - I always thought of myself as extremely mentally tough, but it rocked my world a little bit.

Possibly even scarier, during the course of my research I stumbled upon the same cannibal forums that Armin Meiwes used to find his voluntary victim.

For the trillion fake pages and posts on the internet, there's always a couple of people with real intent. Scary stuff.

I never stumbled across one of those. But, on research for an earlier project, I stumbled across a famous video of a politician who was supposed to be doing a press conference, and chose that particular opportunity to blow his own head off on camera and in front of the press.

I don't know if it was real or fake, and my brain didn't really care. The amount of blood .... I don't know, it short circuited my brain or something. Honestly, I actually think that one sent me into shock, if that's possible. I sat there for at least twenty minutes, just staring into space, trying to process what I had seen. And I couldn't sleep for days after.

Needless to say, I dropped that particular writing project instantly.
 

Chris P

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I never stumbled across one of those. But, on research for an earlier project, I stumbled across a famous video of a politician who was supposed to be doing a press conference, and chose that particular opportunity to blow his own head off on camera and in front of the press.

I don't know if it was real or fake, and my brain didn't really care. The amount of blood .... I don't know, it short circuited my brain or something. Honestly, I actually think that one sent me into shock, if that's possible. I sat there for at least twenty minutes, just staring into space, trying to process what I had seen. And I couldn't sleep for days after.

Needless to say, I dropped that particular writing project instantly.

If it's the one I'm thinking of (about 1984 or 85, heavier bald guy of about sixty) it was very much real. I only saw two black and white stills on the front page of the local paper, and I still remember it vividly. If I'd been old enough, I'd have cancelled my subscription to the paper. A pic of him with the gun in his mouth I can deal with. If the headline reads that he shot himself, I'll believe it. They didn't need to show the second picture.

There are all kinds of pics and videos on various shock sites. I'll do just fine never seeing them.
 

jallenecs

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Yep, that's the one. He had been accused and convicted of some sort of corruption in office, and was going to have to give up his office and do a little time (very little time, like eighteen months or something). This was his way of protesting the conviction.

My brain has mercifully blotted out the name of the guy, and I have zero interest in seeing it again, so no links, sorry about that. But even now, just talking about it, I can see that river of blood pouring out of his nose, and am disturbed all over again.

Bewildered. Yeah, that's the word. That twenty minute blank in my functioning that day was bewilderment. I just couldn't wrap my brain around it.
 

DeleyanLee

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Since I was a kid, I've been interested in serial killers. (Started with Jack the Ripper--always a favorite--anyone else seen the picture of what he did to Mary Kelly? Icky, but not the stuff of nightmares.)

As I got older, I became interested in how the body decomposes. Not enough to do experiments of my own, but to read medical texts and descriptions. This is all natural. Didn't squick me out at all. As an adult, I've been to an autopsy and didn't barf.

When I was a teen, I got interested in paranormal things, did reading on different belief systems including the various magic/ks and demonology and gave myself a base understanding of how things work in case I needed something for a book in the future.

None of this creeped me out or gave me nightmares.

However a friend loaned me a book on the history of torture and torture devices (more research), which pretty much everything Europe has ever created to extract information from the uncooperative. Picture after picture (none of them populated, mind you), and paragraph after paragraph of how these devices were used, factual and clinically cold descriptions of what they did to the body and what kind of life--if any--the victim might have afterward--that one book seriously creeped me out and has given me nightmares on and off for the last two decades.

It took me over 4 months to get through that 200 page book--and most of it was pictures.

After reading that, it's really really hard to make me put the book down because of discomfort.
 

jallenecs

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Now autopsy and decomp doesn't bother me at all. I'm a country girl, born and bred; I've killed and butchered game animals and farm stock. I've seen the family dog in a state of advanced decomposition (a car ran over her, poor thing). The smell takes a little getting used to, but nothing shudder-worthy there.

It's people. What they do to each other, and to themselves. That is hard to cope with.
 

jallenecs

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And the pride--and pleasure--they take in doing so.

I think you've hit the nail on the head.

I have been reading back over the conversation, and it suddenly struck me that I had sort of contradicted myself. I said the blood in the suicide video was what freaked me out, and I was and am telling the absolute truth in that.

But cows have more blood in them than a human, and trust me, butchering is a messy, bloody, dirty job. I've butchered Bossie the cow, complete with all that blood, and never given it a second thought. Farming is a family occupation, and it didn't bother me that my little kids were there, helping out, and seeing the blood and the guts. I did the same thing from the time I was seven, eight, nine years old. I wasn't emotionally scarred by it, and neither were they.

There's nothing personal in butchering a farm animal, or field stripping a deer. The animal doesn't understand; he's in some pain (though only for a few seconds; I know how to do my job), and maybe he's even afraid, but he doesn't comprehend, not the way a human does. I have nothing against Bossie the Cow or Bambi, and I take no pleasure in their deaths. My family eats that meat, and this job, while not my favorite, is part and parcel of country life.

With humans, though.... How can it NOT be personal? They say serial killers, the most f***ed up minds on our planet, have to purposefully objectify their victims, because even they couldn't do what they do if they saw their victims as human. They do the most horrible things imaginable, for the sake of sexual pleasure, or because their religion told them to, or who knows what reason, and they do it to somebody who comprehends what is about to happen.

That man who blew his head off, he had hopes and dreams and aspirations, loved and was loved, had hurts and joys and everything that I have and you have. He knew what that gun would do, and he did it anyway. The brain that held all those joys and dreams and memories was splattered all over the wall a few seconds later, and pouring out his nose.

Ummm.... I think I'm rambling. Sorry. I guess I'm still trying to sort it all out.
 

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Since I was a kid, I've been interested in serial killers. (Started with Jack the Ripper--always a favorite--anyone else seen the picture of what he did to Mary Kelly? Icky, but not the stuff of nightmares.)
This was me. Until I came across Rose and Fred West. I was messed up for awhile after researching them. Something about them was just *really* disturbing.


And then the other one that gets me every time is the myth of the Japanese slit-mouth woman. That one brings up some *very* disturbing images, that give me nightmares for a week.
 
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